31edo: Difference between revisions

Wikispaces>genewardsmith
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Wikispaces>spt3125
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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===3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second===  
===3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second===  
The larger and clunkier of the 31edo semitones. In meantone, it is the //diatonic semitone// which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (199.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a //secor// and generates [[Gamelismic clan|miracle temperament]].
The larger and clunkier of the 31edo semitones. In meantone, it is the //diatonic semitone// which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (119.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a //secor// and generates [[Gamelismic clan|miracle temperament]].
====MOS Scales generated by 3\31:====  
====MOS Scales generated by 3\31:====  
||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
||~ number of tones ||~ MOS class ||~ 0 ||~ 1 ||~ 2 ||~ 3 ||~ 4 ||~ 5 ||~ 6 ||~ 7 ||~ 8 ||~ 9 ||~ 10 ||~ 11 ||~ 12 ||~ 13 ||~ 14 ||~ 15 ||~ 16 ||~ 17 ||~ 18 ||~ 19 ||~ 20 ||~ 21 ||~ 22 ||~ 23 ||~ 24 ||~ 25 ||~ 26 ||~ 27 ||~ 28 ||~ 29 ||~ 30 ||
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[[31-edo compositions|An alphabetical list of Tricesimoprimal Compositions]].
[[31-edo compositions|An alphabetical list of Tricesimoprimal Compositions]].


////[[http://archive.org/download/Aire2In31-equalTemperament/Aire2In31.mp3|Aire #2 in 31-equal temperament]]//// by [[Jon Lyle Smith]]
[[http://archive.org/download/Aire2In31-equalTemperament/Aire2In31.mp3|Aire #2 in 31-equal temperament]] by [[Jon Lyle Smith]]
////[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3|I Stand Hopeless Before the Gray Sea]]////
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2031-tET-I%20Stand%20Hopeless%20Before%20the%20Gray%20Sea.mp3|I Stand Hopeless Before the Gray Sea]]
by Chuckles McGee
by Chuckles McGee
////[[http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3|Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)]]//// by [[Claudi Meneghin]]
[[http://soonlabel.com/xenharmonic/wp-content/uploads/2012/03/Claudi_Meneghin_Chaconne_G_001.mp3|Chaconna en G=, La Padana, ou la septimala (‘The Padanian, or the septimal’)]] by [[Claudi Meneghin]]
[[earwig]] by [[Andrew Heathwaite]]
[[earwig]] by [[Andrew Heathwaite]]
== ==  
== ==  
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="Intervals--3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="Intervals--3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second&lt;/h3&gt;
  The larger and clunkier of the 31edo semitones. In meantone, it is the &lt;em&gt;diatonic semitone&lt;/em&gt; which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (199.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a &lt;em&gt;secor&lt;/em&gt; and generates &lt;a class="wiki_link" href="/Gamelismic%20clan"&gt;miracle temperament&lt;/a&gt;.&lt;br /&gt;
  The larger and clunkier of the 31edo semitones. In meantone, it is the &lt;em&gt;diatonic semitone&lt;/em&gt; which appears in the diatonic scale between, for instance, the major third and perfect fourth, and the major seventh and octave. 3\31 stands in for just ratios 16:15 (111.73¢); 15:14 (119.44¢) and others. It is notable that two of these make an 8/7; this implies that the 3\31 is a &lt;em&gt;secor&lt;/em&gt; and generates &lt;a class="wiki_link" href="/Gamelismic%20clan"&gt;miracle temperament&lt;/a&gt;.&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc6"&gt;&lt;a name="Intervals--3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second-MOS Scales generated by 3\31:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;MOS Scales generated by 3\31:&lt;/h4&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc6"&gt;&lt;a name="Intervals--3\31 octave - approx. 116.13 - Major Semitone or Diatonic Semitone or Large Major Second-MOS Scales generated by 3\31:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;MOS Scales generated by 3\31:&lt;/h4&gt;