16edo: Difference between revisions

Wikispaces>guest
**Imported revision 199674760 - Original comment: **
Wikispaces>Osmiorisbendi
**Imported revision 231256160 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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: This revision was by author [[User:guest|guest]] and made on <tt>2011-02-08 08:46:38 UTC</tt>.<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-05-24 02:45:35 UTC</tt>.<br>
: The original revision id was <tt>199674760</tt>.<br>
: The original revision id was <tt>231256160</tt>.<br>
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If we take the 300-cent minor third as an approximation of the harmonic 19th (19/16, approximately 297.5 cents), that adds another overtone which can combine with the approximation of the harmonic seventh to form a 16:19:28 triad. The interval between the 28th &amp; 19th overtones, 28:19, measures approximately 671.3 cents, which is 3.7 cents away from 16edo's "narrow fifth". Example on Goldsmith board: [[image:http://www.ronsword.com/161928%20copy.jpg width="158" height="92"]]Another voicing for this chord is 14:16:19, which features 19:14 as the outer interval (528.7 cents just, 525.0 cents in 16edo). A perhaps more consonant open voicing is 7:16:19.
If we take the 300-cent minor third as an approximation of the harmonic 19th (19/16, approximately 297.5 cents), that adds another overtone which can combine with the approximation of the harmonic seventh to form a 16:19:28 triad. The interval between the 28th &amp; 19th overtones, 28:19, measures approximately 671.3 cents, which is 3.7 cents away from 16edo's "narrow fifth". Example on Goldsmith board: [[image:http://www.ronsword.com/161928%20copy.jpg width="158" height="92"]]Another voicing for this chord is 14:16:19, which features 19:14 as the outer interval (528.7 cents just, 525.0 cents in 16edo). A perhaps more consonant open voicing is 7:16:19.


[[image:http://ronsword.com/DSgoldsmith_piece.jpg width="1120" height="380"]]
[[image:http://ronsword.com/DSgoldsmith_piece.jpg width="1008" height="342"]]
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In 16-edo diatonic scales are dissonant because of the 25 cent raised superfourth in conjunction with the 25 cent subtracted fifth / poor 3/2 approximation. The septimal semi diminished fourth can be more desirable. Perhaps using Moment of Symmetry Scales an alternative temperament families like the "Anti-Diatonic" Mavila (which reverses step sizes of diatonic), Diminished, Happy, Rice, Grumpy, Mosh, Magic, Lemba, Cynder, and Decatonic can be more interesting and suitable:
In 16-edo diatonic scales are dissonant because of the 25 cent raised superfourth in conjunction with the 25 cent subtracted fifth / poor 3/2 approximation. The septimal semi diminished fourth can be more desirable. Perhaps using Moment of Symmetry Scales an alternative temperament families like the "Anti-Diatonic" Mavila (which reverses step sizes of diatonic), Diminished, Happy, Rice, Grumpy, Mosh, Magic, Lemba, Cynder, and Decatonic can be more interesting and suitable:
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=Hexadecaphonic Notation:=  
=Hexadecaphonic Notation:=  


16-EDO notation can be easy utilizing Goldsmith's Circle of keys, Nominals, and respective Notation. The nominals for a 6 line staff can be switched for Wilson's Beta and Epsilon  
16-EDO notation can be easy utilizing Goldsmith's Circle of keys, Nominals, and respective Notation. The nominals for a 6 line staff can be switched for Wilson's Beta and Epsilon
additions to A-G. Armodue of Italy uses a 4-line staff for 16-EDO.  
additions to A-G. Armodue of Italy uses a 4-line staff for 16-EDO.


=**Armodue theory**=  
=**Armodue theory**=  
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If we take the 300-cent minor third as an approximation of the harmonic 19th (19/16, approximately 297.5 cents), that adds another overtone which can combine with the approximation of the harmonic seventh to form a 16:19:28 triad. The interval between the 28th &amp;amp; 19th overtones, 28:19, measures approximately 671.3 cents, which is 3.7 cents away from 16edo's &amp;quot;narrow fifth&amp;quot;. Example on Goldsmith board: &lt;!-- ws:start:WikiTextRemoteImageRule:21:&amp;lt;img src=&amp;quot;http://www.ronsword.com/161928%20copy.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 92px; width: 158px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.ronsword.com/161928%20copy.jpg" alt="external image 161928%20copy.jpg" title="external image 161928%20copy.jpg" style="height: 92px; width: 158px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:21 --&gt;Another voicing for this chord is 14:16:19, which features 19:14 as the outer interval (528.7 cents just, 525.0 cents in 16edo). A perhaps more consonant open voicing is 7:16:19.&lt;br /&gt;
If we take the 300-cent minor third as an approximation of the harmonic 19th (19/16, approximately 297.5 cents), that adds another overtone which can combine with the approximation of the harmonic seventh to form a 16:19:28 triad. The interval between the 28th &amp;amp; 19th overtones, 28:19, measures approximately 671.3 cents, which is 3.7 cents away from 16edo's &amp;quot;narrow fifth&amp;quot;. Example on Goldsmith board: &lt;!-- ws:start:WikiTextRemoteImageRule:21:&amp;lt;img src=&amp;quot;http://www.ronsword.com/161928%20copy.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 92px; width: 158px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.ronsword.com/161928%20copy.jpg" alt="external image 161928%20copy.jpg" title="external image 161928%20copy.jpg" style="height: 92px; width: 158px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:21 --&gt;Another voicing for this chord is 14:16:19, which features 19:14 as the outer interval (528.7 cents just, 525.0 cents in 16edo). A perhaps more consonant open voicing is 7:16:19.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:22:&amp;lt;img src=&amp;quot;http://ronsword.com/DSgoldsmith_piece.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 380px; width: 1120px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://ronsword.com/DSgoldsmith_piece.jpg" alt="external image DSgoldsmith_piece.jpg" title="external image DSgoldsmith_piece.jpg" style="height: 380px; width: 1120px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:22 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:22:&amp;lt;img src=&amp;quot;http://ronsword.com/DSgoldsmith_piece.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 342px; width: 1008px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://ronsword.com/DSgoldsmith_piece.jpg" alt="external image DSgoldsmith_piece.jpg" title="external image DSgoldsmith_piece.jpg" style="height: 342px; width: 1008px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:22 --&gt;&lt;br /&gt;
&lt;hr /&gt;
&lt;hr /&gt;
In 16-edo diatonic scales are dissonant because of the 25 cent raised superfourth in conjunction with the 25 cent subtracted fifth / poor 3/2 approximation. The septimal semi diminished fourth can be more desirable. Perhaps using Moment of Symmetry Scales an alternative temperament families like the &amp;quot;Anti-Diatonic&amp;quot; Mavila (which reverses step sizes of diatonic), Diminished, Happy, Rice, Grumpy, Mosh, Magic, Lemba, Cynder, and Decatonic can be more interesting and suitable:&lt;br /&gt;
In 16-edo diatonic scales are dissonant because of the 25 cent raised superfourth in conjunction with the 25 cent subtracted fifth / poor 3/2 approximation. The septimal semi diminished fourth can be more desirable. Perhaps using Moment of Symmetry Scales an alternative temperament families like the &amp;quot;Anti-Diatonic&amp;quot; Mavila (which reverses step sizes of diatonic), Diminished, Happy, Rice, Grumpy, Mosh, Magic, Lemba, Cynder, and Decatonic can be more interesting and suitable:&lt;br /&gt;
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  &lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Hexadecaphonic Notation:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Hexadecaphonic Notation:&lt;/h1&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Hexadecaphonic Notation:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Hexadecaphonic Notation:&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
16-EDO notation can be easy utilizing Goldsmith's Circle of keys, Nominals, and respective Notation. The nominals for a 6 line staff can be switched for Wilson's Beta and Epsilon &lt;br /&gt;
16-EDO notation can be easy utilizing Goldsmith's Circle of keys, Nominals, and respective Notation. The nominals for a 6 line staff can be switched for Wilson's Beta and Epsilon&lt;br /&gt;
additions to A-G. Armodue of Italy uses a 4-line staff for 16-EDO. &lt;br /&gt;
additions to A-G. Armodue of Italy uses a 4-line staff for 16-EDO.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Armodue theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;&lt;strong&gt;Armodue theory&lt;/strong&gt;&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Armodue theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;&lt;strong&gt;Armodue theory&lt;/strong&gt;&lt;/h1&gt;