7L 2s: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:~~guest~~|~~guest~~]] and made on <tt>2011-08-~~29 04~~:16:41 UTC</tt>.

: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-09-20 22:21:46 UTC</tt>.

: The original revision id was <tt>~~249049649~~</tt>.

: The original revision id was <tt>256371432</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Line 16:

|| 3\[[7edo|7]] || || || || || || || 1 1 1 0 1 1 1 1 0 || ||

|| || || || || 16\37 || || || 5 5 5 1 5 5 5 5 1 || ||

|| || || || 13\[[30edo|30]] ~~|| ||~~ || || 4 4 4 1 4 4 4 4 1 || ||

|| || || || || || 13\[[30edo|30]] || || 4 4 4 1 4 4 4 4 1 || ||

|| || || || || 23\[[53edo|53]] || || || 7 7 7 2 7 7 7 7 2 || ||

|| || || || 134\[[237edo|237]] || || || || 31 31 31 10 31

31 31 31 10 || HORNBOSTEL TEMPERAMENT (1/31-tones; Optimum high size

of Hornbostel '6th') ||

|| || || 10\[[23edo|23]] || || || || || 3 3 3 1 3 3 3 3 1 || HORNBOSTEL TEMPERAMENT (Armodue 1/3-tones) ||

|| || || || || || 37\[[85edo|85]] || || 11 11 11 4~~...~~ || Armodue-Hornbostel 1/11-tones ||

|| || || || || || || 113\[[200edo|200]] || 26 26 26 9 26

26 26 26 9 || HORNBOSTEL (& [[Alexei Stepanovich Ogolevets|OGOLEVETS]]) TEMPERAMENT (1/26-tones; Best

equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent),

note '3', '7' & '8') ||

|| || || || || || 37\[[85edo|85]] || || 11 11 11 4 11

11 11 11 4 || Armodue-Hornbostel 1/11-tones (Optimum accuracy of Phi interval, the note '7') ||

|| || || || || 27\[[62edo|62]] || || || 8 8 8 3 8 8 8 8 3 || Armodue-Hornbostel 1/8-tones ||

|| || || || 17\[[39edo|39]] || || || || 5 5 5 2 5 5 5 5 2 || Armodue-Hornbostel 1/5-tones ||

|| || || || 17\[[39edo|39]] || || || || 5 5 5 2 5 5 5 5 2 || Armodue-Hornbostel 1/5-tones (Optimum low size of Hornbostel '6th') ||

|| || || || || 24\[[55edo|55]] || || || 7 7 7 3 7 7 7 7 3 || Armodue-Hornbostel 1/7-tones ||

|| || || || || 24\[[55edo|55]] || || || 7 7 7 3 7 7 7 7 3 || Armodue-"Hornbostel" 1/7-tones ||

|| || || || || || 31\[[71edo|71]] || || 9 9 9 4 9 9 9 9 4 || UNFAIR Armodue-Hornbostel 1/9-tone ||

|| || || || || || || 38\[[87edo|87]] || 11 11 11 5~~...~~ || ||

|| || || || || || || 38\[[87edo|87]] || 11 11 11 5 11

11 11 11 5 || ||

|| || 7\[[16edo|16]] || || || || || || 2 2 2 1 2 2 2 2 1 || ARMODUE ESADECAFONIA (or Goldsmith Temperament) ||

|| || || || || || || 39\[[89edo|89]] || 11 11 11 6~~...~~ || Armodue-Mesotonic 1/11-tone ||

|| || || || || || || 39\[[89edo|89]] || 11 11 11 6 11

11 11 11 6 || Armodue-Mesotonic 1/11-tone ||

|| || || || || || 32\[[73edo|73]] || || 9 9 9 5 9 9 9 9 5 || Armodue-Mesotonic 1/9-tone (with an approximation

of the Perfect Fifth + 1/5 Pyth.Comma [706,8 Cents]) ||

|| || || || || 25\[[57edo|57]] || || || 7 7 7 4 7 7 7 7 4 || Armodue-Mesotonic 1/7-tone (the ~~best compromise for~~ the [[7_4|7/4]] interval) ||

|| || || || || 25\[[57edo|57]] || || || 7 7 7 4 7 7 7 7 4 || Armodue-Mesotonic 1/7-tone (the 'Commatic' version of Armodue, because its

highly accuracy of the [[7_4|7/4]] interval, the note '8') ||

|| || || || 18\[[41edo|41]] || || || || 5 5 5 3 5 5 5 5 3 || Armodue-Mesotonic 1/5-tone ||

|| || || || || || 47\107 || || 13 13 13 8~~...~~ || ||

|| || || || || || 47\107 || || 13 13 13 8 13

|| || || || || || || 86\173 || 21 21 21 13~~...~~ || Golden ~~mavila~~ (ratio between large and small steps is ~~phi~~) ||

13 13 13 8 || 1/13-tone ||

|| || || || || || || 86\173 || 21 21 21 13 21

21 21 21 13 || Golden Mavila 1/21-tone (ratio between large and small steps is Phi) ||

|| || || || || 29\[[66edo|66]] || || || 8 8 8 5 8 8 8 8 5 || ||

|| || || 11\[[25edo|25]] || || || || || 3 3 3 2 3 3 3 3 2 || MESOTONIC Type of Armodue 1/3-tone

|| || || 11\[[25edo|25]] || || || || || 3 3 3 2 3 3 3 3 2 || MESOTONIC Type of Armodue 1/3-tone; Optimum rank range (L/s=3/2) ||

Optimum rank range (L/s=3/2) ||

|| || || || || 26\[[59edo|59]] || || || 7 7 7 5 7 7 7 7 5 || ||

|| || || || 15\[[34edo|34]] || || || || 4 4 4 3 4 4 4 4 3 || ||

Line 106:

Line 118:

<td>

</td>

<td~~>13\<a class="wiki_link" href="/30edo">30</a~~>

<td>

</td>

<td>

</td>

<td>

</td>

<td>

Line 137:

Line 149:

</td>

<td>

</td>

</tr>

<tr>

<td>

</td>

<td>

</td>

<td>

</td>

</td>

<td>

</td>

<td>

</td>

<td>

</td>

<td>31 31 31 10 31

31 31 31 10

</td>

<td>HORNBOSTEL TEMPERAMENT (1/31-tones; Optimum high size

of Hornbostel '6th')

</td>

</tr>

Line 157:

Line 191:

</td>

<td>HORNBOSTEL TEMPERAMENT (Armodue 1/3-tones)

</td>

</tr>

<tr>

<td>

</td>

<td>

</td>

<td>

</td>

<td>

</td>

<td>

</td>

<td>

</td>

</td>

<td>26 26 26 9 26

26 26 26 9

</td>

<td>HORNBOSTEL (&amp; <a class="wiki_link" href="/Alexei%20Stepanovich%20Ogolevets">OGOLEVETS</a>) TEMPERAMENT (1/26-tones; Best

equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent),

note '3', '7' &amp; '8')

</td>

</tr>

Line 174:

Line 231:

<td>

</td>

<td>11 11 11 4~~...~~

<td>11 11 11 4 11

11 11 11 4

</td>

<td>Armodue-Hornbostel 1/11-tones

<td>Armodue-Hornbostel 1/11-tones (Optimum accuracy of Phi interval, the note '7')

</td>

</tr>

Line 216:

Line 274:

<td>5 5 5 2 5 5 5 5 2

</td>

<td>Armodue-Hornbostel 1/5-tones

<td>Armodue-Hornbostel 1/5-tones (Optimum low size of Hornbostel '6th')

</td>

</tr>

Line 236:

Line 294:

<td>7 7 7 3 7 7 7 7 3

</td>

<td>Armodue-Hornbostel 1/7-tones

<td>Armodue-&quot;Hornbostel&quot; 1/7-tones

</td>

</tr>

Line 274:

Line 332:

</td>

<td>11 11 11 5~~...~~

<td>11 11 11 5 11

11 11 11 5

</td>

<td>

Line 314:

Line 373:

</td>

<td>11 11 11 6~~...~~

<td>11 11 11 6 11

11 11 11 6

</td>

<td>Armodue-Mesotonic 1/11-tone

Line 357:

Line 417:

<td>7 7 7 4 7 7 7 7 4

</td>

<td>Armodue-Mesotonic 1/7-tone (the ~~best compromise for~~ the <a class="wiki_link" href="/7_4">7/4</a> interval)

<td>Armodue-Mesotonic 1/7-tone (the 'Commatic' version of Armodue, because its

highly accuracy of the <a class="wiki_link" href="/7_4">7/4</a> interval, the note '8')

</td>

</tr>

Line 395:

Line 456:

<td>

</td>

<td>13 13 13 8~~...~~

<td>13 13 13 8 13

13 13 13 8

</td>

<td>

<td>1/13-tone

</td>

</tr>

Line 415:

Line 477:

<td>86\173

</td>

<td>21 21 21 13~~...~~

<td>21 21 21 13 21

21 21 21 13

</td>

<td>Golden ~~mavila~~ (ratio between large and small steps is ~~phi~~)

<td>Golden Mavila 1/21-tone (ratio between large and small steps is Phi)

</td>

</tr>

Line 457:

Line 520:

<td>3 3 3 2 3 3 3 3 2

</td>

<td>MESOTONIC Type of Armodue 1/3-tone~~&lt~~;~~br />~~

<td>MESOTONIC Type of Armodue 1/3-tone; Optimum rank range (L/s=3/2)

Optimum rank range (L/s=3/2)

</td>

</tr>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:guest|guest]] and made on <tt>2011-08-29 04:16:41 UTC</tt>.<br>
+: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-09-20 22:21:46 UTC</tt>.<br>
-: The original revision id was <tt>249049649</tt>.<br>
+: The original revision id was <tt>256371432</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 16: / Line 16: @@
 || 3\[[7edo|7]] ||   ||   ||   ||   ||   ||   || 1 1 1 0 1 1 1 1 0 ||   ||
 ||   ||   ||   ||   || 16\37 ||   ||   || 5 5 5 1 5 5 5 5 1 ||   ||
-||   ||   ||   || 13\[[30edo|30]] ||   ||   ||   || 4 4 4 1 4 4 4 4 1 ||   ||
+||   ||   ||   ||   ||   || 13\[[30edo|30]] ||   || 4 4 4 1 4 4 4 4 1 ||   ||
 ||   ||   ||   ||   || 23\[[53edo|53]] ||   ||   || 7 7 7 2 7 7 7 7 2 ||   ||
+||   ||   ||   || 134\[[237edo|237]] ||   ||   ||   || 31 31 31 10 31
+31 31 10 || HORNBOSTEL TEMPERAMENT (1/31-tones; Optimum high size
+of Hornbostel '6th') ||
 ||   ||   || 10\[[23edo|23]] ||   ||   ||   ||   || 3 3 3 1 3 3 3 3 1 || HORNBOSTEL TEMPERAMENT (Armodue 1/3-tones) ||
-||   ||   ||   ||   ||   || 37\[[85edo|85]] ||   || 11 11 11 4... || Armodue-Hornbostel 1/11-tones ||
+||   ||   ||   ||   ||   ||   || 113\[[200edo|200]] || 26 26 26 9 26
+26 26 9 || HORNBOSTEL (&amp; [[Alexei Stepanovich Ogolevets|OGOLEVETS]]) TEMPERAMENT (1/26-tones; Best
+equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent),
+note '3', '7' &amp; '8') ||
+||   ||   ||   ||   ||   || 37\[[85edo|85]] ||   || 11 11 11 4 11
+11 11 4 || Armodue-Hornbostel 1/11-tones (Optimum accuracy of Phi interval, the note '7') ||
 ||   ||   ||   ||   || 27\[[62edo|62]] ||   ||   || 8 8 8 3 8 8 8 8 3 || Armodue-Hornbostel 1/8-tones ||
-||   ||   ||   || 17\[[39edo|39]] ||   ||   ||   || 5 5 5 2 5 5 5 5 2 || Armodue-Hornbostel 1/5-tones ||
+||   ||   ||   || 17\[[39edo|39]] ||   ||   ||   || 5 5 5 2 5 5 5 5 2 || Armodue-Hornbostel 1/5-tones (Optimum low size of Hornbostel '6th') ||
-||   ||   ||   ||   || 24\[[55edo|55]] ||   ||   || 7 7 7 3 7 7 7 7 3 || Armodue-Hornbostel 1/7-tones ||
+||   ||   ||   ||   || 24\[[55edo|55]] ||   ||   || 7 7 7 3 7 7 7 7 3 || Armodue-"Hornbostel" 1/7-tones ||
 ||   ||   ||   ||   ||   || 31\[[71edo|71]] ||   || 9 9 9 4 9 9 9 9 4 || UNFAIR Armodue-Hornbostel 1/9-tone ||
-||   ||   ||   ||   ||   ||   || 38\[[87edo|87]] || 11 11 11 5... ||   ||
+||   ||   ||   ||   ||   ||   || 38\[[87edo|87]] || 11 11 11 5 11
+11 11 5 ||   ||
 ||   || 7\[[16edo|16]] ||   ||   ||   ||   ||   || 2 2 2 1 2 2 2 2 1 || ARMODUE ESADECAFONIA (or Goldsmith Temperament) ||
-||   ||   ||   ||   ||   ||   || 39\[[89edo|89]] || 11 11 11 6... || Armodue-Mesotonic 1/11-tone ||
+||   ||   ||   ||   ||   ||   || 39\[[89edo|89]] || 11 11 11 6 11
+11 11 6 || Armodue-Mesotonic 1/11-tone ||
 ||   ||   ||   ||   ||   || 32\[[73edo|73]] ||   || 9 9 9 5 9 9 9 9 5 || Armodue-Mesotonic 1/9-tone (with an approximation
 of the Perfect Fifth + 1/5 Pyth.Comma [706,8 Cents]) ||
-||   ||   ||   ||   || 25\[[57edo|57]] ||   ||   || 7 7 7 4 7 7 7 7 4 || Armodue-Mesotonic 1/7-tone (the best compromise for the [[7_4|7/4]] interval) ||
+||   ||   ||   ||   || 25\[[57edo|57]] ||   ||   || 7 7 7 4 7 7 7 7 4 || Armodue-Mesotonic 1/7-tone (the 'Commatic' version of Armodue, because its
+highly accuracy of the [[7_4|7/4]] interval, the note '8') ||
 ||   ||   ||   || 18\[[41edo|41]] ||   ||   ||   || 5 5 5 3 5 5 5 5 3 || Armodue-Mesotonic 1/5-tone ||
-||   ||   ||   ||   ||   || 47\107 ||   || 13 13 13 8... ||   ||
+||   ||   ||   ||   ||   || 47\107 ||   || 13 13 13 8 13
-||   ||   ||   ||   ||   ||   || 86\173 || 21 21 21 13... || Golden mavila (ratio between large and small steps is phi) ||
+13 13 8 || 1/13-tone ||
+||   ||   ||   ||   ||   ||   || 86\173 || 21 21 21 13 21
+21 21 13 || Golden Mavila 1/21-tone (ratio between large and small steps is Phi) ||
 ||   ||   ||   ||   || 29\[[66edo|66]] ||   ||   || 8 8 8 5 8 8 8 8 5 ||   ||
-||   ||   || 11\[[25edo|25]] ||   ||   ||   ||   || 3 3 3 2 3 3 3 3 2 || MESOTONIC Type of Armodue 1/3-tone
+||   ||   || 11\[[25edo|25]] ||   ||   ||   ||   || 3 3 3 2 3 3 3 3 2 || MESOTONIC Type of Armodue 1/3-tone; Optimum rank range (L/s=3/2) ||
-Optimum rank range (L/s=3/2) ||
 ||   ||   ||   ||   || 26\[[59edo|59]] ||   ||   || 7 7 7 5 7 7 7 7 5 ||   ||
 ||   ||   ||   || 15\[[34edo|34]] ||   ||   ||   || 4 4 4 3 4 4 4 4 3 ||   ||
@@ Line 106: / Line 118: @@
          &lt;td&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;13\&lt;a class="wiki_link" href="/30edo"&gt;30&lt;/a&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;br /&gt;
 &lt;/td&gt;
          &lt;td&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;&lt;br /&gt;
+         &lt;td&gt;13\&lt;a class="wiki_link" href="/30edo"&gt;30&lt;/a&gt;&lt;br /&gt;
 &lt;/td&gt;
          &lt;td&gt;&lt;br /&gt;
@@ Line 137: / Line 149: @@
 &lt;/td&gt;
          &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;134\&lt;a class="wiki_link" href="/237edo"&gt;237&lt;/a&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;31 31 31 10 31 &lt;br /&gt;
+31 31 10&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;HORNBOSTEL TEMPERAMENT (1/31-tones; Optimum high size&lt;br /&gt;
+of Hornbostel '6th')&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 157: / Line 191: @@
 &lt;/td&gt;
          &lt;td&gt;HORNBOSTEL TEMPERAMENT (Armodue 1/3-tones)&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;113\&lt;a class="wiki_link" href="/200edo"&gt;200&lt;/a&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;26 26 26 9 26&lt;br /&gt;
+26 26 9&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;HORNBOSTEL (&amp;amp; &lt;a class="wiki_link" href="/Alexei%20Stepanovich%20Ogolevets"&gt;OGOLEVETS&lt;/a&gt;) TEMPERAMENT (1/26-tones; Best&lt;br /&gt;
+equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent),&lt;br /&gt;
+note '3', '7' &amp;amp; '8')&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 174: / Line 231: @@
          &lt;td&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;11 11 11 4...&lt;br /&gt;
+         &lt;td&gt;11 11 11 4 11&lt;br /&gt;
+11 11 4&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Armodue-Hornbostel 1/11-tones&lt;br /&gt;
+         &lt;td&gt;Armodue-Hornbostel 1/11-tones (Optimum accuracy of Phi interval, the note '7')&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 216: / Line 274: @@
          &lt;td&gt;5 5 5 2 5 5 5 5 2&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Armodue-Hornbostel 1/5-tones&lt;br /&gt;
+         &lt;td&gt;Armodue-Hornbostel 1/5-tones (Optimum low size of Hornbostel '6th')&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 236: / Line 294: @@
          &lt;td&gt;7 7 7 3 7 7 7 7 3&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Armodue-Hornbostel 1/7-tones&lt;br /&gt;
+         &lt;td&gt;Armodue-&amp;quot;Hornbostel&amp;quot; 1/7-tones&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 274: / Line 332: @@
          &lt;td&gt;38\&lt;a class="wiki_link" href="/87edo"&gt;87&lt;/a&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;11 11 11 5...&lt;br /&gt;
+         &lt;td&gt;11 11 11 5 11&lt;br /&gt;
+11 11 5&lt;br /&gt;
 &lt;/td&gt;
          &lt;td&gt;&lt;br /&gt;
@@ Line 314: / Line 373: @@
          &lt;td&gt;39\&lt;a class="wiki_link" href="/89edo"&gt;89&lt;/a&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;11 11 11 6...&lt;br /&gt;
+         &lt;td&gt;11 11 11 6 11&lt;br /&gt;
+11 11 6&lt;br /&gt;
 &lt;/td&gt;
          &lt;td&gt;Armodue-Mesotonic 1/11-tone&lt;br /&gt;
@@ Line 357: / Line 417: @@
          &lt;td&gt;7 7 7 4 7 7 7 7 4&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Armodue-Mesotonic 1/7-tone (the best compromise for the &lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt; interval)&lt;br /&gt;
+         &lt;td&gt;Armodue-Mesotonic 1/7-tone (the 'Commatic' version of Armodue, because its&lt;br /&gt;
+highly accuracy of the &lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt; interval, the note '8')&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 395: / Line 456: @@
          &lt;td&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;13 13 13 8...&lt;br /&gt;
+         &lt;td&gt;13 13 13 8 13&lt;br /&gt;
+13 13 8&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;&lt;br /&gt;
+         &lt;td&gt;1/13-tone&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 415: / Line 477: @@
          &lt;td&gt;86\173&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;21 21 21 13...&lt;br /&gt;
+         &lt;td&gt;21 21 21 13 21&lt;br /&gt;
+21 21 13&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Golden mavila (ratio between large and small steps is phi)&lt;br /&gt;
+         &lt;td&gt;Golden Mavila 1/21-tone (ratio between large and small steps is Phi)&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 457: / Line 520: @@
          &lt;td&gt;3 3 3 2 3 3 3 3 2&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;MESOTONIC Type of Armodue 1/3-tone&lt;br /&gt;
+         &lt;td&gt;MESOTONIC Type of Armodue 1/3-tone; Optimum rank range (L/s=3/2)&lt;br /&gt;
-Optimum rank range (L/s=3/2)&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;