Carl Lumma: Difference between revisions
Wikispaces>clumma **Imported revision 253439904 - Original comment: ** |
Wikispaces>clumma **Imported revision 253440340 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:clumma|clumma]] and made on <tt>2011-09-13 03: | : This revision was by author [[User:clumma|clumma]] and made on <tt>2011-09-13 03:16:25 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>253440340</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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[[http://lumma.org/music/theory/XMW.txt|Xenharmonic Moving Windows: Extended JI with conventional keyboards]] | [[http://lumma.org/music/theory/XMW.txt|Xenharmonic Moving Windows: Extended JI with conventional keyboards]] | ||
[[http://lumma.org/music/theory/AdaptiveTuning.txt|MIDI-based adaptive tuning by common-tone matching]] | [[http://lumma.org/music/theory/AdaptiveTuning.txt|MIDI-based adaptive tuning by common-tone matching]] | ||
[[http://lumma.org/music/theory/gd/ | [[http://lumma.org/music/theory/gd/|Generalizing diatonicity]] | ||
Triadic beat ratios do not predict listener preference | Triadic beat ratios do not predict listener preference | ||
New well temperaments from first principles | New well temperaments from first principles | ||
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[[http://lumma.org/music/theory/notation/|Classification of microtonal notation systems]] | [[http://lumma.org/music/theory/notation/|Classification of microtonal notation systems]] | ||
[[http://lumma.org/music/theory/subgroup/|Beyond limits: Optimal subgroups for equal temperaments]] | [[http://lumma.org/music/theory/subgroup/|Beyond limits: Optimal subgroups for equal temperaments]] | ||
[[http://lumma.org/music/theory/ProgressionStrength.txt| | [[http://lumma.org/music/theory/ProgressionStrength.txt|Measuring the strength of chord progressions]] | ||
[[http://lumma.org/music/theory/MaxETError.txt|Maximum dyadic error of triads in equal temperaments]] | [[http://lumma.org/music/theory/MaxETError.txt|Maximum dyadic error of triads in equal temperaments]] | ||
The MOS theorem: Well-formed scales are tempered Fokker blocks | The MOS theorem: Well-formed scales are tempered Fokker blocks | ||
| Line 53: | Line 53: | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/XMW.txt" rel="nofollow">Xenharmonic Moving Windows: Extended JI with conventional keyboards</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/XMW.txt" rel="nofollow">Xenharmonic Moving Windows: Extended JI with conventional keyboards</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/AdaptiveTuning.txt" rel="nofollow">MIDI-based adaptive tuning by common-tone matching</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/AdaptiveTuning.txt" rel="nofollow">MIDI-based adaptive tuning by common-tone matching</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/gd/ | <a class="wiki_link_ext" href="http://lumma.org/music/theory/gd/" rel="nofollow">Generalizing diatonicity</a><br /> | ||
Triadic beat ratios do not predict listener preference<br /> | Triadic beat ratios do not predict listener preference<br /> | ||
New well temperaments from first principles<br /> | New well temperaments from first principles<br /> | ||
| Line 60: | Line 60: | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/notation/" rel="nofollow">Classification of microtonal notation systems</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/notation/" rel="nofollow">Classification of microtonal notation systems</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/subgroup/" rel="nofollow">Beyond limits: Optimal subgroups for equal temperaments</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/subgroup/" rel="nofollow">Beyond limits: Optimal subgroups for equal temperaments</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/ProgressionStrength.txt" rel="nofollow"> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/ProgressionStrength.txt" rel="nofollow">Measuring the strength of chord progressions</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/MaxETError.txt" rel="nofollow">Maximum dyadic error of triads in equal temperaments</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/MaxETError.txt" rel="nofollow">Maximum dyadic error of triads in equal temperaments</a><br /> | ||
The MOS theorem: Well-formed scales are tempered Fokker blocks<br /> | The MOS theorem: Well-formed scales are tempered Fokker blocks<br /> | ||