Deneb: Difference between revisions
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'''Deneb''' is a [[tritave]]-repeating [[rank-2 temperament]] that tempers out the comma 6655/6561 in the 3.5.11 subgroup, the amount by which 4 [[11/9]]'s exceed [[11/5]]. Having a generator of ~11/9, it possesses [[MOS scale]]s of the families 1L 4s<3/1>, 5L 1s<3/1>, 6L 5s<3/1>, and 11L 6s<3/1>. Good tunings for this temperament are [[11edt]], [[17edt]], [[28edt]], [[39edt]] and [[45edt]]. | '''Deneb''' is a [[tritave]]-repeating [[rank-2 temperament]] that tempers out the comma 6655/6561 in the 3.5.11 subgroup, the amount by which 4 [[11/9]]'s exceed [[11/5]]. Having a generator of ~11/9, it possesses [[MOS scale]]s of the families 1L 4s<3/1>, 5L 1s<3/1>, 6L 5s<3/1>, and 11L 6s<3/1>. Good tunings for this temperament are [[11edt]], [[17edt]], [[28edt]], [[39edt]] and [[45edt]]. | ||
== Interval chain (POTE tuning) == | |||
{|class="wikitable" | |||
|- | |||
!Generators up | |||
!Cents | |||
!Generators down | |||
!Cents | |||
|- | |||
|0 | |||
|0.00 | |||
|0 | |||
|0.00 | |||
|- | |||
|1 | |||
|340.24 | |||
|1 | |||
|1561.72 | |||
|- | |||
|2 | |||
|680.48 | |||
|2 | |||
|1221.48 | |||
|- | |||
|3 | |||
|1020.72 | |||
|3 | |||
|881.24 | |||
|- | |||
|4 | |||
|1360.96 | |||
|4 | |||
|541.00 | |||
|- | |||
|5 | |||
|1701.20 | |||
|5 | |||
|200.76 | |||
|- | |||
|6 | |||
|139.48 | |||
|6 | |||
|1762.48 | |||
|- | |||
|7 | |||
|479.72 | |||
|7 | |||
|1422.24 | |||
|- | |||
|8 | |||
|819.96 | |||
|8 | |||
|1082.00 | |||
|- | |||
|9 | |||
|1160.20 | |||
|9 | |||
|741.76 | |||
|} | |||
== Harmony == | == Harmony == | ||
Deneb does not have sevens and as such the most simple approach to no-twos harmony (using the chord 3:5:7) does not work. Due to its approximation of 11/9 and 11/5, the chord 5:9:11 and its utonal inversion 45:55:99 is well-represented. The utonal chord in particular sounds surprisingly consonant for a no-twos chord, while the otonal chord sounds more strained but still somewhat consonant. | Deneb does not have sevens and as such the most simple approach to no-twos harmony (using the chord 3:5:7) does not work. Due to its approximation of 11/9 and 11/5, the otonal chord 5:9:11 and its utonal inversion 45:55:99 is well-represented. The utonal chord in particular sounds surprisingly consonant for a no-twos chord, while the otonal chord sounds more strained but still somewhat consonant. | ||