No edit summary
No edit summary
Line 8: Line 8:


I also exist on the [https://discord.com/invite/FSF5JFT XA Discord], currently under the alias ''Sir Semiflat''.
I also exist on the [https://discord.com/invite/FSF5JFT XA Discord], currently under the alias ''Sir Semiflat''.
<u>Keep in mind that I have constantly been making changes to this page, so I could have made a lot of mistakes here.</u>


==An idea for notation I had ==
==An idea for notation I had ==
Something I noticed in [[Ups and downs notation|regular EDO notation]], relying on Pythagorean names with an extra layer of accidentals, is that the Pythagorean major third in a lot of EDO systems doesn't match the [[5/4|just major third 5/4]]. So, with some thought from Just Intonation notations, I came up with something that I think might be promising.
Something I noticed in [[Ups and downs notation|regular EDO notation]], relying on Pythagorean names with an extra layer of accidentals, is that the Pythagorean major third in a lot of EDO systems doesn't match the [[5/4|just major third 5/4]]. So, with some thought from Just Intonation notations, I came up with something that I think might be promising.


In essence, instead of solely relying on Pythagorean names and arrows for edosteps in between (which can get unwieldy in larger EDOs, e.g. [[72edo#Intervals|72-EDO]]), I considered making the arrow represent the [[syntonic comma]] instead. If your EDO has a different pitch for the just major third and the Pythagorean major third, then of course, it has a syntonic comma that hasn't been tempered out. This won't change anything for EDOs with a syntonic comma less than or equal to one step, of course, but it could have an effect on even "sharper" systems like 37-EDO.
In essence, instead of solely relying on Pythagorean names and arrows for edosteps in between (which can get unwieldy in larger EDOs, e.g. [[72edo#Intervals|72-EDO]]), I considered giving the [[syntonic comma]] priority. If your EDO has a different pitch for the just major third and the Pythagorean major third, then of course, it has a syntonic comma that hasn't been tempered out. This won't change anything for EDOs with a syntonic comma less than or equal to one step, of course, but it could have an effect on even "sharper" systems like 37-EDO.


For single edosteps, we can instead use a sort of slash-like symbol Bosanquet used in his notation.
The syntonic comma can be represented by a sort of slash-like symbol Bosanquet used in his notation.
 
Single edosteps are still notated with arrows: '''^''' and '''v'''.


Here's a full example in [[37edo|37-EDO]]:
Here's a full example in [[37edo|37-EDO]]:
Line 36: Line 40:
|Fb
|Fb
|^Eb
|^Eb
|^D
|/D
|-
|-
|3
|3
|Gbb
|Gbb
|^^Eb
|^^Eb
|^Eb
|/Eb
|-
|-
|4
|4
|Bx
|Bx
|vvD#
|vvD#
|vD#
|\D#
|-
|-
|5
|5
|Cx
|Cx
|vD#
|vD#
|vE
|\E
|-
|-
|6
|6
Line 76: Line 80:
|Abb
|Abb
|^Gb
|^Gb
|^F
|/F
|-
|-
|11
|11
|Bbbb
|Bbbb
|^^Gb
|^^Gb
|^Gb
|/Gb
|-
|-
|12
|12
|Dx
|Dx
|vvF#
|vvF#
|vF#
|\F#
|-
|-
|13
|13
|E#
|E#
|vF#
|vF#
|vG
|\G
|-
|-
|14
|14
Line 111: Line 115:
|Bbb
|Bbb
| ^Ab
| ^Ab
|^G
|/G
|-
|-
|18
|18
|Cbb
|Cbb
|^^Ab
|^^Ab
| ^Ab
| /Ab
|-
|-
| 19
| 19
| Ex
| Ex
|vvG#
|vvG#
|vG#
|\G#
|-
|-
|20
|20
|Fx
|Fx
|vG#
|vG#
| vA
| \A
|-
|-
|21
|21
Line 146: Line 150:
|Cb
|Cb
|^Bb
|^Bb
|^A
|/A
|-
|-
|25
|25
|Dbb
|Dbb
|^^Bb
|^^Bb
|vBb
|\Bb
|-
|-
|26
|26
|F#x
|F#x
|vvA#
|vvA#
|vA#
|\A#
|-
|-
|27
|27
|Gx
|Gx
|vA#
|vA#
|vB
|\B
|-
|-
|28
|28
Line 186: Line 190:
|Ebb
|Ebb
|^Db
|^Db
|^C
|/C
|-
|-
|33
|33
|Fbb
|Fbb
|^^Db
|^^Db
|^Db
|/Db
|-
|-
|34
|34
|Ax
|Ax
|vvC#
|vvC#
|vC#
|\C#
|-
|-
|35
|35
|B#
|B#
|vC#
|vC#
|vD
|\D
|-
|-
|36
|36
Line 213: Line 217:
|D
|D
|}
|}
And for anti-diatonic systems, use '''(''' and ''')''' instead of '''^''' and '''v''', using <u>harmonic notation</u>.
For systems with a negative syntonic comma (most often in anti-diatonic and 7''n''-EDO systems) use ''')''' and '''(''' instead of '''/''' and '''\''', using <u>harmonic notation</u>.


An example in [[13edo|13-EDO]]:
An example in [[13edo|13-EDO]]:
Line 230: Line 234:
|E
|E
|Dx, Ebb
|Dx, Ebb
|E, (C
|E, )C
|-
|-
|2
|2
|Eb
|Eb
| E
| E
|Eb, (D
|Eb, )D
|-
|-
|3
|3
|Fx
|Fx
|Ex, Fb
|Ex, Fb
|(E, )F
|)E, (F
|-
|-
|4
|4
|F#
|F#
|F#
|F#
| F#, )G
| F#, (G
|-
|-
| 5
| 5
|F
|F
|Gb
|Gb
|F, )A
|F, (A
|-
|-
| 6
| 6
|G
|G
|G#
|G#
|G, )B
|G, (B
|-
|-
|7
|7
|A
|A
|Ab
|Ab
|A, (F
|A, )F
|-
|-
|8
|8
|B
|B
| A#
| A#
|B, (G
|B, )G
|-
|-
|9
|9
|Bb
|Bb
|Bb
|Bb
| Bb, (A
| Bb, )A
|-
|-
|10
|10
|Cx
|Cx
|B#
|B#
|(B, )C
|)B, (C
|-
|-
|11
|11
|C#
|C#
|C
|C
|C#, )D
|C#, (D
|-
|-
|12
|12
|C
|C
|Cx, Dbb
|Cx, Dbb
|C, )E
|C, (E
|-
|-
|13
|13