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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2015-05-01 12:43:13 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-08-13 02:41:05 UTC</tt>.<br>
: The original revision id was <tt>549442658</tt>.<br>
: The original revision id was <tt>556605395</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=18 Equal Divisions of the Octave=  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="display: block; text-align: right;"&gt;[[18平均律|日本語]] &lt;/span&gt;=
=18 Equal Divisions of the Octave=  
AKA The Third-Tone System
AKA The Third-Tone System


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* [[http://www.seraph.it/dep/det/DoAndroidsDreamof18ED2.mp3.mp3|Do Androids Dream Of 18ED2?]] by [[Carlo Serafini]] ([[http://www.seraph.it/blog_files/fb0306486b51c270607f90a0c795d531-202.html|blog entry]])</pre></div>
* [[http://www.seraph.it/dep/det/DoAndroidsDreamof18ED2.mp3.mp3|Do Androids Dream Of 18ED2?]] by [[Carlo Serafini]] ([[http://www.seraph.it/blog_files/fb0306486b51c270607f90a0c795d531-202.html|blog entry]])</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;18edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x18 Equal Divisions of the Octave"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;18 Equal Divisions of the Octave&lt;/h1&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;18edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x日本語"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/18%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt; &lt;/span&gt;&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="x18 Equal Divisions of the Octave"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;18 Equal Divisions of the Octave&lt;/h1&gt;
  AKA The Third-Tone System&lt;br /&gt;
  AKA The Third-Tone System&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x18 Equal Divisions of the Octave-Basic Properties"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Basic Properties&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x18 Equal Divisions of the Octave-Basic Properties"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Basic Properties&lt;/h2&gt;
  18-EDO divides the octave into 18 equal parts of ~66.667 cents each. It does not approximate the 3rd harmonic at all, unless a &amp;gt;30¢-error is considered acceptable, and it approximates the 5th and 7th harmonics equally with 12-TET. It does, however, render a most accurate tuning of 9/8, 7/6, 21/16, 15/11, 12/7, 16/9, and 13/7. It is also the smallest EDO to approximate the harmonic series chord 5:6:7 without tempering out 36/35 (and thus without using the same interval to approximate both 6/5 and 7/6).&lt;br /&gt;
  18-EDO divides the octave into 18 equal parts of ~66.667 cents each. It does not approximate the 3rd harmonic at all, unless a &amp;gt;30¢-error is considered acceptable, and it approximates the 5th and 7th harmonics equally with 12-TET. It does, however, render a most accurate tuning of 9/8, 7/6, 21/16, 15/11, 12/7, 16/9, and 13/7. It is also the smallest EDO to approximate the harmonic series chord 5:6:7 without tempering out 36/35 (and thus without using the same interval to approximate both 6/5 and 7/6).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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18-EDO contains sub-EDOs 2, 3, 6, and 9, and itself is half of 36-EDO and one-fourth of 72-EDO. It bears some similarities to 13-EDO (with its very flat 4ths and nice subminor 3rds), 11-EDO (with its very sharp minor 3rds, two of which span a very flat 5th), 16-EDO (with its sharp 4ths and flat 5ths), and 17-EDO and 19-EDO (with its narrow semitone, three of which comprise a whole-tone). It is an excellent tuning for those seeking a forceful deviation from the common practice.&lt;br /&gt;
18-EDO contains sub-EDOs 2, 3, 6, and 9, and itself is half of 36-EDO and one-fourth of 72-EDO. It bears some similarities to 13-EDO (with its very flat 4ths and nice subminor 3rds), 11-EDO (with its very sharp minor 3rds, two of which span a very flat 5th), 16-EDO (with its sharp 4ths and flat 5ths), and 17-EDO and 19-EDO (with its narrow semitone, three of which comprise a whole-tone). It is an excellent tuning for those seeking a forceful deviation from the common practice.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x18 Equal Divisions of the Octave-Basic Properties-Representations of Just Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Representations of Just Intervals&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="x18 Equal Divisions of the Octave-Basic Properties-Representations of Just Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Representations of Just Intervals&lt;/h3&gt;
   
   


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*based on the above description of 18-EDO as a 2.9.75.21.55.39.51 subgroup temperament&lt;br /&gt;
*based on the above description of 18-EDO as a 2.9.75.21.55.39.51 subgroup temperament&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;&lt;span style="font-size: 1.3em;"&gt;Useful Moment-of-Symmetry Scales&lt;/span&gt;&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;&lt;span style="font-size: 1.3em;"&gt;Useful Moment-of-Symmetry Scales&lt;/span&gt;&lt;/h2&gt;
  Note: This list excludes scales found in 9-EDO.&lt;br /&gt;
  Note: This list excludes scales found in 9-EDO.&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Pentatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;&lt;span style="font-size: 1.1em;"&gt;Pentatonic:&lt;/span&gt;&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Pentatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;&lt;span style="font-size: 1.1em;"&gt;Pentatonic:&lt;/span&gt;&lt;/h3&gt;
  3L2s Father Pentatonic: 4 4 3 4 3&lt;br /&gt;
  3L2s Father Pentatonic: 4 4 3 4 3&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Hexatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;&lt;span style="font-size: 1.1em;"&gt;Hexatonic:&lt;/span&gt;&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc6"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Hexatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;span style="font-size: 1.1em;"&gt;Hexatonic:&lt;/span&gt;&lt;/h3&gt;
  6-Equal Whole-Tone Scale: 3 3 3 3 3 3&lt;br /&gt;
  6-Equal Whole-Tone Scale: 3 3 3 3 3 3&lt;br /&gt;
4L2s Bicycle: 4 4 1 4 4 1&lt;br /&gt;
4L2s Bicycle: 4 4 1 4 4 1&lt;br /&gt;
2L4s Rice Hexatonic: 2 5 2 2 5 2&lt;br /&gt;
2L4s Rice Hexatonic: 2 5 2 2 5 2&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc6"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Heptatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;span style="font-size: 1.1em;"&gt;Heptatonic:&lt;/span&gt;&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc7"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Heptatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;span style="font-size: 1.1em;"&gt;Heptatonic:&lt;/span&gt;&lt;/h3&gt;
  4L3s Amity/Mish Heptatonic: 3 2 3 2 3 3 2&lt;br /&gt;
  4L3s Amity/Mish Heptatonic: 3 2 3 2 3 3 2&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc7"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Octatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;span style="font-size: 1.1em;"&gt;Octatonic:&lt;/span&gt;&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc8"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Octatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;&lt;span style="font-size: 1.1em;"&gt;Octatonic:&lt;/span&gt;&lt;/h3&gt;
  5L3s Father Octatonic: 3 1 3 3 1 3 3 1&lt;br /&gt;
  5L3s Father Octatonic: 3 1 3 3 1 3 3 1&lt;br /&gt;
2L6s Rice Octatonic: 2 2 3 2 2 2 3 2&lt;br /&gt;
2L6s Rice Octatonic: 2 2 3 2 2 2 3 2&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc8"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Decatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;&lt;span style="font-size: 1.1em;"&gt;Decatonic:&lt;/span&gt;&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc9"&gt;&lt;a name="x18 Equal Divisions of the Octave-Useful Moment-of-Symmetry Scales-Decatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;&lt;span style="font-size: 1.1em;"&gt;Decatonic:&lt;/span&gt;&lt;/h3&gt;
  8L2s Biggie Decatonic: 2 2 1 2 2 2 2 1 2 2&lt;br /&gt;
  8L2s Biggie Decatonic: 2 2 1 2 2 2 2 1 2 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="x18 Equal Divisions of the Octave-Application to Guitar"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;&lt;span style="font-size: 1.3em;"&gt;Application to Guitar&lt;/span&gt;&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="x18 Equal Divisions of the Octave-Application to Guitar"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;&lt;span style="font-size: 1.3em;"&gt;Application to Guitar&lt;/span&gt;&lt;/h2&gt;
  18-EDO is an ideal scale for the first-time refretter, because you can retain all the even-number frets from 12-tET--essentially 1/3 of your work is done for you!&lt;br /&gt;
  18-EDO is an ideal scale for the first-time refretter, because you can retain all the even-number frets from 12-tET--essentially 1/3 of your work is done for you!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;Father Octatonic&amp;quot; scale maps very simply to a 6-string guitar tuned in &amp;quot;reverse-standard&amp;quot; tuning (tune using four 466.667¢ intervals, with one 533.333¢ interval between the 2nd and 3rd strings), making for a softer learning-curve than EDOs like 14, 16, or 21 (all of which are most evenly open-tuned using a series of sharpened 4ths and a minor or neutral 3rd, and whose scales thus often require position-shifting and/or larger stretches of the hand).&lt;br /&gt;
The &amp;quot;Father Octatonic&amp;quot; scale maps very simply to a 6-string guitar tuned in &amp;quot;reverse-standard&amp;quot; tuning (tune using four 466.667¢ intervals, with one 533.333¢ interval between the 2nd and 3rd strings), making for a softer learning-curve than EDOs like 14, 16, or 21 (all of which are most evenly open-tuned using a series of sharpened 4ths and a minor or neutral 3rd, and whose scales thus often require position-shifting and/or larger stretches of the hand).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="x18 Equal Divisions of the Octave-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Commas&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc11"&gt;&lt;a name="x18 Equal Divisions of the Octave-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Commas&lt;/h2&gt;
  18 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes the &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 18 29 42 51 62 67 |.)&lt;br /&gt;
  18 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers out&lt;/a&gt; the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes the &lt;a class="wiki_link" href="/val"&gt;val&lt;/a&gt; &amp;lt; 18 29 42 51 62 67 |.)&lt;br /&gt;


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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc11"&gt;&lt;a name="x18 Equal Divisions of the Octave-Listen"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Listen&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc12"&gt;&lt;a name="x18 Equal Divisions of the Octave-Listen"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;Listen&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/18ETPrelude.mp3" rel="nofollow"&gt;18ETPrelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Aaron%20Andrew%20Hunt"&gt;Aaron Andrew Hunt&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/18-ET/prelude-in-18et.mp3" rel="nofollow"&gt;Prelude in 18et&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=3" rel="nofollow" target="_blank"&gt;composer notes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/18-ET/daily20110401-18c-flippertronics.mp3" rel="nofollow"&gt;Flippertronics&lt;/a&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3" rel="nofollow"&gt;Gerbils at the Wheel of Government&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1402" rel="nofollow" target="_blank"&gt;Chris Vaisvil (in 9 and 18 edo simultaneously)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/DoAndroidsDreamof18ED2.mp3.mp3" rel="nofollow"&gt;Do Androids Dream Of 18ED2?&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/fb0306486b51c270607f90a0c795d531-202.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.h-pi.com/mp3/18ETPrelude.mp3" rel="nofollow"&gt;18ETPrelude&lt;/a&gt; by &lt;a class="wiki_link" href="/Aaron%20Andrew%20Hunt"&gt;Aaron Andrew Hunt&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/18-ET/prelude-in-18et.mp3" rel="nofollow"&gt;Prelude in 18et&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=3" rel="nofollow" target="_blank"&gt;composer notes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/18-ET/daily20110401-18c-flippertronics.mp3" rel="nofollow"&gt;Flippertronics&lt;/a&gt; by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3" rel="nofollow"&gt;Gerbils at the Wheel of Government&lt;/a&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1402" rel="nofollow" target="_blank"&gt;Chris Vaisvil (in 9 and 18 edo simultaneously)&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/DoAndroidsDreamof18ED2.mp3.mp3" rel="nofollow"&gt;Do Androids Dream Of 18ED2?&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/fb0306486b51c270607f90a0c795d531-202.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
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