11edo: Difference between revisions
Wikispaces>xenwolf **Imported revision 602890256 - Original comment: ** |
Wikispaces>jake.huryn **Imported revision 612648709 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:jake.huryn|jake.huryn]] and made on <tt>2017-05-11 08:50:53 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>612648709</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=<span style="color: #000062; font-family: 'Times New Roman',Times,serif; font-size: 113%;">11 tone equal temperament</span>= | =<span style="color: #000062; font-family: 'Times New Roman',Times,serif; font-size: 113%;">11 tone equal temperament</span>= | ||
11-tone equal temperament, or 11 [[edo]], divides the [[octave]] into eleven equal steps of approximately 109.09 [[cent]] | 11-tone equal temperament, or 11[[edo]], divides the [[octave]] into eleven equal steps of approximately 109.09 [[cent|cents]]. It is the fifth [[prime numbers|prime]] edo, after [[2edo]], [[3edo]], [[5edo]], and [[7edo]]. | ||
Being less than twelve, 11edo maps easily to the standard keyboard. The suggested mapping disregards the Ab/G# key, leaving Orgone[7] on the whites. | Being less than twelve, 11edo maps easily to the standard keyboard. The suggested mapping disregards the Ab/G# key, leaving Orgone[7] on the whites. The superfluous Ab can be made a note of [[22edo]], a tuning known as "elevenplus". | ||
=Tuning= | =Tuning= | ||
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[[image:11edo_approx_2-7-9-11-15-17_2ndsave.png]] | [[image:11edo_approx_2-7-9-11-15-17_2ndsave.png]] | ||
== | ==11edo solfege== | ||
An 11edo solfege system can easily be applied from the [[22edo solfege]] system. | An 11edo solfege system can easily be applied from the [[22edo solfege]] system. | ||
A chromatic scale would thus be sung: **do ra re me mo fu su lo la ta ti do**. | A chromatic scale would thus be sung: **do ra re me mo fu su lo la ta ti do**. | ||
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=Notation= | =Notation= | ||
11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the | 11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the //melodic// meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5. | ||
The second approach preserves the | The second approach preserves the //harmonic// meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 11edo "on the fly". | ||
||~ Degree ||~ Size in | ||~ Degree ||~ Size in | ||
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==Commas== | ==Commas== | ||
11 EDO tempers out the following commas. (Note: This assumes val < 11 17 26 31 38 41 |.) | 11 EDO tempers out the following commas. (Note: This assumes val < [[tel:11 17 26 31 38 41|11 17 26 31 38 41]] |.) | ||
||~ Rational ||~ Monzo ||~ Size ([[cent|Cents]]) ||~ Name 1 ||~ Name 2 ||~ Name 3 || | ||~ Rational ||~ Monzo ||~ Size ([[cent|Cents]]) ||~ Name 1 ||~ Name 2 ||~ Name 3 || | ||
||= [[135_128|135/128]] || | -7 3 1 > ||> 92.18 ||= Major Chroma ||= Major Limma ||= Pelogic Comma || | ||= [[135_128|135/128]] || | -7 3 1 > ||> 92.18 ||= Major Chroma ||= Major Limma ||= Pelogic Comma || | ||
||= 9931568/9752117 || | -25 7 6 > ||> 31.57 ||= Ampersand's Comma ||= ||= || | ||= [[tel:9931568/9752117|9931568/9752117]] || | -25 7 6 > ||> 31.57 ||= Ampersand's Comma ||= ||= || | ||
||= 1776337/1773750 || | -68 18 17 > ||> 2.52 ||= Vavoom ||= ||= || | ||= [[tel:1776337/1773750|1776337/1773750]] || | -68 18 17 > ||> 2.52 ||= Vavoom ||= ||= || | ||
||= 9859966/9733137 | ||= [[tel:9859966/9733137|9859966/9733137]] || | -10 7 8 -7 > ||> 22.41 ||= Blackjackisma ||= ||= || | ||
||= 1029/1024 || | -10 1 0 3 > ||> 8.43 ||= Gamelisma ||= ||= || | ||= 1029/1024 || | -10 1 0 3 > ||> 8.43 ||= Gamelisma ||= ||= || | ||
||= [[225_224|225/224]] || | -5 2 2 -1 > ||> 7.71 ||= Septimal Kleisma ||= Marvel Comma ||= || | ||= [[225_224|225/224]] || | -5 2 2 -1 > ||> 7.71 ||= Septimal Kleisma ||= Marvel Comma ||= || | ||
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<!-- ws:start:WikiTextHeadingRule:3:&lt;h1&gt; --><h1 id="toc1"><a name="x11 tone equal temperament"></a><!-- ws:end:WikiTextHeadingRule:3 --><span style="color: #000062; font-family: 'Times New Roman',Times,serif; font-size: 113%;">11 tone equal temperament</span></h1> | <!-- ws:start:WikiTextHeadingRule:3:&lt;h1&gt; --><h1 id="toc1"><a name="x11 tone equal temperament"></a><!-- ws:end:WikiTextHeadingRule:3 --><span style="color: #000062; font-family: 'Times New Roman',Times,serif; font-size: 113%;">11 tone equal temperament</span></h1> | ||
<br /> | <br /> | ||
11-tone equal temperament, or 11 <a class="wiki_link" href="/edo">edo</a>, divides the <a class="wiki_link" href="/octave">octave</a> into eleven equal steps of approximately 109.09 <a class="wiki_link" href="/cent"> | 11-tone equal temperament, or 11<a class="wiki_link" href="/edo">edo</a>, divides the <a class="wiki_link" href="/octave">octave</a> into eleven equal steps of approximately 109.09 <a class="wiki_link" href="/cent">cents</a>. It is the fifth <a class="wiki_link" href="/prime%20numbers">prime</a> edo, after <a class="wiki_link" href="/2edo">2edo</a>, <a class="wiki_link" href="/3edo">3edo</a>, <a class="wiki_link" href="/5edo">5edo</a>, and <a class="wiki_link" href="/7edo">7edo</a>.<br /> | ||
<br /> | <br /> | ||
Being less than twelve, 11edo maps easily to the standard keyboard. The suggested mapping disregards the Ab/G# key, leaving Orgone[7] on the whites. | Being less than twelve, 11edo maps easily to the standard keyboard. The suggested mapping disregards the Ab/G# key, leaving Orgone[7] on the whites. The superfluous Ab can be made a note of <a class="wiki_link" href="/22edo">22edo</a>, a tuning known as &quot;elevenplus&quot;.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:5:&lt;h1&gt; --><h1 id="toc2"><a name="Tuning"></a><!-- ws:end:WikiTextHeadingRule:5 -->Tuning</h1> | <!-- ws:start:WikiTextHeadingRule:5:&lt;h1&gt; --><h1 id="toc2"><a name="Tuning"></a><!-- ws:end:WikiTextHeadingRule:5 -->Tuning</h1> | ||
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<!-- ws:start:WikiTextLocalImageRule:658:&lt;img src=&quot;/file/view/11edo_approx_2-7-9-11-15-17_2ndsave.png/284598982/11edo_approx_2-7-9-11-15-17_2ndsave.png&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/11edo_approx_2-7-9-11-15-17_2ndsave.png/284598982/11edo_approx_2-7-9-11-15-17_2ndsave.png" alt="11edo_approx_2-7-9-11-15-17_2ndsave.png" title="11edo_approx_2-7-9-11-15-17_2ndsave.png" /><!-- ws:end:WikiTextLocalImageRule:658 --><br /> | <!-- ws:start:WikiTextLocalImageRule:658:&lt;img src=&quot;/file/view/11edo_approx_2-7-9-11-15-17_2ndsave.png/284598982/11edo_approx_2-7-9-11-15-17_2ndsave.png&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/11edo_approx_2-7-9-11-15-17_2ndsave.png/284598982/11edo_approx_2-7-9-11-15-17_2ndsave.png" alt="11edo_approx_2-7-9-11-15-17_2ndsave.png" title="11edo_approx_2-7-9-11-15-17_2ndsave.png" /><!-- ws:end:WikiTextLocalImageRule:658 --><br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:11:&lt;h2&gt; --><h2 id="toc5"><a name="Intervals- | <!-- ws:start:WikiTextHeadingRule:11:&lt;h2&gt; --><h2 id="toc5"><a name="Intervals-11edo solfege"></a><!-- ws:end:WikiTextHeadingRule:11 -->11edo solfege</h2> | ||
An 11edo solfege system can easily be applied from the <a class="wiki_link" href="/22edo%20solfege">22edo solfege</a> system.<br /> | An 11edo solfege system can easily be applied from the <a class="wiki_link" href="/22edo%20solfege">22edo solfege</a> system.<br /> | ||
A chromatic scale would thus be sung: <strong>do ra re me mo fu su lo la ta ti do</strong>.<br /> | A chromatic scale would thus be sung: <strong>do ra re me mo fu su lo la ta ti do</strong>.<br /> | ||
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<!-- ws:start:WikiTextHeadingRule:13:&lt;h1&gt; --><h1 id="toc6"><a name="Notation"></a><!-- ws:end:WikiTextHeadingRule:13 -->Notation</h1> | <!-- ws:start:WikiTextHeadingRule:13:&lt;h1&gt; --><h1 id="toc6"><a name="Notation"></a><!-- ws:end:WikiTextHeadingRule:13 -->Notation</h1> | ||
<br /> | <br /> | ||
11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the < | 11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the <em>melodic</em> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5.<br /> | ||
<br /> | <br /> | ||
The second approach preserves the < | The second approach preserves the <em>harmonic</em> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 11edo &quot;on the fly&quot;.<br /> | ||
<br /> | <br /> | ||
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<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:17:&lt;h2&gt; --><h2 id="toc8"><a name="MOS Scales-Commas"></a><!-- ws:end:WikiTextHeadingRule:17 -->Commas</h2> | <!-- ws:start:WikiTextHeadingRule:17:&lt;h2&gt; --><h2 id="toc8"><a name="MOS Scales-Commas"></a><!-- ws:end:WikiTextHeadingRule:17 -->Commas</h2> | ||
11 EDO tempers out the following commas. (Note: This assumes val &lt; 11 17 26 31 38 41 |.)<br /> | 11 EDO tempers out the following commas. (Note: This assumes val &lt; <a class="wiki_link" href="http://tel.wikispaces.com/11%2017%2026%2031%2038%2041">11 17 26 31 38 41</a> |.)<br /> | ||
<br /> | <br /> | ||
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</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="text-align: center;">9931568/9752117<br /> | <td style="text-align: center;">[[tel:9931568/9752117|9931568/9752117]]<br /> | ||
</td> | </td> | ||
<td>| -25 7 6 &gt;<br /> | <td>| -25 7 6 &gt;<br /> | ||
| Line 693: | Line 691: | ||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="text-align: center;">1776337/1773750<br /> | <td style="text-align: center;">[[tel:1776337/1773750|1776337/1773750]]<br /> | ||
</td> | </td> | ||
<td>| -68 18 17 &gt;<br /> | <td>| -68 18 17 &gt;<br /> | ||
| Line 707: | Line 705: | ||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="text-align: center;">9859966/9733137<br /> | <td style="text-align: center;">[[tel:9859966/9733137|9859966/9733137]]<br /> | ||
</td> | </td> | ||
<td>| -10 7 8 -7 &gt;<br /> | <td>| -10 7 8 -7 &gt;<br /> | ||