Ed5/4: Difference between revisions
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Division of the 5:4 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of [[equivalence]] is still in its infancy. The utility of 5:4 as a base though, is apparent by providing a novel consonance after 3, and being the basis for [[5-limit]] harmony. Many, if not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy. | Division of the 5:4 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of [[equivalence]] is still in its infancy. The utility of 5:4 as a base though, is apparent by providing a novel consonance after 3, and being the basis for [[5-limit]] harmony. Many, if not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy. | ||
5/4 is particularly narrow as far as equivalences go and it is difficult to fit consonant chords in it, so we might consider using 5/4<sup>2<sup> = [[25/16]] as the equivalence instead. | 5/4 is particularly narrow as far as equivalences go and it is difficult to fit consonant chords in it, so we might consider using 5/4<sup>2</sup> = [[25/16]] as the equivalence instead. | ||
== Individual pages for ED5/4s == | /== Individual pages for ED5/4s == | ||
* 2 - [[2ed5/4|Square Root of 5/4]] | * 2 - [[2ed5/4|Square Root of 5/4]] | ||
* 3 - [[3ed5/4|Cube Root of 5/4]] | * 3 - [[3ed5/4|Cube Root of 5/4]] | ||