22edo: Difference between revisions

Wikispaces>jdfreivald
**Imported revision 578725895 - Original comment: Added Jake Freivald compositions**
Wikispaces>k9assassin
**Imported revision 579698577 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:jdfreivald|jdfreivald]] and made on <tt>2016-03-31 01:03:33 UTC</tt>.<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2016-04-11 08:45:05 UTC</tt>.<br>
: The original revision id was <tt>578725895</tt>.<br>
: The original revision id was <tt>579698577</tt>.<br>
: The revision comment was: <tt>Added Jake Freivald compositions</tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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The division of the apotome into three syntonic commas also indicates 22's tempering out of the [[250_243|porcupine comma]] (which is equivalent to three syntonic commas minus a Pythagorean apotome).
The division of the apotome into three syntonic commas also indicates 22's tempering out of the [[250_243|porcupine comma]] (which is equivalent to three syntonic commas minus a Pythagorean apotome).


=The Decatonic System=
&lt;span style="background-color: #ffffff; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;The decatonic system is an approach of notation based on Paul Erlich's decatonic scales. Unlike typical notation, the decatonic system bases music into a 10 tone scale rather than 7. &lt;/span&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;This approach requires an entire re-learning of chords, intervals, and notation but the advantage is that it allows 22 EDO to be notated using only one pair of accidentals, as well as &lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;gives the opportunity to escape a heptatonic thinking pattern. &lt;/span&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;
==[[#TOC-Decatonic-Alphabet]]Decatonic Alphabet==
&lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;The system is based on two chains of fifths. One represented by latin letters, the other greek. The two chains can be looked at as two juxtaposed pentatonic scales.&lt;/span&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;Chain 1: C G D A E &lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;Chain 2: &lt;span style="background-color: transparent; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;γ δ α ε β &lt;/span&gt;&lt;/span&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;The alphabet is ascending order: C&lt;span style="font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt; δ D ε E γ G α A β C &lt;/span&gt;&lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;
&lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;&lt;span style="font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt;In this alphabet, a chain of fifths is preserved because equivalent greek letters also represent fifths if they are the same as their latin counter parts. For example G D is a fifth as well as &lt;/span&gt;&lt;span style="color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;γ δ. &lt;/span&gt;&lt;/span&gt;
=&lt;span style="background-color: #ffffff; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt; &lt;/span&gt;=
|| **Mode Name** || Notes || Step Structure ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Keter&lt;/span&gt; || &lt;span style="background-color: #ffffff; font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt;α A β C δ D ε E&lt;/span&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;˥ &lt;/span&gt;&lt;span style="background-color: #ffffff; font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt;γ G α&lt;/span&gt; || 2 2 3 2 2 2 3 2 2 2 ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Chokhmah&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Binah&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Chesed&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Gevurah&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Tiferet&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Netzach&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Hod&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Yesod&lt;/span&gt; ||  ||  ||
|| &lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Malkuth&lt;/span&gt; ||  ||  ||
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;
&lt;/span&gt;
==External links==  
==External links==  


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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/22edo"&gt;Deutsch&lt;/a&gt; - &lt;a class="wiki_link" href="/22%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/22edo"&gt;Deutsch&lt;/a&gt; - &lt;a class="wiki_link" href="/22%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
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&lt;!-- ws:end:WikiTextTocRule:31 --&gt;&lt;!-- ws:start:WikiTextTocRule:32: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-Intervalic Naming System"&gt;Intervalic Naming System&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:32 --&gt;&lt;!-- ws:start:WikiTextTocRule:33: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-Intervals by degree"&gt;Intervals by degree&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:27 --&gt;&lt;!-- ws:start:WikiTextTocRule:28: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-Selected just intervals by error"&gt;Selected just intervals by error&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:33 --&gt;&lt;!-- ws:start:WikiTextTocRule:34: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-Selected just intervals by error"&gt;Selected just intervals by error&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:28 --&gt;&lt;!-- ws:start:WikiTextTocRule:29: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-Properties of 22 equal temperament"&gt;Properties of 22 equal temperament&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:34 --&gt;&lt;!-- ws:start:WikiTextTocRule:35: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-Properties of 22 equal temperament"&gt;Properties of 22 equal temperament&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:30 --&gt;&lt;!-- ws:start:WikiTextTocRule:31: --&gt;&lt;div style="margin-left: 3em;"&gt;&lt;a href="#Theory-Properties of 22 equal temperament-Commas"&gt;Commas&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:36 --&gt;&lt;!-- ws:start:WikiTextTocRule:37: --&gt;&lt;div style="margin-left: 3em;"&gt;&lt;a href="#Theory-Properties of 22 equal temperament-Commas"&gt;Commas&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:31 --&gt;&lt;!-- ws:start:WikiTextTocRule:32: --&gt;&lt;div style="margin-left: 3em;"&gt;&lt;a href="#Theory-Properties of 22 equal temperament-How to Notate 22edo in Sagittal"&gt;How to Notate 22edo in Sagittal&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:37 --&gt;&lt;!-- ws:start:WikiTextTocRule:38: --&gt;&lt;div style="margin-left: 3em;"&gt;&lt;a href="#Theory-Properties of 22 equal temperament-How to Notate 22edo in Sagittal"&gt;How to Notate 22edo in Sagittal&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:32 --&gt;&lt;!-- ws:start:WikiTextTocRule:33: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-External links"&gt;External links&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:38 --&gt;&lt;!-- ws:start:WikiTextTocRule:39: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#The Decatonic System"&gt;The Decatonic System&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:33 --&gt;&lt;!-- ws:start:WikiTextTocRule:34: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Theory-References"&gt;References&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:39 --&gt;&lt;!-- ws:start:WikiTextTocRule:40: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#The Decatonic System-Decatonic Alphabet"&gt;Decatonic Alphabet&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:34 --&gt;&lt;!-- ws:start:WikiTextTocRule:35: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Music"&gt;Music&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:40 --&gt;&lt;!-- ws:start:WikiTextTocRule:41: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#toc10"&gt; &lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:41 --&gt;&lt;!-- ws:start:WikiTextTocRule:42: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#The Decatonic System-External links"&gt;External links&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:42 --&gt;&lt;!-- ws:start:WikiTextTocRule:43: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#The Decatonic System-References"&gt;References&lt;/a&gt;&lt;/div&gt;
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See also: &lt;a class="wiki_link" href="/22edo%20Solfege"&gt;22edo Solfege&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Tetrachords"&gt;22edo Tetrachords&lt;/a&gt;, &lt;a class="wiki_link" href="/22%20EDO%20Chords"&gt;22 EDO Chords&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Modes"&gt;22edo Modes&lt;/a&gt;&lt;br /&gt;
See also: &lt;a class="wiki_link" href="/22edo%20Solfege"&gt;22edo Solfege&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Tetrachords"&gt;22edo Tetrachords&lt;/a&gt;, &lt;a class="wiki_link" href="/22%20EDO%20Chords"&gt;22 EDO Chords&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Modes"&gt;22edo Modes&lt;/a&gt;&lt;br /&gt;
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When 22edo is treated as generated by a cycle of its fifths, the naturals F C G D A E B represent a chain of those 13\22 fifths; consequently, the whole tone comes out to four degrees and the apotome (pythagorean sharp/flat) comes out to three degrees. Three pairs of sagittal symbols, dividing that apotome into three parts, are all that is necessary, and offer plenty of enharmonic equivalents:&lt;br /&gt;
When 22edo is treated as generated by a cycle of its fifths, the naturals F C G D A E B represent a chain of those 13\22 fifths; consequently, the whole tone comes out to four degrees and the apotome (pythagorean sharp/flat) comes out to three degrees. Three pairs of sagittal symbols, dividing that apotome into three parts, are all that is necessary, and offer plenty of enharmonic equivalents:&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:1039:&amp;lt;img src=&amp;quot;/file/view/22edo.png/269078624/22edo.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/22edo.png/269078624/22edo.png" alt="22edo.png" title="22edo.png" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1039 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:1139:&amp;lt;img src=&amp;quot;/file/view/22edo.png/269078624/22edo.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/22edo.png/269078624/22edo.png" alt="22edo.png" title="22edo.png" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1139 --&gt;&lt;br /&gt;
This notation is consistent with Sagittal's notation of 5-limit JI harmony: &amp;quot;major&amp;quot; 3rds and 6ths appear as (super)pythagorean intervals flattened by a syntonic comma.&lt;br /&gt;
This notation is consistent with Sagittal's notation of 5-limit JI harmony: &amp;quot;major&amp;quot; 3rds and 6ths appear as (super)pythagorean intervals flattened by a syntonic comma.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The division of the apotome into three syntonic commas also indicates 22's tempering out of the &lt;a class="wiki_link" href="/250_243"&gt;porcupine comma&lt;/a&gt; (which is equivalent to three syntonic commas minus a Pythagorean apotome).&lt;br /&gt;
The division of the apotome into three syntonic commas also indicates 22's tempering out of the &lt;a class="wiki_link" href="/250_243"&gt;porcupine comma&lt;/a&gt; (which is equivalent to three syntonic commas minus a Pythagorean apotome).&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Theory-External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;External links&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="The Decatonic System"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;The Decatonic System&lt;/h1&gt;
&lt;span style="background-color: #ffffff; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;The decatonic system is an approach of notation based on Paul Erlich's decatonic scales. Unlike typical notation, the decatonic system bases music into a 10 tone scale rather than 7. &lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;This approach requires an entire re-learning of chords, intervals, and notation but the advantage is that it allows 22 EDO to be notated using only one pair of accidentals, as well as &lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;gives the opportunity to escape a heptatonic thinking pattern. &lt;/span&gt;&lt;br /&gt;
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&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="The Decatonic System-Decatonic Alphabet"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;&lt;!-- ws:start:WikiTextAnchorRule:46:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@TOC-Decatonic-Alphabet&amp;quot; title=&amp;quot;Anchor: TOC-Decatonic-Alphabet&amp;quot;/&amp;gt; --&gt;&lt;a name="TOC-Decatonic-Alphabet"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:46 --&gt;Decatonic Alphabet&lt;/h2&gt;
&lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;The system is based on two chains of fifths. One represented by latin letters, the other greek. The two chains can be looked at as two juxtaposed pentatonic scales.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;Chain 1: C G D A E &lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;Chain 2: &lt;span style="background-color: transparent; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;γ δ α ε β &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;The alphabet is ascending order: C&lt;span style="font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt; δ D ε E γ G α A β C &lt;/span&gt;&lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;&lt;span style="font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt;In this alphabet, a chain of fifths is preserved because equivalent greek letters also represent fifths if they are the same as their latin counter parts. For example G D is a fifth as well as &lt;/span&gt;&lt;span style="color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;γ δ. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;&lt;span style="background-color: #ffffff; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt; &lt;/span&gt;&lt;/h1&gt;
 
&lt;table class="wiki_table"&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;strong&gt;Mode Name&lt;/strong&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Notes&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Step Structure&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Keter&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt;α A β C δ D ε E&lt;/span&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;˥ &lt;/span&gt;&lt;span style="background-color: #ffffff; font-family: helvetica,arial,sans-serif; font-size: 12px;"&gt;γ G α&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;2 2 3 2 2 2 3 2 2 2&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Chokhmah&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Binah&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Chesed&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Gevurah&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Tiferet&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Netzach&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Hod&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Yesod&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;span style="background-color: #ffffff; color: #141823; font-family: helvetica,arial,sans-serif; font-size: 14px;"&gt;Malkuth&lt;/span&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;
 
&lt;span style="background-color: #ffffff; display: block; font-family: Arial,Verdana,sans-serif; font-size: 13.3333px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc11"&gt;&lt;a name="The Decatonic System-External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;External links&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/erlich-decatonic.pdf" rel="nofollow"&gt;Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/erlich-decatonic.pdf" rel="nofollow"&gt;Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://porcupinemusic.weebly.com/" rel="nofollow"&gt;&amp;quot;Porcupine Music&amp;quot; - Website Focused on the Development of 22 EDO music &lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://porcupinemusic.weebly.com/" rel="nofollow"&gt;&amp;quot;Porcupine Music&amp;quot; - Website Focused on the Development of 22 EDO music &lt;/a&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;References&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc12"&gt;&lt;a name="The Decatonic System-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;References&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]&lt;br /&gt;
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Music&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:28:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc13"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:28 --&gt;Music&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/archives/1145" rel="nofollow" target="_blank"&gt;Canon 2 in 1 upon a ground (22edo)&lt;/a&gt; by Claudi Meneghin&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3" rel="nofollow"&gt;Tibia&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Paul%20Erlich"&gt;Paul Erlich&lt;/a&gt;&lt;ul&gt;&lt;li&gt;Sagittal score of Tibia, &lt;a href="http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf');"&gt;in F||\&lt;/a&gt; or &lt;a href="http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf');"&gt;in G&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and &lt;a class="wiki_link" href="/Ara%20Sarkissian"&gt;Ara Sarkissian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/decatonic-swing.mp3" rel="nofollow"&gt;Decatonic Swing&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and Ara Sarkissian (jazz)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3" rel="nofollow"&gt;12-22hexachordal Dirge&lt;/a&gt; by &lt;a class="wiki_link" href="/Joel%20Grant%20Taylor"&gt;Joel Grant Taylor&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/jdfreivald/chord-sequence-in-paul-erlichs" rel="nofollow" target="_blank"&gt;Chord sequence in Paul Erlich's 22 EDO decatonic major&lt;/a&gt; by &lt;a class="wiki_link" href="/Jake%20Freivald"&gt;Jake Freivald&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/jdfreivald/porcupine-comma-pump" rel="nofollow"&gt;Porcupine Comma Pump&lt;/a&gt; by &lt;a class="wiki_link" href="/Jake%20Freivald"&gt;Jake Freivald&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%20Dragged%20By%20a%20Storm%20Across%20the%20Desert%20Years.mp3" rel="nofollow"&gt;Dragged by a Storm Across the Desert Years&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by * &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; (synth with electric guitar)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Numerology.mp3" rel="nofollow"&gt;Numerology&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Revenge%20of%20the%20Inorganic%20Compounds.mp3" rel="nofollow"&gt;Revenge of the inorganic compounds&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=267" rel="nofollow"&gt;My Crazy Aunt Sophie&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/22edo-piano-my-crazy-aunt-sophie.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;. Blatantly xenharmonic piano.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839058" rel="nofollow"&gt;where words are said to mean&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+wherewordsaresaidtomean.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Andrew%20Heathwaite"&gt;Andrew Heathwaite&lt;/a&gt;, a setting of a text by Herbert Brün to a 22-tone row, thrice repeated. This &amp;amp; the following pieces by Andrew are for 22-tone guitar &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101704" rel="nofollow"&gt;I've come with a bucket of roses&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+ivecomewithabucketofroses.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9: 3 2 3 2 3 2 3 2 2).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101705" rel="nofollow"&gt;one drop of rain&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+onedropofrain.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839060" rel="nofollow"&gt;being a&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+beinga.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (porcupine-8: 3 1 3 3 3 3 3).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839071" rel="nofollow"&gt;my own house&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+myownhouse.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (a pelog-flavored subset of orwell-9: 3 2 7 3 7).&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/17%20-%2017.%2022%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 17&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; Mussorgsky-Smith&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=lO5xSjIHyMg" rel="nofollow"&gt;Paul Erlich 22-Equal Guitar Improvisation Shredfest Insanity&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; - youtube&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=WMtp9Wk0tO0" rel="nofollow"&gt;Improvisation in 22-equal temperament&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;, Mike Battaglia - youtube&lt;/li&gt;&lt;li&gt;Boxwood Forest, Dream Tone, The Eternal Sleep, Sunday Pipes, Twisted Clowns - &lt;a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow"&gt;MIDI files&lt;/a&gt; by Mats Öljare&lt;ul&gt;&lt;li&gt;&lt;a href="http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf');"&gt;Sagittal score of Sunday Pipes&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120207-phobos-light-hedgehog14.mp3" rel="nofollow"&gt;Phobos Light&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil in Hedgehog[14] &lt;a class="wiki_link" href="/hedgehog14"&gt;tuned&lt;/a&gt; to 22edo.&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120716_theorbo_22edo.mp3" rel="nofollow"&gt;The Capture and Release of the Fairy&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2494" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=oNJr1YOOqF8" rel="nofollow"&gt;Yak Butter&lt;/a&gt;&lt;/em&gt; by The Stern Brocot Band, 1L6s MOS, compressed period/generator&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_03_-_Dirty_Drummer_vbr.mp3" rel="nofollow"&gt;Dirty Drummer&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_12_-_Ganymede_vbr.mp3" rel="nofollow"&gt;Ganymede&lt;/a&gt;, Sevish (doesn't sound that xen, but it's in 22-edo)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/HumanAstronomy/03Sevish-Ambrosia.mp3" rel="nofollow"&gt;Ambrosia&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120726-from-the-sky-islands-they-came.mp3" rel="nofollow"&gt;From the Sky Islands They Came&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2523" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120616-12-22h.scl-smoke-filled-bar.mp3" rel="nofollow"&gt;Smoke Filled Bar&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/smoke-filled-bar/" rel="nofollow" target="_blank"&gt;blog presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Sultan/__Recurring_Mimosa_by_Redrick_Sultan.mp3" rel="nofollow"&gt;Recurring Mimosa&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/redrick-sultan/recurring-mimosa" rel="nofollow"&gt;Redrick Sultan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;The Saharan Pump by Chris Vaisvil &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/the-saharan-pump-22-edo-rock/" rel="nofollow"&gt;blog post&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=qHHv3mwJTlg" rel="nofollow" target="_blank"&gt;Short piece and demonstration&lt;/a&gt; (video) by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.com/" rel="nofollow" target="_blank"&gt;Brendan Byrnes&lt;/a&gt; (electric guitar)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Byrnes/Brendan%20Byrnes%20-%2022%20EDO%20Guitar%20Etude.mp3" rel="nofollow"&gt;22 EDO Guitar Etude&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.bandcamp.com/" rel="nofollow"&gt;Brendan Byrnes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Byrnes/Brendan%20Byrnes%20-%20Llurion.mp3" rel="nofollow"&gt;Llurion&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.bandcamp.com/track/llurion" rel="nofollow"&gt;Brendan Byrnes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://youtu.be/0VLJXecjYK4" rel="nofollow" target="_blank"&gt;Imzadi&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://omega9.github.io/" rel="nofollow" target="_blank"&gt;Omega9&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20150910_22edo.mp3" rel="nofollow"&gt;22 edo electric guitar duet&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/gareth-hearne/mass-in-22edo-sanctus" rel="nofollow"&gt;Mass in 22edo - Sanctus&lt;/a&gt; by &lt;a class="wiki_link" href="/Gareth%20Hearne"&gt;Gareth Hearne&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/gareth-hearne/mass-in-22edo-agnus-dei" rel="nofollow"&gt;Mass in 22edo - Agnus Dei&lt;/a&gt; by Gareth Hearne&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/archives/1145" rel="nofollow" target="_blank"&gt;Canon 2 in 1 upon a ground (22edo)&lt;/a&gt; by Claudi Meneghin&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3" rel="nofollow"&gt;Tibia&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Paul%20Erlich"&gt;Paul Erlich&lt;/a&gt;&lt;ul&gt;&lt;li&gt;Sagittal score of Tibia, &lt;a href="http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf');"&gt;in F||\&lt;/a&gt; or &lt;a href="http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf');"&gt;in G&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and &lt;a class="wiki_link" href="/Ara%20Sarkissian"&gt;Ara Sarkissian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/decatonic-swing.mp3" rel="nofollow"&gt;Decatonic Swing&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and Ara Sarkissian (jazz)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3" rel="nofollow"&gt;12-22hexachordal Dirge&lt;/a&gt; by &lt;a class="wiki_link" href="/Joel%20Grant%20Taylor"&gt;Joel Grant Taylor&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/jdfreivald/chord-sequence-in-paul-erlichs" rel="nofollow" target="_blank"&gt;Chord sequence in Paul Erlich's 22 EDO decatonic major&lt;/a&gt; by &lt;a class="wiki_link" href="/Jake%20Freivald"&gt;Jake Freivald&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/jdfreivald/porcupine-comma-pump" rel="nofollow"&gt;Porcupine Comma Pump&lt;/a&gt; by &lt;a class="wiki_link" href="/Jake%20Freivald"&gt;Jake Freivald&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%20Dragged%20By%20a%20Storm%20Across%20the%20Desert%20Years.mp3" rel="nofollow"&gt;Dragged by a Storm Across the Desert Years&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by * &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; (synth with electric guitar)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Numerology.mp3" rel="nofollow"&gt;Numerology&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Revenge%20of%20the%20Inorganic%20Compounds.mp3" rel="nofollow"&gt;Revenge of the inorganic compounds&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=267" rel="nofollow"&gt;My Crazy Aunt Sophie&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/22edo-piano-my-crazy-aunt-sophie.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;. Blatantly xenharmonic piano.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839058" rel="nofollow"&gt;where words are said to mean&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+wherewordsaresaidtomean.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Andrew%20Heathwaite"&gt;Andrew Heathwaite&lt;/a&gt;, a setting of a text by Herbert Brün to a 22-tone row, thrice repeated. This &amp;amp; the following pieces by Andrew are for 22-tone guitar &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101704" rel="nofollow"&gt;I've come with a bucket of roses&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+ivecomewithabucketofroses.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9: 3 2 3 2 3 2 3 2 2).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101705" rel="nofollow"&gt;one drop of rain&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+onedropofrain.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839060" rel="nofollow"&gt;being a&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+beinga.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (porcupine-8: 3 1 3 3 3 3 3).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839071" rel="nofollow"&gt;my own house&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+myownhouse.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (a pelog-flavored subset of orwell-9: 3 2 7 3 7).&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/17%20-%2017.%2022%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 17&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; Mussorgsky-Smith&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=lO5xSjIHyMg" rel="nofollow"&gt;Paul Erlich 22-Equal Guitar Improvisation Shredfest Insanity&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; - youtube&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=WMtp9Wk0tO0" rel="nofollow"&gt;Improvisation in 22-equal temperament&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;, Mike Battaglia - youtube&lt;/li&gt;&lt;li&gt;Boxwood Forest, Dream Tone, The Eternal Sleep, Sunday Pipes, Twisted Clowns - &lt;a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow"&gt;MIDI files&lt;/a&gt; by Mats Öljare&lt;ul&gt;&lt;li&gt;&lt;a href="http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf');"&gt;Sagittal score of Sunday Pipes&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120207-phobos-light-hedgehog14.mp3" rel="nofollow"&gt;Phobos Light&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil in Hedgehog[14] &lt;a class="wiki_link" href="/hedgehog14"&gt;tuned&lt;/a&gt; to 22edo.&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120716_theorbo_22edo.mp3" rel="nofollow"&gt;The Capture and Release of the Fairy&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2494" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=oNJr1YOOqF8" rel="nofollow"&gt;Yak Butter&lt;/a&gt;&lt;/em&gt; by The Stern Brocot Band, 1L6s MOS, compressed period/generator&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_03_-_Dirty_Drummer_vbr.mp3" rel="nofollow"&gt;Dirty Drummer&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_12_-_Ganymede_vbr.mp3" rel="nofollow"&gt;Ganymede&lt;/a&gt;, Sevish (doesn't sound that xen, but it's in 22-edo)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/HumanAstronomy/03Sevish-Ambrosia.mp3" rel="nofollow"&gt;Ambrosia&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120726-from-the-sky-islands-they-came.mp3" rel="nofollow"&gt;From the Sky Islands They Came&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2523" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120616-12-22h.scl-smoke-filled-bar.mp3" rel="nofollow"&gt;Smoke Filled Bar&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/smoke-filled-bar/" rel="nofollow" target="_blank"&gt;blog presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Sultan/__Recurring_Mimosa_by_Redrick_Sultan.mp3" rel="nofollow"&gt;Recurring Mimosa&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/redrick-sultan/recurring-mimosa" rel="nofollow"&gt;Redrick Sultan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;The Saharan Pump by Chris Vaisvil &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/the-saharan-pump-22-edo-rock/" rel="nofollow"&gt;blog post&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=qHHv3mwJTlg" rel="nofollow" target="_blank"&gt;Short piece and demonstration&lt;/a&gt; (video) by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.com/" rel="nofollow" target="_blank"&gt;Brendan Byrnes&lt;/a&gt; (electric guitar)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Byrnes/Brendan%20Byrnes%20-%2022%20EDO%20Guitar%20Etude.mp3" rel="nofollow"&gt;22 EDO Guitar Etude&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.bandcamp.com/" rel="nofollow"&gt;Brendan Byrnes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Byrnes/Brendan%20Byrnes%20-%20Llurion.mp3" rel="nofollow"&gt;Llurion&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.bandcamp.com/track/llurion" rel="nofollow"&gt;Brendan Byrnes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://youtu.be/0VLJXecjYK4" rel="nofollow" target="_blank"&gt;Imzadi&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://omega9.github.io/" rel="nofollow" target="_blank"&gt;Omega9&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20150910_22edo.mp3" rel="nofollow"&gt;22 edo electric guitar duet&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/gareth-hearne/mass-in-22edo-sanctus" rel="nofollow"&gt;Mass in 22edo - Sanctus&lt;/a&gt; by &lt;a class="wiki_link" href="/Gareth%20Hearne"&gt;Gareth Hearne&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/gareth-hearne/mass-in-22edo-agnus-dei" rel="nofollow"&gt;Mass in 22edo - Agnus Dei&lt;/a&gt; by Gareth Hearne&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
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