User:CompactStar/Ed16/9: Difference between revisions
CompactStar (talk | contribs) Created page with "WIP '''ED16/9''' is the equal division of the the Pythagorean minor seventh (16/9) into n parts. Division of 16/9 into equal parts can be conceived of as to directly use..." |
CompactStar (talk | contribs) I meant Neo-Medieval |
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'''ED16/9''' is the equal division of the the Pythagorean minor seventh ([[16/9]]) into n parts. | '''ED16/9''' is the equal division of the the Pythagorean minor seventh ([[16/9]]) into n parts. | ||
Division of 16/9 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of [[equivalence]] has not even been posed yet. The utility of 16/9 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony. Given any odd-numbered [[Ed4/3|ED4/3]], an ED16/9 can be generated by taking every other tone of the ED4/3, so ED16/9 can also be used for Neo- | Division of 16/9 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of [[equivalence]] has not even been posed yet. The utility of 16/9 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony. Given any odd-numbered [[Ed4/3|ED4/3]], an ED16/9 can be generated by taking every other tone of the ED4/3, so ED16/9 can also be used for Neo-Medieval harmony and such. | ||