7L 3s: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:Kosmo|Kosmo]] and made on <tt>2011-04-~~04 13~~:22:07 UTC</tt>.<br>

: This revision was by author [[User:Kosmo|Kosmo]] and made on <tt>2011-04-05 20:25:44 UTC</tt>.<br>

: The original revision id was <tt>~~216955580~~</tt>.<br>

: The original revision id was <tt>217522104</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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t q a

q a t

q t a

q t a</pre></div>

~~Other repeating ntervals~~

If, instead of an octave, the period is a ratio of 8:3 (octave + p.4th) then the same MOS can be constructed using 4:3 as a generating interval. Dividing this 8:3 into 17 equal tones is practically identical to 12-EDO. The scale thus formed is essentially common Dorian mode and a couple of notes above the octave. This is yet another "xenharmonic" use of the 12-EDO scale.

~~C D Eb F G A Bb C' D' Eb'~~

~~F' G' Ab' Bb' C" D" Eb" F" G" Ab" etc.~~</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>7L 3s</title></head><body><h1 id="toc0"><a name="x7+3 - &quot;unfair mosh&quot; - &quot;neutral third scales&quot;"></a>7+3 - &quot;unfair mosh&quot; - &quot;neutral third scales&quot;</h1>

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t q a<br />

q a t<br />

q t a~~<br />~~

q t a</body></html></pre></div>

~~<br />~~

~~Other repeating ntervals<br />~~

If, instead of an octave, the period is a ratio of 8:3 (octave + p.4th) then the same MOS can be constructed using 4:3 as a generating interval. Dividing this 8:3 into 17 equal tones is practically identical to 12-EDO. The scale thus formed is essentially common Dorian mode and a couple of notes above the octave. This is yet another &quot;xenharmonic&quot; use of the 12-EDO scale.<br />

~~C D Eb F G A Bb C' D' Eb'<br />~~

~~F' G' Ab' Bb' C&quot; D&quot; Eb&quot; F&quot; G&quot; Ab&quot; etc.~~</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:Kosmo|Kosmo]] and made on <tt>2011-04-04 13:22:07 UTC</tt>.<br>
+: This revision was by author [[User:Kosmo|Kosmo]] and made on <tt>2011-04-05 20:25:44 UTC</tt>.<br>
-: The original revision id was <tt>216955580</tt>.<br>
+: The original revision id was <tt>217522104</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 68: / Line 68: @@
 t q a
 q a t
-q t a
+q t a</pre></div>
-Other repeating ntervals
-If, instead of an octave, the period is a ratio of 8:3 (octave + p.4th) then the same MOS can be constructed using 4:3 as a generating interval. Dividing this 8:3 into 17 equal tones is practically identical to 12-EDO. The scale thus formed is essentially common Dorian mode and a couple of notes above the octave. This is yet another "xenharmonic" use of the 12-EDO scale.
-C D Eb F G A Bb C' D' Eb'
-F' G' Ab' Bb' C" D" Eb" F" G" Ab" etc.</pre></div>
 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;7L 3s&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x7+3 - &amp;quot;unfair mosh&amp;quot; - &amp;quot;neutral third scales&amp;quot;"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;7+3 - &amp;quot;unfair mosh&amp;quot; - &amp;quot;neutral third scales&amp;quot;&lt;/h1&gt;
@@ Line 170: / Line 165: @@
 t q a&lt;br /&gt;
 q a t&lt;br /&gt;
-q t a&lt;br /&gt;
+q t a&lt;/body&gt;&lt;/html&gt;</pre></div>
-&lt;br /&gt;
-Other repeating ntervals&lt;br /&gt;
-If, instead of an octave, the period is a ratio of 8:3 (octave + p.4th) then the same MOS can be constructed using 4:3 as a generating interval. Dividing this 8:3 into 17 equal tones is practically identical to 12-EDO. The scale thus formed is essentially common Dorian mode and a couple of notes above the octave. This is yet another &amp;quot;xenharmonic&amp;quot; use of the 12-EDO scale.&lt;br /&gt;
-C D Eb F G A Bb C' D' Eb'&lt;br /&gt;
-F' G' Ab' Bb' C&amp;quot; D&amp;quot; Eb&amp;quot; F&amp;quot; G&amp;quot; Ab&amp;quot; etc.&lt;/body&gt;&lt;/html&gt;</pre></div>