User:Ganaram inukshuk/Notes/TAMNAMS: Difference between revisions
→Changes to existing names: Added compromise to monolarge name changes |
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* Depending on pronunciation, the word "agate" may rhyme with "eight". | * Depending on pronunciation, the word "agate" may rhyme with "eight". | ||
* Depending on pronunciation, the word "olivine" may rhyme with "nine". | * Depending on pronunciation, the word "olivine" may rhyme with "nine". | ||
| rowspan="4" | | | rowspan="4" |Puns; dependent on pronunciation, which may vary. | ||
A compromise is to recognize both the current and proposed names: | |||
* 1L 5s: antimachinoid, | * 1L 5s: antimachinoid, selenite | ||
* 1L 6s: antiarcheotonic, onyx | * 1L 6s: antiarcheotonic (new name), onyx | ||
* 1L 7s: antipine, spinel | * 1L 7s: antipine, spinel | ||
* 1L 8s: antisubneutralic, agate | * 1L 8s: antisubneutralic, agate | ||
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| rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together if possible. The use of the term "superdiatonic" to refer to 7L 2s was misattributed to armodue theorists, as the term cannot be found anywhere on the armodue website. | | rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together if possible. The use of the term "superdiatonic" to refer to 7L 2s was misattributed to armodue theorists, as the term cannot be found anywhere on the armodue website. | ||
The use of the term "superdiatonic" is used to refer to both a chromatic extension of an albitonic (diatonic-like) scale and the mos 7L 2s, depending on context. In TAMNAMS-related contexts, the term "chromatic" is used for the former. | The use of the term "superdiatonic" is used to refer to both a chromatic extension of an albitonic (diatonic-like) scale and the mos 7L 2s, depending on context. In TAMNAMS-related contexts, the term "chromatic" is used for the former. | ||
| rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added. Despite misattribution, the name "superdiatonic" | | rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added. Despite misattribution, the name "superdiatonic" refers to 7L 2s. | ||
New names reference pelog tuning and armodue theory. | New names reference pelog tuning and armodue theory. | ||