16edo: Difference between revisions
Wikispaces>tetraF **Imported revision 161052841 - Original comment: ** |
Wikispaces>tetraF **Imported revision 161052967 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:tetraF|tetraF]] and made on <tt>2010-09-08 04: | : This revision was by author [[User:tetraF|tetraF]] and made on <tt>2010-09-08 04:29:23 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>161052967</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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//(summary translation from the italian site)// | //(summary translation from the italian site)// | ||
Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style=" | Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style="font-family: Verdana; font-size: small; line-height: normal;">Andrián Pertout, </span> | ||
<span style=" | <span style="font-family: Verdana; font-size: small; line-height: normal;">and 16-to-31 overtone scale, </span>Armodue is proposed as __totally new notation and theory system__. | ||
Attempting of making much easy as possible the approach to Armodue, but conscious they had to give new names to the notes that constitutes the system, the italian creators of <span style="background-attachment: initial; background-clip: initial; background-color: initial | Attempting of making much easy as possible the approach to Armodue, but conscious they had to give new names to the notes that constitutes the system, | ||
the italian creators of <span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;">[[@http://armodue.com|Armodue]]</span> system called them numbering from 1 to 9: | |||
1, 1#, 2, 2#, 3, 3#, 4, 5, 5#, 6, 6#, 7, 7#, 8, 8#, 9 | 1, 1#, 2, 2#, 3, 3#, 4, 5, 5#, 6, 6#, 7, 7#, 8, 8#, 9 | ||
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<em>(summary translation from the italian site)</em><br /> | <em>(summary translation from the italian site)</em><br /> | ||
<br /> | <br /> | ||
Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style=" | Not only referring to the 16-edo equal temperament, but also to half-equal and Lou Harrison's Just intonation 16 note scale, natural octave division of <span style="font-family: Verdana; font-size: small; line-height: normal;">Andrián Pertout, </span><br /> | ||
<span style=" | <span style="font-family: Verdana; font-size: small; line-height: normal;">and 16-to-31 overtone scale, </span>Armodue is proposed as <u>totally new notation and theory system</u>.<br /> | ||
<br /> | <br /> | ||
Attempting of making much easy as possible the approach to Armodue, but conscious they had to give new names to the notes that constitutes the system, the italian creators of <span style="background-attachment: initial; background-clip: initial; background-color: initial | Attempting of making much easy as possible the approach to Armodue, but conscious they had to give new names to the notes that constitutes the system, <br /> | ||
the italian creators of <span style="background-attachment: initial; background-clip: initial; background-color: initial; background-origin: initial; background-position: 100% 50%; background-repeat: no-repeat no-repeat; cursor: pointer; padding-right: 10px;"><a class="wiki_link_ext" href="http://armodue.com" rel="nofollow" target="_blank">Armodue</a></span> system called them numbering from 1 to 9:<br /> | |||
<br /> | <br /> | ||
1, 1#, 2, 2#, 3, 3#, 4, 5, 5#, 6, 6#, 7, 7#, 8, 8#, 9<br /> | 1, 1#, 2, 2#, 3, 3#, 4, 5, 5#, 6, 6#, 7, 7#, 8, 8#, 9<br /> | ||
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For composing in Armodue it's useful using a <strong>tetragram</strong> (staff with 4 lines)<br /> | For composing in Armodue it's useful using a <strong>tetragram</strong> (staff with 4 lines)<br /> | ||
<br /> | <br /> | ||
[[image:<!-- ws:start:WikiTextUrlRule: | [[image:<!-- ws:start:WikiTextUrlRule:153:http://www.armodue.com/TETR- --><a class="wiki_link_ext" href="http://www.armodue.com/TETR-" rel="nofollow">http://www.armodue.com/TETR-</a><!-- ws:end:WikiTextUrlRule:153 -->[1].jpg caption=&quot;copyright Armodue, used with permission&quot;]]<br /> | ||
<br /> | <br /> | ||
In a musical piece, for which esecution, if we need to write on two o more tetragrams, the notes will be written in the same way for every tetragram.<br /> | In a musical piece, for which esecution, if we need to write on two o more tetragrams, the notes will be written in the same way for every tetragram.<br /> | ||