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Wikispaces>Osmiorisbendi **Imported revision 229828446 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 232644562 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-05-28 22:18:41 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>232644562</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=<span style="color: #007a1b; display: block;">23 tone equal temperament</span>= | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=<span style="color: #007a1b; display: block;">23 tone equal temperament</span>= | ||
23et, or 23-EDO, is a tuning system which divides the [[octave]] into 23 equal parts of approximately 52.173913 cents. It has good approximations for 5/3, 11/7, 13 and 17, allowing it to represent the 2.5/3.11/7.13.17 [[just intonation subgroup]]. If to this subgroup is added the commas of 17-limit 46et, the larger subgroup 2.9.15.21.33.13.17 is obtained. This is the largest subgroup on which 23 has the same tuning and commas as does 17-limit 46, and may be regarded as a basis for analyzing the harmony of 23-EDO so far as approximations to just intervals goes. | 23et, or 23-EDO, is a tuning system which divides the [[octave]] into 23 equal parts of approximately 52.173913 cents. It has good approximations for 5/3, 11/7, 13 and 17, allowing it to represent the 2.5/3.11/7.13.17 [[just intonation subgroup]]. If to this subgroup is added the commas of 17-limit 46et, the larger 17-limit [[k*N subgroups|2*23 subgroup]] 2.9.15.21.33.13.17 is obtained. This is the largest subgroup on which 23 has the same tuning and commas as does 17-limit 46, and may be regarded as a basis for analyzing the harmony of 23-EDO so far as approximations to just intervals goes. | ||
23-EDO was proposed by ethnomusicologist [[http://en.wikipedia.org/wiki/Erich_von_Hornbostel|Erich von Hornbostel]] as the result of continuing a circle of "blown" fifths of ~678-cent fifths that (he argued) resulted from "overblowing" a bamboo pipe. | 23-EDO was proposed by ethnomusicologist [[http://en.wikipedia.org/wiki/Erich_von_Hornbostel|Erich von Hornbostel]] as the result of continuing a circle of "blown" fifths of ~678-cent fifths that (he argued) resulted from "overblowing" a bamboo pipe. | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>23edo</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="x23 tone equal temperament"></a><!-- ws:end:WikiTextHeadingRule:0 --><span style="color: #007a1b; display: block;">23 tone equal temperament</span></h1> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>23edo</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="x23 tone equal temperament"></a><!-- ws:end:WikiTextHeadingRule:0 --><span style="color: #007a1b; display: block;">23 tone equal temperament</span></h1> | ||
<br /> | <br /> | ||
23et, or 23-EDO, is a tuning system which divides the <a class="wiki_link" href="/octave">octave</a> into 23 equal parts of approximately 52.173913 cents. It has good approximations for 5/3, 11/7, 13 and 17, allowing it to represent the 2.5/3.11/7.13.17 <a class="wiki_link" href="/just%20intonation%20subgroup">just intonation subgroup</a>. If to this subgroup is added the commas of 17-limit 46et, the larger subgroup 2.9.15.21.33.13.17 is obtained. This is the largest subgroup on which 23 has the same tuning and commas as does 17-limit 46, and may be regarded as a basis for analyzing the harmony of 23-EDO so far as approximations to just intervals goes. <br /> | 23et, or 23-EDO, is a tuning system which divides the <a class="wiki_link" href="/octave">octave</a> into 23 equal parts of approximately 52.173913 cents. It has good approximations for 5/3, 11/7, 13 and 17, allowing it to represent the 2.5/3.11/7.13.17 <a class="wiki_link" href="/just%20intonation%20subgroup">just intonation subgroup</a>. If to this subgroup is added the commas of 17-limit 46et, the larger 17-limit <a class="wiki_link" href="/k%2AN%20subgroups">2*23 subgroup</a> 2.9.15.21.33.13.17 is obtained. This is the largest subgroup on which 23 has the same tuning and commas as does 17-limit 46, and may be regarded as a basis for analyzing the harmony of 23-EDO so far as approximations to just intervals goes. <br /> | ||
<br /> | <br /> | ||
23-EDO was proposed by ethnomusicologist <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Erich_von_Hornbostel" rel="nofollow">Erich von Hornbostel</a> as the result of continuing a circle of &quot;blown&quot; fifths of ~678-cent fifths that (he argued) resulted from &quot;overblowing&quot; a bamboo pipe.<br /> | 23-EDO was proposed by ethnomusicologist <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Erich_von_Hornbostel" rel="nofollow">Erich von Hornbostel</a> as the result of continuing a circle of &quot;blown&quot; fifths of ~678-cent fifths that (he argued) resulted from &quot;overblowing&quot; a bamboo pipe.<br /> |
Revision as of 22:18, 28 May 2011
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author genewardsmith and made on 2011-05-28 22:18:41 UTC.
- The original revision id was 232644562.
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
=<span style="color: #007a1b; display: block;">23 tone equal temperament</span>= 23et, or 23-EDO, is a tuning system which divides the [[octave]] into 23 equal parts of approximately 52.173913 cents. It has good approximations for 5/3, 11/7, 13 and 17, allowing it to represent the 2.5/3.11/7.13.17 [[just intonation subgroup]]. If to this subgroup is added the commas of 17-limit 46et, the larger 17-limit [[k*N subgroups|2*23 subgroup]] 2.9.15.21.33.13.17 is obtained. This is the largest subgroup on which 23 has the same tuning and commas as does 17-limit 46, and may be regarded as a basis for analyzing the harmony of 23-EDO so far as approximations to just intervals goes. 23-EDO was proposed by ethnomusicologist [[http://en.wikipedia.org/wiki/Erich_von_Hornbostel|Erich von Hornbostel]] as the result of continuing a circle of "blown" fifths of ~678-cent fifths that (he argued) resulted from "overblowing" a bamboo pipe. 23-EDO is also significant in that it is the largest EDO that fails to approximate the 3rd, 5th, and 7th harmonics within 20 cents, which makes it well-suited for musicians seeking to explore unusual harmonic territory. Oddly, despite the fact that it fails to approximate these harmonics, it approximates the intervals between them (5/3, 7/3, and 7/5) very well. The lowest harmonics well-approximated by 23-EDO are 13, 17, 21, and 23. Like 9-EDO, 16-EDO, and 25-EDO, one way to treat 23-EDO is as a Pelogic temperament, tempering out the "comma" of 135/128 and equating three sharp 4/3's with 5/1 (related to the Armodue system). This means mapping 3/2 to 13 degrees of 23, and results in a 7-note "anti-diatonic" scale of 3 3 4 3 3 3 4 (in steps of 23-EDO), which extends to 9 notes (3 3 3 1 3 3 3 3 1). However, one can also map 3/2 to 14 degrees of 23-EDO without significantly increasing the error, taking us to a 7-limit temperament where two 3/2's equals 7/3, meaning 28/27 is tempered out, and six 4/3's octave-reduced equals 5/4, meaning 4096/3645 is tempered out. Both of these are very large commas, so this is not at all an accurate temperament, but it is related to 13-EDO and 18-EDO and produces MOS scales of 5 and 8 notes: 5 5 4 5 4 (the "anti-pentatonic") and 4 1 4 1 4 4 1 4 (the "quarter-tone" version of the Blackwood/[[http://en.wikipedia.org/wiki/Paul_Rapoport_(music_critic)|Rapoport]]/Wilson 13-EDO "subminor" scale). Alternatively we can treat this temperament as a 2.9.21 subgroup, and instead of calling 9 degrees of 23-EDO a "4/3", we can call it 21/16. Here three 21/16's gets us to 9/4, meaning 1029/1024 is tempered out. This allows us to treat a triad of 0-4-9 degrees of 23-EDO as an approximation to 16:18:21, and 0-5-9 as 1/(16:18:21); both of these triads are abundant in the 8-note MOS scale. ==Intervals== || [[Degree]]s of 23-EDO || [[Cent]]s value || || 0 || 0 || || 1 || 52.1739 || || 2 || 104.3478 || || 3 || 156.5217 || || 4 || 208.6957 || || 5 || 260.8696 || || 6 || 313.0435 || || 7 || 365.2174 || || 8 || 417.3913 || || 9 || 469.5652 || || 10 || 521.7391 || || 11 || 573.913 || || 12 || 626.087 || || 13 || 678.2609 || || 14 || 730.4348 || || 15 || 782.6087 || || 16 || 834.7826 || || 17 || 886.9565 || || 18 || 939.1304 || || 19 || 991.3043 || || 20 || 1043.4783 || || 21 || 1095.6522 || || 22 || 1147.8261 || [[image:Ciclo_Icositrifonía.png width="341" height="344" caption="Intervallic Cicle of 23 steps Equal per Octave"]] ===INSTRUMENTS=== [[image:Icositriphonic_Bass.JPG width="560" height="182"]] //An Icositriphonic Bass. 23-EDO Bass by Tútim Deft Wafil.// [[image:Icositriphonic_Guitar.PNG width="533" height="237"]] //An Icositriphonic 8-string Guitar. 23-EDO Guitar by Ron Sword.// **23 tone [[Equal Modes]]:** 10 10 3 9 9 5 8 8 7 7 7 7 2 7 2 7 7 6 6 6 5 6 5 6 6 5 4 5 5 4 5 4 5 4 5 7 1 7 7 1 7 1 7 1 7 5 5 5 5 3 5 3 5 5 5 4 4 4 4 4 3 4 3 4 4 4 4 5 1 5 1 5 1 5 3 3 3 5 3 3 3 4 3 3 3 3 3 4 3 4 3 3 4 3 3 3 3 4 3 3 3 4 3 3 3 4 3 3 4 3 3 3 4 3 4 3 2 5 2 5 2 5 2 4 1 4 4 1 4 4 1 3 3 3 3 3 3 3 2 3 2 3 3 3 3 3 3 **3 3 3 1 3 3 3 3 1** 3 3 1 3 3 3 1 3 3 3 2 3 2 3 2 3 2 3 2 2 3 2 2 3 2 2 2 3 **3 1 3 1 3 1 3 1 3 1 3** 2 2 2 1 2 2 2 1 2 2 2 2 1 2 2 1 2 2 1 2 2 1 2 2 1 2 1 **2 1 2 2 1 2 2 1 2 2 1 2 2 1** 1 1 1 4 1 1 1 1 4 1 1 1 1 4 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 **2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1** 2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 2 1 1 1 =Compositions= [[http://home.vicnet.net.au/~epoetry/family.mp3|The Family Supper]] by Warren Burt __Allegro Moderato__ by Easley Blackwood [[http://www.youtube.com/watch?v=Hqst8MaRiYM|Icositriphonic Heptatonic MOS]] by Igliashon Jones [[http://soundclick.com/share?songid=5683734|A Walk Through the Valley of Ashes]] by Iglashion Jones [[http://www.nonoctave.com/tunes/CosmicChamber.mp3|Cosmic Chamber]] by X. J. Scott [[http://www.nonoctave.com/tunes/Daisies.mp3|Daisies on the Beach]] by X. J. Scott <span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;">[[http://www.akjmusic.com/audio/boogie_pie.mp3|Boogie Pie]]</span>by Aaron Krister Johnson =Books= [[image:Libro_Icositrifónico.PNG]] =Keyboards= [[image:Teclado_Icositrifónico.PNG width="567" height="297"]] //A prototype for Armodue 1/3-tone Keyboard, Armodue-Hornbostel Family Temperaments.//
Original HTML content:
<html><head><title>23edo</title></head><body><!-- ws:start:WikiTextHeadingRule:0:<h1> --><h1 id="toc0"><a name="x23 tone equal temperament"></a><!-- ws:end:WikiTextHeadingRule:0 --><span style="color: #007a1b; display: block;">23 tone equal temperament</span></h1> <br /> 23et, or 23-EDO, is a tuning system which divides the <a class="wiki_link" href="/octave">octave</a> into 23 equal parts of approximately 52.173913 cents. It has good approximations for 5/3, 11/7, 13 and 17, allowing it to represent the 2.5/3.11/7.13.17 <a class="wiki_link" href="/just%20intonation%20subgroup">just intonation subgroup</a>. If to this subgroup is added the commas of 17-limit 46et, the larger 17-limit <a class="wiki_link" href="/k%2AN%20subgroups">2*23 subgroup</a> 2.9.15.21.33.13.17 is obtained. This is the largest subgroup on which 23 has the same tuning and commas as does 17-limit 46, and may be regarded as a basis for analyzing the harmony of 23-EDO so far as approximations to just intervals goes. <br /> <br /> 23-EDO was proposed by ethnomusicologist <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Erich_von_Hornbostel" rel="nofollow">Erich von Hornbostel</a> as the result of continuing a circle of "blown" fifths of ~678-cent fifths that (he argued) resulted from "overblowing" a bamboo pipe.<br /> <br /> 23-EDO is also significant in that it is the largest EDO that fails to approximate the 3rd, 5th, and 7th harmonics within 20 cents, which makes it well-suited for musicians seeking to explore unusual harmonic territory. Oddly, despite the fact that it fails to approximate these harmonics, it approximates the intervals between them (5/3, 7/3, and 7/5) very well. The lowest harmonics well-approximated by 23-EDO are 13, 17, 21, and 23. <br /> <br /> Like 9-EDO, 16-EDO, and 25-EDO, one way to treat 23-EDO is as a Pelogic temperament, tempering out the "comma" of 135/128 and equating three sharp 4/3's with 5/1 (related to the Armodue system). This means mapping 3/2 to 13 degrees of 23, and results in a 7-note "anti-diatonic" scale of 3 3 4 3 3 3 4 (in steps of 23-EDO), which extends to 9 notes (3 3 3 1 3 3 3 3 1).<br /> <br /> However, one can also map 3/2 to 14 degrees of 23-EDO without significantly increasing the error, taking us to a 7-limit temperament where two 3/2's equals 7/3, meaning 28/27 is tempered out, and six 4/3's octave-reduced equals 5/4, meaning 4096/3645 is tempered out. Both of these are very large commas, so this is not at all an accurate temperament, but it is related to 13-EDO and 18-EDO and produces MOS scales of 5 and 8 notes: 5 5 4 5 4 (the "anti-pentatonic") and 4 1 4 1 4 4 1 4 (the "quarter-tone" version of the Blackwood/<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Paul_Rapoport_(music_critic)" rel="nofollow">Rapoport</a>/Wilson 13-EDO "subminor" scale). Alternatively we can treat this temperament as a 2.9.21 subgroup, and instead of calling 9 degrees of 23-EDO a "4/3", we can call it 21/16. Here three 21/16's gets us to 9/4, meaning 1029/1024 is tempered out. This allows us to treat a triad of 0-4-9 degrees of 23-EDO as an approximation to 16:18:21, and 0-5-9 as 1/(16:18:21); both of these triads are abundant in the 8-note MOS scale. <br /> <br /> <!-- ws:start:WikiTextHeadingRule:2:<h2> --><h2 id="toc1"><a name="x23 tone equal temperament-Intervals"></a><!-- ws:end:WikiTextHeadingRule:2 -->Intervals</h2> <table class="wiki_table"> <tr> <td><a class="wiki_link" href="/Degree">Degree</a>s of 23-EDO<br /> </td> <td><a class="wiki_link" href="/Cent">Cent</a>s value<br /> </td> </tr> <tr> <td>0<br /> </td> <td>0<br /> </td> </tr> <tr> <td>1<br /> </td> <td>52.1739<br /> </td> </tr> <tr> <td>2<br /> </td> <td>104.3478<br /> </td> </tr> <tr> <td>3<br /> </td> <td>156.5217<br /> </td> </tr> <tr> <td>4<br /> </td> <td>208.6957<br /> </td> </tr> <tr> <td>5<br /> </td> <td>260.8696<br /> </td> </tr> <tr> <td>6<br /> </td> <td>313.0435<br /> </td> </tr> <tr> <td>7<br /> </td> <td>365.2174<br /> </td> </tr> <tr> <td>8<br /> </td> <td>417.3913<br /> </td> </tr> <tr> <td>9<br /> </td> <td>469.5652<br /> </td> </tr> <tr> <td>10<br /> </td> <td>521.7391<br /> </td> </tr> <tr> <td>11<br /> </td> <td>573.913<br /> </td> </tr> <tr> <td>12<br /> </td> <td>626.087<br /> </td> </tr> <tr> <td>13<br /> </td> <td>678.2609<br /> </td> </tr> <tr> <td>14<br /> </td> <td>730.4348<br /> </td> </tr> <tr> <td>15<br /> </td> <td>782.6087<br /> </td> </tr> <tr> <td>16<br /> </td> <td>834.7826<br /> </td> </tr> <tr> <td>17<br /> </td> <td>886.9565<br /> </td> </tr> <tr> <td>18<br /> </td> <td>939.1304<br /> </td> </tr> <tr> <td>19<br /> </td> <td>991.3043<br /> </td> </tr> <tr> <td>20<br /> </td> <td>1043.4783<br /> </td> </tr> <tr> <td>21<br /> </td> <td>1095.6522<br /> </td> </tr> <tr> <td>22<br /> </td> <td>1147.8261<br /> </td> </tr> </table> <!-- ws:start:WikiTextLocalImageRule:158:<img src="/file/view/Ciclo_Icositrifon%C3%ADa.png/255957914/341x344/Ciclo_Icositrifon%C3%ADa.png" alt="Intervallic Cicle of 23 steps Equal per Octave" title="Intervallic Cicle of 23 steps Equal per Octave" style="height: 344px; width: 341px;" /> --><table class="captionBox"><tr><td class="captionedImage"><img src="/file/view/Ciclo_Icositrifon%C3%ADa.png/255957914/341x344/Ciclo_Icositrifon%C3%ADa.png" alt="Ciclo_Icositrifonía.png" title="Ciclo_Icositrifonía.png" style="height: 344px; width: 341px;" /></td></tr><tr><td class="imageCaption">Intervallic Cicle of 23 steps Equal per Octave</td></tr></table><!-- ws:end:WikiTextLocalImageRule:158 --><br /> <br /> <!-- ws:start:WikiTextHeadingRule:4:<h3> --><h3 id="toc2"><a name="x23 tone equal temperament-Intervals-INSTRUMENTS"></a><!-- ws:end:WikiTextHeadingRule:4 -->INSTRUMENTS</h3> <!-- ws:start:WikiTextLocalImageRule:159:<img src="/file/view/Icositriphonic_Bass.JPG/206711470/560x182/Icositriphonic_Bass.JPG" alt="" title="" style="height: 182px; width: 560px;" /> --><img src="/file/view/Icositriphonic_Bass.JPG/206711470/560x182/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 182px; width: 560px;" /><!-- ws:end:WikiTextLocalImageRule:159 --><br /> <em>An Icositriphonic Bass. 23-EDO Bass by Tútim Deft Wafil.</em><br /> <br /> <!-- ws:start:WikiTextLocalImageRule:160:<img src="/file/view/Icositriphonic_Guitar.PNG/206712964/533x237/Icositriphonic_Guitar.PNG" alt="" title="" style="height: 237px; width: 533px;" /> --><img src="/file/view/Icositriphonic_Guitar.PNG/206712964/533x237/Icositriphonic_Guitar.PNG" alt="Icositriphonic_Guitar.PNG" title="Icositriphonic_Guitar.PNG" style="height: 237px; width: 533px;" /><!-- ws:end:WikiTextLocalImageRule:160 --><br /> <em>An Icositriphonic 8-string Guitar. 23-EDO Guitar by Ron Sword.</em><br /> <br /> <strong>23 tone <a class="wiki_link" href="/Equal%20Modes">Equal Modes</a>:</strong><br /> <br /> 10 10 3<br /> 9 9 5<br /> 8 8 7<br /> 7 7 7 2<br /> 7 2 7 7<br /> 6 6 6 5<br /> 6 5 6 6<br /> 5 4 5 5 4<br /> 5 4 5 4 5<br /> 7 1 7 7 1<br /> 7 1 7 1 7<br /> 5 5 5 5 3<br /> 5 3 5 5 5<br /> 4 4 4 4 4 3<br /> 4 3 4 4 4 4<br /> 5 1 5 1 5 1 5<br /> 3 3 3 5 3 3 3<br /> 4 3 3 3 3 3 4<br /> 3 4 3 3 4 3 3<br /> 3 3 4 3 3 3 4<br /> 3 3 3 4 3 3 4<br /> 3 3 3 4 3 4 3<br /> 2 5 2 5 2 5 2<br /> 4 1 4 4 1 4 4 1<br /> 3 3 3 3 3 3 3 2<br /> 3 2 3 3 3 3 3 3<br /> <strong>3 3 3 1 3 3 3 3 1</strong><br /> 3 3 1 3 3 3 1 3 3<br /> 3 2 3 2 3 2 3 2 3<br /> 2 2 3 2 2 3 2 2 2 3<br /> <strong>3 1 3 1 3 1 3 1 3 1 3</strong><br /> 2 2 2 1 2 2 2 1 2 2 2 2 1<br /> 2 2 1 2 2 1 2 2 1 2 2 1 2 1<br /> <strong>2 1 2 2 1 2 2 1 2 2 1 2 2 1</strong><br /> 1 1 1 4 1 1 1 1 4 1 1 1 1 4<br /> 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2<br /> <strong>2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1</strong><br /> 2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 2 1 1 1<br /> <br /> <!-- ws:start:WikiTextHeadingRule:6:<h1> --><h1 id="toc3"><a name="Compositions"></a><!-- ws:end:WikiTextHeadingRule:6 -->Compositions</h1> <a class="wiki_link_ext" href="http://home.vicnet.net.au/~epoetry/family.mp3" rel="nofollow">The Family Supper</a> by Warren Burt<br /> <u>Allegro Moderato</u> by Easley Blackwood<br /> <a class="wiki_link_ext" href="http://www.youtube.com/watch?v=Hqst8MaRiYM" rel="nofollow">Icositriphonic Heptatonic MOS</a> by Igliashon Jones<br /> <a class="wiki_link_ext" href="http://soundclick.com/share?songid=5683734" rel="nofollow">A Walk Through the Valley of Ashes</a> by Iglashion Jones<br /> <a class="wiki_link_ext" href="http://www.nonoctave.com/tunes/CosmicChamber.mp3" rel="nofollow">Cosmic Chamber</a> by X. J. Scott<br /> <a class="wiki_link_ext" href="http://www.nonoctave.com/tunes/Daisies.mp3" rel="nofollow">Daisies on the Beach</a> by X. J. Scott<br /> <span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;"><a class="wiki_link_ext" href="http://www.akjmusic.com/audio/boogie_pie.mp3" rel="nofollow">Boogie Pie</a></span>by Aaron Krister Johnson<br /> <br /> <!-- ws:start:WikiTextHeadingRule:8:<h1> --><h1 id="toc4"><a name="Books"></a><!-- ws:end:WikiTextHeadingRule:8 -->Books</h1> <!-- ws:start:WikiTextLocalImageRule:161:<img src="/file/view/Libro_Icositrif%C3%B3nico.PNG/163031733/Libro_Icositrif%C3%B3nico.PNG" alt="" title="" /> --><img src="/file/view/Libro_Icositrif%C3%B3nico.PNG/163031733/Libro_Icositrif%C3%B3nico.PNG" alt="Libro_Icositrifónico.PNG" title="Libro_Icositrifónico.PNG" /><!-- ws:end:WikiTextLocalImageRule:161 --><br /> <br /> <!-- ws:start:WikiTextHeadingRule:10:<h1> --><h1 id="toc5"><a name="Keyboards"></a><!-- ws:end:WikiTextHeadingRule:10 -->Keyboards</h1> <br /> <!-- ws:start:WikiTextLocalImageRule:162:<img src="/file/view/Teclado_Icositrif%C3%B3nico.PNG/258408436/567x297/Teclado_Icositrif%C3%B3nico.PNG" alt="" title="" style="height: 297px; width: 567px;" /> --><img src="/file/view/Teclado_Icositrif%C3%B3nico.PNG/258408436/567x297/Teclado_Icositrif%C3%B3nico.PNG" alt="Teclado_Icositrifónico.PNG" title="Teclado_Icositrifónico.PNG" style="height: 297px; width: 567px;" /><!-- ws:end:WikiTextLocalImageRule:162 --><br /> <em>A prototype for Armodue 1/3-tone Keyboard, Armodue-Hornbostel Family Temperaments.</em></body></html>