11edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-12-25 21:43:34 UTC</tt>.<br>

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-12-25 22:18:01 UTC</tt>.<br>

: The original revision id was <tt>~~602809202~~</tt>.<br>

: The original revision id was <tt>602809330</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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=Notation=

11edo can be notated ~~by adding~~ ups and downs ~~to conventional~~ notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.

11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.

The second approach preserves the __harmonic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 11edo "on the fly".

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<h1 id="toc6"><a name="Notation"></a>Notation</h1>

<br />

11edo can be notated ~~by adding~~ ups and downs ~~to conventional~~ notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.<br />

11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.<br />

<br />

The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 11edo &quot;on the fly&quot;.<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-12-25 21:43:34 UTC</tt>.<br>
+: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-12-25 22:18:01 UTC</tt>.<br>
-: The original revision id was <tt>602809202</tt>.<br>
+: The original revision id was <tt>602809330</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 48: / Line 48: @@
 =Notation=
-edo can be notated by adding ups and downs to conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.
+edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.
 The second approach preserves the __harmonic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 11edo "on the fly".
@@ Line 332: / Line 332: @@
 &lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Notation&lt;/h1&gt;
   &lt;br /&gt;
-edo can be notated by adding ups and downs to conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the &lt;u&gt;melodic&lt;/u&gt; meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.&lt;br /&gt;
+edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the &lt;u&gt;melodic&lt;/u&gt; meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.&lt;br /&gt;
 &lt;br /&gt;
 The second approach preserves the &lt;u&gt;harmonic&lt;/u&gt; meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 11edo &amp;quot;on the fly&amp;quot;.&lt;br /&gt;