User:CompactStar/Ed11/5: Difference between revisions

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The simplest chord that is possible without 2's or 3's that fits in 11/5 is 7:11:13, so it can be viewed as the fundamental sonority of no-twos-or-threes music. It is also the smallest option that is not extremely dissonant, as 5:7:11 contains a [[7/5]] tritone creating a strong dissonance. In this case, three [[13/7]]'s fall short of [[11/7]] by [[847/845]]. Tempering out this comma together with the additional comma 637/625 creates a [[rank-2 temperament]] in the  no-twos-or-threes 13-limit that can be viewed as an analog to [[meantone]]. It possesses [[MOS scale]]s of the form 1L 3s<11/5>, 4L 1s<11/5>, 5L 4s<11/5>, and 5L 9s<11/5>.
The simplest chord that is possible without 2's or 3's that fits in 11/5 is 7:11:13, so it can be viewed as the fundamental sonority of no-twos-or-threes music. It is also the smallest option that is not extremely dissonant, as 5:7:11 contains a [[7/5]] tritone creating a strong dissonance. In this case, three [[13/7]]'s fall short of [[11/7]] by [[847/845]]. Tempering out this comma together with the additional comma 637/625 creates a [[rank-2 temperament]] in the  no-twos-or-threes 13-limit that can be viewed as an analog to [[meantone]]. It possesses [[MOS scale]]s of the form 1L 3s<11/5>, 4L 1s<11/5>, 5L 4s<11/5>, and 5L 9s<11/5>.


== Individual pages for Ed11/5s ==
== ED11/5-EDO correspondence ==
{|class="wikitable"
|-
!ED11/5
!EDO
|-
|[[8ed11/5]]
|[[7edo]]
|-
|[[16ed11/5]]
|[[14edo]]
|-
|[[24ed11/5]]
|[[21edo]]
|-
|[[25ed11/5]]
|[[22edo]]
|-
|[[33ed11/5]]
|[[29edo]]
|}
== Individual pages for ED11/5s ==
* [[2ed11/5]]
* [[2ed11/5]]
* [[3ed11/5]]
* [[3ed11/5]]
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* [[13ed11/5]]
* [[13ed11/5]]
* [[14ed11/5]]
* [[14ed11/5]]
[[Category:Ed11/5]]
[[Category:Ed11/5]]
[[Category:Nonoctave]]
[[Category:Nonoctave]]
[[Category:Equal-step tunings]]
[[Category:Equal-step tunings]]