8/7: Difference between revisions

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Wikispaces>Andrew_Heathwaite
**Imported revision 254181336 - Original comment: **
Wikispaces>spt3125
**Imported revision 513184278 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-09-14 21:39:46 UTC</tt>.<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-06-07 12:19:49 UTC</tt>.<br>
: The original revision id was <tt>254181336</tt>.<br>
: The original revision id was <tt>513184278</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major third of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**8/7**
|3 0 0 -1&gt;
813.68629 cents
[[media type="file" key="jid_8_7_pluck_adu_dr220.mp3"]]
 
In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major third of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.


See the Wikipedia article for [[http://en.wikipedia.org/wiki/Septimal_whole_tone|Septimal whole tone]].
See the Wikipedia article for [[http://en.wikipedia.org/wiki/Septimal_whole_tone|Septimal whole tone]].
See also: [[Gallery of Just Intervals]]</pre></div>
See also: [[Gallery of Just Intervals]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;8_7&lt;/title&gt;&lt;/head&gt;&lt;body&gt;In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 8/7 is the &amp;quot;septimal supermajor second&amp;quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; ratio. In &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (&lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt;) and octave. It differs from the Pythagorean major third of &lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt; by &lt;a class="wiki_link" href="/64_63"&gt;64/63&lt;/a&gt;, a microtone of about 27.3¢.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;8_7&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;8/7&lt;/strong&gt;&lt;br /&gt;
|3 0 0 -1&amp;gt;&lt;br /&gt;
813.68629 cents&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_8_7_pluck_adu_dr220.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;jid_8_7_pluck_adu_dr220.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_8_7_pluck_adu_dr220.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;br /&gt;
&lt;br /&gt;
In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 8/7 is the &amp;quot;septimal supermajor second&amp;quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; ratio. In &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (&lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt;) and octave. It differs from the Pythagorean major third of &lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt; by &lt;a class="wiki_link" href="/64_63"&gt;64/63&lt;/a&gt;, a microtone of about 27.3¢.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See the Wikipedia article for &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_whole_tone" rel="nofollow"&gt;Septimal whole tone&lt;/a&gt;.&lt;br /&gt;
See the Wikipedia article for &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_whole_tone" rel="nofollow"&gt;Septimal whole tone&lt;/a&gt;.&lt;br /&gt;
See also: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
See also: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 12:19, 7 June 2014

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author spt3125 and made on 2014-06-07 12:19:49 UTC.
The original revision id was 513184278.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

**8/7**
|3 0 0 -1>
813.68629 cents
[[media type="file" key="jid_8_7_pluck_adu_dr220.mp3"]]

In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major third of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.

See the Wikipedia article for [[http://en.wikipedia.org/wiki/Septimal_whole_tone|Septimal whole tone]].
See also: [[Gallery of Just Intervals]]

Original HTML content:

<html><head><title>8_7</title></head><body><strong>8/7</strong><br />
|3 0 0 -1&gt;<br />
813.68629 cents<br />
<!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_8_7_pluck_adu_dr220.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;jid_8_7_pluck_adu_dr220.mp3&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_8_7_pluck_adu_dr220.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --><br />
<br />
In <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 8/7 is the &quot;septimal supermajor second&quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of <a class="wiki_link" href="/12edo">12edo</a>, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a <a class="wiki_link" href="/superparticular">superparticular</a> ratio. In <a class="wiki_link" href="/7-limit">7-limit</a> JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (<a class="wiki_link" href="/7_4">7/4</a>) and octave. It differs from the Pythagorean major third of <a class="wiki_link" href="/9_8">9/8</a> by <a class="wiki_link" href="/64_63">64/63</a>, a microtone of about 27.3¢.<br />
<br />
See the Wikipedia article for <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_whole_tone" rel="nofollow">Septimal whole tone</a>.<br />
See also: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html>