Magic Guitar: Difference between revisions
m Add magic category |
m typo |
||
| Line 25: | Line 25: | ||
The alternative tuning of A gives E₂ A₁ D₂ G₃ B₁ E₂. The wolf is now between E₂ and A₁. Chords that use B₁ now keep the 10/9 fret on the A string. D chords can be played in tune. A major can be used with the open A string but it means shoving three fingers between the comma-spaced frets. E chords only use the first three frets, so these chord shapes work on 10 different Pengcheng and 13 different Haizhou roots. | The alternative tuning of A gives E₂ A₁ D₂ G₃ B₁ E₂. The wolf is now between E₂ and A₁. Chords that use B₁ now keep the 10/9 fret on the A string. D chords can be played in tune. A major can be used with the open A string but it means shoving three fingers between the comma-spaced frets. E chords only use the first three frets, so these chord shapes work on 10 different Pengcheng and 13 different Haizhou roots. | ||
E major chords can also be played with an added harmonic seventh fretted to turn B₁ into the semitoe below D₂. The same fret gives a C harmonic seventh chord. In both cases, the approximate 7/6 fret turns a 6 into a 7. Sadly, the standard shape for G7 inconsistent with a harmonic seventh. | E major chords can also be played with an added harmonic seventh fretted to turn B₁ into the semitoe below D₂. The same fret gives a C harmonic seventh chord. In both cases, the approximate 7/6 fret turns a 6 into a 7. Sadly, the standard shape for G7 is inconsistent with a harmonic seventh. | ||
The two tunings of the A string give every pitch of 41-edo between them somewhere on the fretboard. | The two tunings of the A string give every pitch of 41-edo between them somewhere on the fretboard. | ||