9/7: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~Andrew_Heathwaite~~|~~Andrew_Heathwaite~~]] and made on <tt>~~2011~~-09-~~14 20~~:11:19 UTC</tt>.<br>

: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2013-10-17 03:33:56 UTC</tt>.<br>

: The original revision id was <tt>~~254154492~~</tt>.<br>

: The original revision id was <tt>460616292</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

Line 8:

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[Just Intonation]], 9/7 is a supermajor third of approximately 435.1¢, characteristic of [[7-limit]] and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad, 4:5:6:7:8:9 includes a septimal supermajor third between the 7th and the 9th.

A just chord can be built with this wide third in place of the more traditional [[5_4|5/4]]. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the 9-limit hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.

A just chord can be built with this wide third in place of the more traditional [[5_4|5/4]]. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the [[9-limit]] hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.

See also the Wikipedia article on the [[http://en.wikipedia.org/wiki/Septimal_major_third|Septimal major third]].

Line 15:

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>9_7</title></head><body>In <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 9/7 is a supermajor third of approximately 435.1¢, characteristic of <a class="wiki_link" href="/7-limit">7-limit</a> and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad, 4:5:6:7:8:9 includes a septimal supermajor third between the 7th and the 9th.<br />

<br />

A just chord can be built with this wide third in place of the more traditional <a class="wiki_link" href="/5_4">5/4</a>. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the 9-limit hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.<br />

A just chord can be built with this wide third in place of the more traditional <a class="wiki_link" href="/5_4">5/4</a>. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the <a class="wiki_link" href="/9-limit">9-limit</a> hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.<br />

<br />

See also the Wikipedia article on the <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_major_third" rel="nofollow">Septimal major third</a>.<br />

See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-09-14 20:11:19 UTC</tt>.<br>
+: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2013-10-17 03:33:56 UTC</tt>.<br>
-: The original revision id was <tt>254154492</tt>.<br>
+: The original revision id was <tt>460616292</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 8: / Line 8: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[Just Intonation]], 9/7 is a supermajor third of approximately 435.1¢, characteristic of [[7-limit]] and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad, 4:5:6:7:8:9 includes a septimal supermajor third between the 7th and the 9th.
-A just chord can be built with this wide third in place of the more traditional [[5_4|5/4]]. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the 9-limit hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.
+A just chord can be built with this wide third in place of the more traditional [[5_4|5/4]]. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the [[9-limit]] hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.
 See also the Wikipedia article on the [[http://en.wikipedia.org/wiki/Septimal_major_third|Septimal major third]].
@@ Line 15: / Line 15: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;9_7&lt;/title&gt;&lt;/head&gt;&lt;body&gt;In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 9/7 is a supermajor third of approximately 435.1¢, characteristic of &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; and beyond. On its own, it has a very strident quality, but in the context of a chord, it can sound perfectly consonant. The 9-limit hexad, 4:5:6:7:8:9 includes a septimal supermajor third between the 7th and the 9th.&lt;br /&gt;
 &lt;br /&gt;
-A just chord can be built with this wide third in place of the more traditional &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the 9-limit hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.&lt;br /&gt;
+A just chord can be built with this wide third in place of the more traditional &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;. This supermajor triad would be 14:18:21. This triad can be very effective in music, but in this context, the modern ear, accustomed to 12edo thirds of 400¢ is likely to hear 9/7 as a mistuned major third instead of a new class of interval in its own right. Chords such as the &lt;a class="wiki_link" href="/9-limit"&gt;9-limit&lt;/a&gt; hexad above and subsets of it give more opportunity for 9/7 to be heard as consonant.&lt;br /&gt;
 &lt;br /&gt;
 See also the Wikipedia article on the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_major_third" rel="nofollow"&gt;Septimal major third&lt;/a&gt;.&lt;br /&gt;
 See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>