24edo/Interval names and harmonies: Difference between revisions
Wikispaces>k9assassin **Imported revision 531459978 - Original comment: ** |
Wikispaces>k9assassin **Imported revision 532019816 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2014-11- | : This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2014-11-20 20:19:05 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>532019816</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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==Fifths== | ==Fifths== | ||
24 EDO contains four distinct sizes of fifths: Diminished Fifth 600 - Narrow fifth 650c - Perfect fifth 700c - Wide fifth 750c - Augmented fifth 800c. The sound of the narrow and wide fifths are very cool and extremely different from 12 ET sounds. The narrow fifth, which is considered to be the most dissonant interval in 24 ET next to the | 24 EDO contains four distinct sizes of fifths: Diminished Fifth 600 - Narrow fifth 650c - Perfect fifth 700c - Wide fifth 750c - Augmented fifth 800c. The sound of the narrow and wide fifths are very cool and extremely different from 12 ET sounds. The narrow fifth, which is considered to be the most dissonant interval in 24 ET next to the ultra seventh, is a fantastic representation of the 11th subharmonic 16/11. The narrow fifth sometimes called "wolf fifth" can be used to create dynamic texture and voice leading but has a rough character that can be challenging to incorporate into the music well. The wide fifth is a good representation of 17/11. | ||
==Sixths== | ==Sixths== | ||
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24 EDO contains certain enharmonics that are good to keep in mind, the list is as follows: | 24 EDO contains certain enharmonics that are good to keep in mind, the list is as follows: | ||
An ultra second and infra third are both 250 cents. | An ultra second and infra third are both 250 cents. | ||
An ultra third and narrow fourth are both 450 cents. | An ultra third and narrow fourth are both 450 cents. | ||
A wide fifth and infra sixth are both 750 cents. | A wide fifth and infra sixth are both 750 cents. | ||
An ultra sixth and infra seventh are both 950 cents. | An ultra sixth and infra seventh are both 950 cents. | ||
=Interval Class Categories= | =Interval Class Categories= | ||
==Neutral== | ==Neutral== | ||
Neutral intervals basically are right between the major and minor version of an interval in 12 EDO. For example, the neutral third is between the major and minor third. The name also suggests that the interval can function as either depending on how it's used. In addition, neutral intervals contain very special color to them that makes them unique. | Neutral intervals basically are right between the major and minor version of an interval in 12 EDO. For example, the neutral third is between the major and minor third. The name also suggests that the interval can function as either depending on how it's used. In addition, neutral intervals contain very special color to them that makes them unique. | ||
==Ultra/Infra== | ==Ultra/Infra== | ||
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==Narrow/Wide== | ==Narrow/Wide== | ||
Narrow and wide are used to describe intervals that are between perfect and diminished/augmented. While they aren't normally used to describe anything but fourths, fifths, and sometimes octaves, they can be used to describe extreme altered intervals such as 350 cents being a narrow diminished fourth. </pre></div> | Narrow and wide are used to describe intervals that are between perfect and diminished/augmented. While they aren't normally used to describe anything but fourths, fifths, and sometimes octaves, they can be used to describe extreme altered intervals such as 350 cents being a narrow diminished fourth.</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>24 EDO Interval names and Harmonies</title></head><body>24 EDO or 24 ET divides the octave into 24 equal parts and is also a multiple of twelve, therefore, 24 EDO contains all of the original harmonies found in 12 EDO. This page<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>24 EDO Interval names and Harmonies</title></head><body>24 EDO or 24 ET divides the octave into 24 equal parts and is also a multiple of twelve, therefore, 24 EDO contains all of the original harmonies found in 12 EDO. This page<br /> | ||
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<!-- ws:start:WikiTextHeadingRule:14:&lt;h2&gt; --><h2 id="toc7"><a name="Tone Sizes-Fifths"></a><!-- ws:end:WikiTextHeadingRule:14 -->Fifths</h2> | <!-- ws:start:WikiTextHeadingRule:14:&lt;h2&gt; --><h2 id="toc7"><a name="Tone Sizes-Fifths"></a><!-- ws:end:WikiTextHeadingRule:14 -->Fifths</h2> | ||
24 EDO contains four distinct sizes of fifths: Diminished Fifth 600 - Narrow fifth 650c - Perfect fifth 700c - Wide fifth 750c - Augmented fifth 800c. The sound of the narrow and wide fifths are very cool and extremely different from 12 ET sounds. The narrow fifth, which is considered to be the most dissonant interval in 24 ET next to the | 24 EDO contains four distinct sizes of fifths: Diminished Fifth 600 - Narrow fifth 650c - Perfect fifth 700c - Wide fifth 750c - Augmented fifth 800c. The sound of the narrow and wide fifths are very cool and extremely different from 12 ET sounds. The narrow fifth, which is considered to be the most dissonant interval in 24 ET next to the ultra seventh, is a fantastic representation of the 11th subharmonic 16/11. The narrow fifth sometimes called &quot;wolf fifth&quot; can be used to create dynamic texture and voice leading but has a rough character that can be challenging to incorporate into the music well. The wide fifth is a good representation of 17/11.<br /> | ||
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<!-- ws:start:WikiTextHeadingRule:16:&lt;h2&gt; --><h2 id="toc8"><a name="Tone Sizes-Sixths"></a><!-- ws:end:WikiTextHeadingRule:16 -->Sixths</h2> | <!-- ws:start:WikiTextHeadingRule:16:&lt;h2&gt; --><h2 id="toc8"><a name="Tone Sizes-Sixths"></a><!-- ws:end:WikiTextHeadingRule:16 -->Sixths</h2> | ||
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24 EDO contains certain enharmonics that are good to keep in mind, the list is as follows:<br /> | 24 EDO contains certain enharmonics that are good to keep in mind, the list is as follows:<br /> | ||
<br /> | <br /> | ||
An ultra second and infra third are both 250 cents. <br /> | An ultra second and infra third are both 250 cents.<br /> | ||
An ultra third and narrow fourth are both 450 cents.<br /> | An ultra third and narrow fourth are both 450 cents.<br /> | ||
A wide fifth and infra sixth are both 750 cents. <br /> | A wide fifth and infra sixth are both 750 cents.<br /> | ||
An ultra sixth and infra seventh are both 950 cents. <br /> | An ultra sixth and infra seventh are both 950 cents.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:22:&lt;h1&gt; --><h1 id="toc11"><a name="Interval Class Categories"></a><!-- ws:end:WikiTextHeadingRule:22 -->Interval Class Categories</h1> | <!-- ws:start:WikiTextHeadingRule:22:&lt;h1&gt; --><h1 id="toc11"><a name="Interval Class Categories"></a><!-- ws:end:WikiTextHeadingRule:22 -->Interval Class Categories</h1> | ||
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<!-- ws:start:WikiTextHeadingRule:24:&lt;h2&gt; --><h2 id="toc12"><a name="Interval Class Categories-Neutral"></a><!-- ws:end:WikiTextHeadingRule:24 -->Neutral</h2> | <!-- ws:start:WikiTextHeadingRule:24:&lt;h2&gt; --><h2 id="toc12"><a name="Interval Class Categories-Neutral"></a><!-- ws:end:WikiTextHeadingRule:24 -->Neutral</h2> | ||
Neutral intervals basically are right between the major and minor version of an interval in 12 EDO. For example, the neutral third is between the major and minor third. The name also suggests that the interval can function as either depending on how it's used. In addition, neutral intervals contain very special color to them that makes them unique. <br /> | Neutral intervals basically are right between the major and minor version of an interval in 12 EDO. For example, the neutral third is between the major and minor third. The name also suggests that the interval can function as either depending on how it's used. In addition, neutral intervals contain very special color to them that makes them unique.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:26:&lt;h2&gt; --><h2 id="toc13"><a name="Interval Class Categories-Ultra/Infra"></a><!-- ws:end:WikiTextHeadingRule:26 -->Ultra/Infra</h2> | <!-- ws:start:WikiTextHeadingRule:26:&lt;h2&gt; --><h2 id="toc13"><a name="Interval Class Categories-Ultra/Infra"></a><!-- ws:end:WikiTextHeadingRule:26 -->Ultra/Infra</h2> | ||