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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | 4 Equal Divisions of the Tritave |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-11-20 09:40:07 UTC</tt>.<br>
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| : The original revision id was <tt>277358898</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">4 Equal Divisions of the Tritave
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| The 4th root of 3, might be viewed alternately as a degenerate form or a fundamental building block of Bohlen-Pierce harmony, analogous to how 5edo relates to diatonic music. The situation is different however, as in this case both 5 and 7 are relatively well represented (opposed to just 3 in 5edo). While the approximations may seem excessively vague, and some might say impossible, they are nevertheless categorically important to the perception of the scale, and, may even be heard as those harmonies given the width of the "scale". It is doubtful however, that this scale could recieve much melodic treatment, and is more useful as a harmonic entity, either to demonstrate BP harmony, or as a component of scales like [[8edt]]. | | The 4th root of 3, might be viewed alternately as a degenerate form or a fundamental building block of Bohlen-Pierce harmony, analogous to how 5edo relates to diatonic music. The situation is different however, as in this case both 5 and 7 are relatively well represented (opposed to just 3 in 5edo). While the approximations may seem excessively vague, and some might say impossible, they are nevertheless categorically important to the perception of the scale, and, may even be heard as those harmonies given the width of the "scale". It is doubtful however, that this scale could recieve much melodic treatment, and is more useful as a harmonic entity, either to demonstrate BP harmony, or as a component of scales like [[8edt|8edt]]. |
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| 0: 1/1 | | 0: 1/1 |
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| 1: 475.489 cents "4/3" | | 1: 475.489 cents "4/3" |
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| 2: 950.978 cents "5/3" | | 2: 950.978 cents "5/3" |
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| 3: 1426.466 cents "7/3" | | 3: 1426.466 cents "7/3" |
| 4: 1901.955 tritave 3/1 </pre></div> | | |
| <h4>Original HTML content:</h4>
| | 4: 1901.955 tritave 3/1 |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>4edt</title></head><body>4 Equal Divisions of the Tritave<br />
| | [[Category:edt]] |
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| | [[Category:tritave]] |
| The 4th root of 3, might be viewed alternately as a degenerate form or a fundamental building block of Bohlen-Pierce harmony, analogous to how 5edo relates to diatonic music. The situation is different however, as in this case both 5 and 7 are relatively well represented (opposed to just 3 in 5edo). While the approximations may seem excessively vague, and some might say impossible, they are nevertheless categorically important to the perception of the scale, and, may even be heard as those harmonies given the width of the &quot;scale&quot;. It is doubtful however, that this scale could recieve much melodic treatment, and is more useful as a harmonic entity, either to demonstrate BP harmony, or as a component of scales like <a class="wiki_link" href="/8edt">8edt</a>.<br />
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| 0: 1/1<br />
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| 1: 475.489 cents &quot;4/3&quot;<br />
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| 2: 950.978 cents &quot;5/3&quot;<br />
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| 3: 1426.466 cents &quot;7/3&quot;<br />
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| 4: 1901.955 tritave 3/1</body></html></pre></div>
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