7/5: Difference between revisions

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**Imported revision 259406376 - Original comment: **
 
Wikispaces>spt3125
**Imported revision 513183620 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-09-28 20:21:44 UTC</tt>.<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-06-07 12:10:43 UTC</tt>.<br>
: The original revision id was <tt>259406376</tt>.<br>
: The original revision id was <tt>513183620</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[7-limit]] [[Just Intonation]], 7/5 is a narrow tritone measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7_4|7/4]] and [[5_4|5/4]]. It is often reported to sound more consonant than the half-octave tritone, and indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**7/5**
|0 0 -1 1&gt;
582.51219 cents
[[media type="file" key="jid_7_5_pluck_adu_dr220.mp3"]]


Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tritone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;. And yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]]. See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]] and [[24_17|24/17]].
In [[7-limit]] [[Just Intonation]], 7/5 is a narrow [[@http://en.wikipedia.org/wiki/Tritone|tritone]] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7_4|7/4]] and [[5_4|5/4]].
 
7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.
 
Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]]. See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]] and [[24_17|24/17]].


See: [[Gallery of Just Intervals]]</pre></div>
See: [[Gallery of Just Intervals]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;7_5&lt;/title&gt;&lt;/head&gt;&lt;body&gt;In &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 7/5 is a narrow tritone measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; and every even-numbered &lt;a class="wiki_link" href="/EDO"&gt;EDO&lt;/a&gt;. It represents the difference between &lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt; and &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;. It is often reported to sound more consonant than the half-octave tritone, and indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;, which measures about 617.5¢, and these two septimal tritones differ by the &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; interval &lt;a class="wiki_link" href="/50_49"&gt;50/49&lt;/a&gt;, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;7_5&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;7/5&lt;/strong&gt;&lt;br /&gt;
|0 0 -1 1&amp;gt;&lt;br /&gt;
582.51219 cents&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_7_5_pluck_adu_dr220.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;jid_7_5_pluck_adu_dr220.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_7_5_pluck_adu_dr220.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;br /&gt;
&lt;br /&gt;
In &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 7/5 is a narrow &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Tritone" rel="nofollow" target="_blank"&gt;tritone&lt;/a&gt; measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; and every even-numbered &lt;a class="wiki_link" href="/EDO"&gt;EDO&lt;/a&gt;. It represents the difference between &lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt; and &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
7/5 is notable for its low &lt;a class="wiki_link" href="/harmonic%20entropy"&gt;harmonic entropy&lt;/a&gt;, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;, which measures about 617.5¢, and these two septimal tritones differ by the &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; interval &lt;a class="wiki_link" href="/50_49"&gt;50/49&lt;/a&gt;, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Another just tritone is the &lt;a class="wiki_link" href="/3-limit"&gt;3-limit&lt;/a&gt; 729/512, 611.7¢, and this is literally a tritone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;. And yet another is &lt;a class="wiki_link" href="/45_32"&gt;45/32&lt;/a&gt;, about 590.2¢, which appears in the &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt;. See also &lt;a class="wiki_link" href="/13_9"&gt;13/9&lt;/a&gt;, &lt;a class="wiki_link" href="/18_13"&gt;18/13&lt;/a&gt;, &lt;a class="wiki_link" href="/17_12"&gt;17/12&lt;/a&gt; and &lt;a class="wiki_link" href="/24_17"&gt;24/17&lt;/a&gt;.&lt;br /&gt;
Another just tritone is the &lt;a class="wiki_link" href="/3-limit"&gt;3-limit&lt;/a&gt; 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;, or three &amp;quot;whole tones&amp;quot;. Yet another is &lt;a class="wiki_link" href="/45_32"&gt;45/32&lt;/a&gt;, about 590.2¢, which appears in the &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt;. See also &lt;a class="wiki_link" href="/13_9"&gt;13/9&lt;/a&gt;, &lt;a class="wiki_link" href="/18_13"&gt;18/13&lt;/a&gt;, &lt;a class="wiki_link" href="/17_12"&gt;17/12&lt;/a&gt; and &lt;a class="wiki_link" href="/24_17"&gt;24/17&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 12:10, 7 June 2014

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author spt3125 and made on 2014-06-07 12:10:43 UTC.
The original revision id was 513183620.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

**7/5**
|0 0 -1 1>
582.51219 cents
[[media type="file" key="jid_7_5_pluck_adu_dr220.mp3"]]

In [[7-limit]] [[Just Intonation]], 7/5 is a narrow [[@http://en.wikipedia.org/wiki/Tritone|tritone]] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7_4|7/4]] and [[5_4|5/4]].

7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.

Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]]. See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]] and [[24_17|24/17]].

See: [[Gallery of Just Intervals]]

Original HTML content:

<html><head><title>7_5</title></head><body><strong>7/5</strong><br />
|0 0 -1 1&gt;<br />
582.51219 cents<br />
<!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_7_5_pluck_adu_dr220.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;jid_7_5_pluck_adu_dr220.mp3&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_7_5_pluck_adu_dr220.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --><br />
<br />
In <a class="wiki_link" href="/7-limit">7-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 7/5 is a narrow <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Tritone" rel="nofollow" target="_blank">tritone</a> measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of <a class="wiki_link" href="/12edo">12edo</a> and every even-numbered <a class="wiki_link" href="/EDO">EDO</a>. It represents the difference between <a class="wiki_link" href="/7_4">7/4</a> and <a class="wiki_link" href="/5_4">5/4</a>.<br />
<br />
7/5 is notable for its low <a class="wiki_link" href="/harmonic%20entropy">harmonic entropy</a>, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is <a class="wiki_link" href="/10_7">10/7</a>, which measures about 617.5¢, and these two septimal tritones differ by the <a class="wiki_link" href="/superparticular">superparticular</a> interval <a class="wiki_link" href="/50_49">50/49</a>, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.<br />
<br />
Another just tritone is the <a class="wiki_link" href="/3-limit">3-limit</a> 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three &quot;whole tones&quot;. Yet another is <a class="wiki_link" href="/45_32">45/32</a>, about 590.2¢, which appears in the <a class="wiki_link" href="/5-limit">5-limit</a>. See also <a class="wiki_link" href="/13_9">13/9</a>, <a class="wiki_link" href="/18_13">18/13</a>, <a class="wiki_link" href="/17_12">17/12</a> and <a class="wiki_link" href="/24_17">24/17</a>.<br />
<br />
See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html>