16edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:guest|guest]] and made on <tt>2010-04-12 15:01:48 UTC</tt>.<br>

: This revision was by author [[User:guest|guest]] and made on <tt>2010-04-12 15:02:23 UTC</tt>.<br>

: The original revision id was <tt>~~133809353~~</tt>.<br>

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==Theory==

16-tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator (250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.

16-tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator ([233cents]250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.

The 25 cent difference in the steps can have a similar effect the scales of Olympos have with buried enharmonic genera.

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<h2 id="toc1"><a name="x16 tone equal temperament-Theory"></a>Theory</h2>

16-tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator (250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.<br />

16-tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator ([233cents]250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.<br />

The 25 cent difference in the steps can have a similar effect the scales of Olympos have with buried enharmonic genera.<br />

<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:guest|guest]] and made on <tt>2010-04-12 15:01:48 UTC</tt>.<br>
+: This revision was by author [[User:guest|guest]] and made on <tt>2010-04-12 15:02:23 UTC</tt>.<br>
-: The original revision id was <tt>133809353</tt>.<br>
+: The original revision id was <tt>133809533</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 9: / Line 9: @@
 ==Theory==
--tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator (250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.
+-tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator ([233cents]250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.
 The 25 cent difference in the steps can have a similar effect the scales of Olympos have with buried enharmonic genera.
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   &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x16 tone equal temperament-Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Theory&lt;/h2&gt;
--tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator (250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.&lt;br /&gt;
+-tone equal temperament is the division of the octave into sixteen narrow chromatic semitones. It can be thought of as a Diminished Temperament for it's 1/4 octave period. Also as a Slendro temperament with a supermajor second generator ([233cents]250cents), or as a Pelog or Mavila temperament generated by (fifths greater than 600 and less than 686 cents). The tuning could be popular for it's easy manageability of 150 cent intervals 3/4, 9/4 and 21/4-tones.&lt;br /&gt;
 The 25 cent difference in the steps can have a similar effect the scales of Olympos have with buried enharmonic genera.&lt;br /&gt;
 &lt;br /&gt;