23edo: Difference between revisions

Wikispaces>Osmiorisbendi
**Imported revision 233694570 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 237767001 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-06-02 03:04:48 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-20 14:12:40 UTC</tt>.<br>
: The original revision id was <tt>233694570</tt>.<br>
: The original revision id was <tt>237767001</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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However, one can also map 3/2 to 14 degrees of 23-EDO without significantly increasing the error, taking us to a 7-limit temperament where two 3/2's equals 7/3, meaning 28/27 is tempered out, and six 4/3's octave-reduced equals 5/4, meaning 4096/3645 is tempered out. Both of these are very large commas, so this is not at all an accurate temperament, but it is related to 13-EDO and 18-EDO and produces MOS scales of 5 and 8 notes: 5 5 4 5 4 (the "anti-pentatonic") and 4 1 4 1 4 4 1 4 (the "quarter-tone" version of the Blackwood/[[http://en.wikipedia.org/wiki/Paul_Rapoport_%28music_critic%29|Rapoport]]/Wilson 13-EDO "subminor" scale). Alternatively we can treat this temperament as a 2.9.21 subgroup, and instead of calling 9 degrees of 23-EDO a "4/3", we can call it 21/16. Here three 21/16's gets us to 9/4, meaning 1029/1024 is tempered out. This allows us to treat a triad of 0-4-9 degrees of 23-EDO as an approximation to 16:18:21, and 0-5-9 as 1/(16:18:21); both of these triads are abundant in the 8-note MOS scale.
However, one can also map 3/2 to 14 degrees of 23-EDO without significantly increasing the error, taking us to a 7-limit temperament where two 3/2's equals 7/3, meaning 28/27 is tempered out, and six 4/3's octave-reduced equals 5/4, meaning 4096/3645 is tempered out. Both of these are very large commas, so this is not at all an accurate temperament, but it is related to 13-EDO and 18-EDO and produces MOS scales of 5 and 8 notes: 5 5 4 5 4 (the "anti-pentatonic") and 4 1 4 1 4 4 1 4 (the "quarter-tone" version of the Blackwood/[[http://en.wikipedia.org/wiki/Paul_Rapoport_%28music_critic%29|Rapoport]]/Wilson 13-EDO "subminor" scale). Alternatively we can treat this temperament as a 2.9.21 subgroup, and instead of calling 9 degrees of 23-EDO a "4/3", we can call it 21/16. Here three 21/16's gets us to 9/4, meaning 1029/1024 is tempered out. This allows us to treat a triad of 0-4-9 degrees of 23-EDO as an approximation to 16:18:21, and 0-5-9 as 1/(16:18:21); both of these triads are abundant in the 8-note MOS scale.
=Music=
[[http://home.vicnet.net.au/%7Eepoetry/family.mp3|The Family Supper]] by Warren Burt
__Allegro Moderato__ by Easley Blackwood
[[http://www.youtube.com/watch?v=Hqst8MaRiYM|Icositriphonic Heptatonic MOS]] by Igliashon Jones
[[http://soundclick.com/share?songid=5683734|A Walk Through the Valley of Ashes]] by Iglashion Jones
[[http://www.nonoctave.com/tunes/CosmicChamber.mp3|Cosmic Chamber]] by X. J. Scott
[[http://www.nonoctave.com/tunes/Daisies.mp3|Daisies on the Beach]] by X. J. Scott
&lt;span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;"&gt;[[http://www.akjmusic.com/audio/boogie_pie.mp3|Boogie Pie]]&lt;/span&gt;by Aaron Krister Johnson
[[http://clones.soonlabel.com/public/micro/23edo/daily20110619_23edo_23_chilled.mp3|23 Chilled]] by Chris Vaisvil


==Intervals==  
==Intervals==  
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**2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1**
**2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1**
2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 2 1 1 1
2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 2 1 1 1
=Compositions=
[[http://home.vicnet.net.au/%7Eepoetry/family.mp3|The Family Supper]] by Warren Burt
__Allegro Moderato__ by Easley Blackwood
[[http://www.youtube.com/watch?v=Hqst8MaRiYM|Icositriphonic Heptatonic MOS]] by Igliashon Jones
[[http://soundclick.com/share?songid=5683734|A Walk Through the Valley of Ashes]] by Iglashion Jones
[[http://www.nonoctave.com/tunes/CosmicChamber.mp3|Cosmic Chamber]] by X. J. Scott
[[http://www.nonoctave.com/tunes/Daisies.mp3|Daisies on the Beach]] by X. J. Scott
&lt;span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;"&gt;[[http://www.akjmusic.com/audio/boogie_pie.mp3|Boogie Pie]]&lt;/span&gt;by Aaron Krister Johnson


=Books=  
=Books=  
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However, one can also map 3/2 to 14 degrees of 23-EDO without significantly increasing the error, taking us to a 7-limit temperament where two 3/2's equals 7/3, meaning 28/27 is tempered out, and six 4/3's octave-reduced equals 5/4, meaning 4096/3645 is tempered out. Both of these are very large commas, so this is not at all an accurate temperament, but it is related to 13-EDO and 18-EDO and produces MOS scales of 5 and 8 notes: 5 5 4 5 4 (the &amp;quot;anti-pentatonic&amp;quot;) and 4 1 4 1 4 4 1 4 (the &amp;quot;quarter-tone&amp;quot; version of the Blackwood/&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Paul_Rapoport_%28music_critic%29" rel="nofollow"&gt;Rapoport&lt;/a&gt;/Wilson 13-EDO &amp;quot;subminor&amp;quot; scale). Alternatively we can treat this temperament as a 2.9.21 subgroup, and instead of calling 9 degrees of 23-EDO a &amp;quot;4/3&amp;quot;, we can call it 21/16. Here three 21/16's gets us to 9/4, meaning 1029/1024 is tempered out. This allows us to treat a triad of 0-4-9 degrees of 23-EDO as an approximation to 16:18:21, and 0-5-9 as 1/(16:18:21); both of these triads are abundant in the 8-note MOS scale.&lt;br /&gt;
However, one can also map 3/2 to 14 degrees of 23-EDO without significantly increasing the error, taking us to a 7-limit temperament where two 3/2's equals 7/3, meaning 28/27 is tempered out, and six 4/3's octave-reduced equals 5/4, meaning 4096/3645 is tempered out. Both of these are very large commas, so this is not at all an accurate temperament, but it is related to 13-EDO and 18-EDO and produces MOS scales of 5 and 8 notes: 5 5 4 5 4 (the &amp;quot;anti-pentatonic&amp;quot;) and 4 1 4 1 4 4 1 4 (the &amp;quot;quarter-tone&amp;quot; version of the Blackwood/&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Paul_Rapoport_%28music_critic%29" rel="nofollow"&gt;Rapoport&lt;/a&gt;/Wilson 13-EDO &amp;quot;subminor&amp;quot; scale). Alternatively we can treat this temperament as a 2.9.21 subgroup, and instead of calling 9 degrees of 23-EDO a &amp;quot;4/3&amp;quot;, we can call it 21/16. Here three 21/16's gets us to 9/4, meaning 1029/1024 is tempered out. This allows us to treat a triad of 0-4-9 degrees of 23-EDO as an approximation to 16:18:21, and 0-5-9 as 1/(16:18:21); both of these triads are abundant in the 8-note MOS scale.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x23 tone equal temperament-Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Intervals&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Music&lt;/h1&gt;
&lt;a class="wiki_link_ext" href="http://home.vicnet.net.au/%7Eepoetry/family.mp3" rel="nofollow"&gt;The Family Supper&lt;/a&gt; by Warren Burt&lt;br /&gt;
&lt;u&gt;Allegro Moderato&lt;/u&gt; by Easley Blackwood&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=Hqst8MaRiYM" rel="nofollow"&gt;Icositriphonic Heptatonic MOS&lt;/a&gt; by Igliashon Jones&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=5683734" rel="nofollow"&gt;A Walk Through the Valley of Ashes&lt;/a&gt; by Iglashion Jones&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.nonoctave.com/tunes/CosmicChamber.mp3" rel="nofollow"&gt;Cosmic Chamber&lt;/a&gt; by X. J. Scott&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.nonoctave.com/tunes/Daisies.mp3" rel="nofollow"&gt;Daisies on the Beach&lt;/a&gt; by X. J. Scott&lt;br /&gt;
&lt;span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;"&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/boogie_pie.mp3" rel="nofollow"&gt;Boogie Pie&lt;/a&gt;&lt;/span&gt;by Aaron Krister Johnson&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/23edo/daily20110619_23edo_23_chilled.mp3" rel="nofollow"&gt;23 Chilled&lt;/a&gt; by Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="Music-Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Intervals&lt;/h2&gt;
   
   


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&lt;!-- ws:start:WikiTextLocalImageRule:292:&amp;lt;img src=&amp;quot;/file/view/Ciclo_Icositrifon%C3%ADa.png/255957914/492x490/Ciclo_Icositrifon%C3%ADa.png&amp;quot; alt=&amp;quot;Intervallic Cycle of 23 steps Equal per Octave&amp;quot; title=&amp;quot;Intervallic Cycle of 23 steps Equal per Octave&amp;quot; style=&amp;quot;height: 490px; width: 492px;&amp;quot; /&amp;gt; --&gt;&lt;table class="captionBox"&gt;&lt;tr&gt;&lt;td class="captionedImage"&gt;&lt;img src="/file/view/Ciclo_Icositrifon%C3%ADa.png/255957914/492x490/Ciclo_Icositrifon%C3%ADa.png" alt="Ciclo_Icositrifonía.png" title="Ciclo_Icositrifonía.png" style="height: 490px; width: 492px;" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="imageCaption"&gt;Intervallic Cycle of 23 steps Equal per Octave&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;!-- ws:end:WikiTextLocalImageRule:292 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:292:&amp;lt;img src=&amp;quot;/file/view/Ciclo_Icositrifon%C3%ADa.png/255957914/492x490/Ciclo_Icositrifon%C3%ADa.png&amp;quot; alt=&amp;quot;Intervallic Cycle of 23 steps Equal per Octave&amp;quot; title=&amp;quot;Intervallic Cycle of 23 steps Equal per Octave&amp;quot; style=&amp;quot;height: 490px; width: 492px;&amp;quot; /&amp;gt; --&gt;&lt;table class="captionBox"&gt;&lt;tr&gt;&lt;td class="captionedImage"&gt;&lt;img src="/file/view/Ciclo_Icositrifon%C3%ADa.png/255957914/492x490/Ciclo_Icositrifon%C3%ADa.png" alt="Ciclo_Icositrifonía.png" title="Ciclo_Icositrifonía.png" style="height: 490px; width: 492px;" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="imageCaption"&gt;Intervallic Cycle of 23 steps Equal per Octave&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;!-- ws:end:WikiTextLocalImageRule:292 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt; &lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt; &lt;/h2&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x23 tone equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Commas&lt;/h2&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Music-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Commas&lt;/h2&gt;
  23 EDO tempers out the following commas. (Note: This assumes the val &amp;lt; 23 36 53 65 80 85 |.) Also note the discussion above, where there are some commas mentioned that are not in the standard comma list (e.g., 28/27).&lt;br /&gt;
  23 EDO tempers out the following commas. (Note: This assumes the val &amp;lt; 23 36 53 65 80 85 |.) Also note the discussion above, where there are some commas mentioned that are not in the standard comma list (e.g., 28/27).&lt;br /&gt;


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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="x23 tone equal temperament-Commas-INSTRUMENTS"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;INSTRUMENTS&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="Music-Commas-INSTRUMENTS"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;INSTRUMENTS&lt;/h3&gt;
  &lt;!-- ws:start:WikiTextLocalImageRule:293:&amp;lt;img src=&amp;quot;/file/view/Icositriphonic_Bass.JPG/206711470/594x216/Icositriphonic_Bass.JPG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 216px; width: 594px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositriphonic_Bass.JPG/206711470/594x216/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 216px; width: 594px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:293 --&gt;&lt;br /&gt;
  &lt;!-- ws:start:WikiTextLocalImageRule:293:&amp;lt;img src=&amp;quot;/file/view/Icositriphonic_Bass.JPG/206711470/594x216/Icositriphonic_Bass.JPG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 216px; width: 594px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositriphonic_Bass.JPG/206711470/594x216/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 216px; width: 594px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:293 --&gt;&lt;br /&gt;
&lt;em&gt;An Icositriphonic Bass. 23-EDO Bass by Tútim Deft Wafil.&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;An Icositriphonic Bass. 23-EDO Bass by Tútim Deft Wafil.&lt;/em&gt;&lt;br /&gt;
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&lt;em&gt;An Icositriphonic 8-string Guitar. 23-EDO Guitar by Ron Sword.&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;An Icositriphonic 8-string Guitar. 23-EDO Guitar by Ron Sword.&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x23 tone equal temperament-23 tone Equal Modes:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;&lt;strong&gt;23 tone &lt;a class="wiki_link" href="/Equal%20Modes"&gt;Equal Modes&lt;/a&gt;:&lt;/strong&gt;&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Music-23 tone Equal Modes:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;strong&gt;23 tone &lt;a class="wiki_link" href="/Equal%20Modes"&gt;Equal Modes&lt;/a&gt;:&lt;/strong&gt;&lt;/h2&gt;
  10 10 3&lt;br /&gt;
  10 10 3&lt;br /&gt;
9 9 5&lt;br /&gt;
9 9 5&lt;br /&gt;
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&lt;strong&gt;2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;2 1 1 2 1 1 2 1 1 2 1 1 2 1 1 2 1&lt;/strong&gt;&lt;br /&gt;
2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 2 1 1 1&lt;br /&gt;
2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 2 1 1 1&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Compositions&lt;/h1&gt;
&lt;a class="wiki_link_ext" href="http://home.vicnet.net.au/%7Eepoetry/family.mp3" rel="nofollow"&gt;The Family Supper&lt;/a&gt; by Warren Burt&lt;br /&gt;
&lt;u&gt;Allegro Moderato&lt;/u&gt; by Easley Blackwood&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=Hqst8MaRiYM" rel="nofollow"&gt;Icositriphonic Heptatonic MOS&lt;/a&gt; by Igliashon Jones&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=5683734" rel="nofollow"&gt;A Walk Through the Valley of Ashes&lt;/a&gt; by Iglashion Jones&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.nonoctave.com/tunes/CosmicChamber.mp3" rel="nofollow"&gt;Cosmic Chamber&lt;/a&gt; by X. J. Scott&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.nonoctave.com/tunes/Daisies.mp3" rel="nofollow"&gt;Daisies on the Beach&lt;/a&gt; by X. J. Scott&lt;br /&gt;
&lt;span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;"&gt;&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/audio/boogie_pie.mp3" rel="nofollow"&gt;Boogie Pie&lt;/a&gt;&lt;/span&gt;by Aaron Krister Johnson&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Books&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Books&lt;/h1&gt;