User talk:SAKryukov: Difference between revisions

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:::: Really? "Folly of a Drunk" is ''that'' special? I have no idea as to exactly how I managed to pull off the emotional components since I have difficulty processing emotions... Truth be told, I came up with the catchy melodic line for "Folly of a Drunk" just by messing around... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 00:32, 1 December 2020 (UTC)

::::: Yes, this is what I think. I can describe it in a different way, but please try not to get offended, or something: other your pieces remind a lot of very usual things: ambient, science fiction, horror soundtracks, something like that, and only “Folly of a Drunk” hardly cannot be confused with something else, it is distinctly recognizable. At the same time, it follows some very traditional melodic structure, only mangled in some totally logical way. Yes, I understand if it is done by messing around, but maybe only because your intuition did not betray you in this case? My first impression was that you've elaborated a stable technique of interpretation of melodic themes in some "microtonal space". Apparently, your words tell me that it was false impression, but it only makes things more interesting :-) (Of course, taking into account that I know next to nothing about the art of musical composition. :-)

== Commas ==

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 :::: Really?  "Folly of a Drunk" is ''that'' special?  I have no idea as to exactly how I managed to pull off the emotional components since I have difficulty processing emotions...  Truth be told, I came up with the catchy melodic line for "Folly of a Drunk" just by messing around... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 00:32, 1 December 2020 (UTC)
+::::: Yes, this is what I think. I can describe it in a different way, but please try not to get offended, or something: other your pieces remind a lot of very usual things: ambient, science fiction, horror soundtracks, something like that, and only &ldquo;Folly of a Drunk&rdquo; hardly cannot be confused with something else, it is distinctly recognizable. At the same time, it follows some very traditional melodic structure, only mangled in some totally logical way. Yes, I understand if it is done by messing around, but maybe only because your intuition did not betray you in this case? My first impression was that you've elaborated a stable technique of interpretation of melodic themes in some "microtonal space". Apparently, your words tell me that it was false impression, but it only makes things more interesting :-) (Of course, taking into account that I know next to nothing about the art of musical composition. :-)
 == Commas ==