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Cmloegcmluin (talk | contribs) Created page with "The 8<sup>th</sup> Octave Overtone Tuning, sometimes known as 128 Tuning, consists of harmonics of the harmonic series, numbers 128 (2<sup>8</sup>, hence 8<..." |
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The 8<sup>th</sup> Octave Overtone Tuning, sometimes known as 128 Tuning, consists of harmonics of the [[OverToneSeries|harmonic series]], numbers 128 (2<sup>8</sup>, hence 8<sup>th</sup> octave) through 255. | The 8<sup>th</sup> Octave Overtone Tuning, sometimes known as 128 Tuning, is a tuning developed by [[Johnny Reinhard|Johnny Reinhard]]. | ||
It consists of harmonics of the [[OverToneSeries|harmonic series]], numbers 128 (2<sup>8</sup>, hence 8<sup>th</sup> octave) through 255. | |||
Scales can be selected as subsets of these 128 pitches, or the entire set can be used. | Scales can be selected as subsets of these 128 pitches, or the entire set can be used. | ||
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== Reading == | == Reading == | ||
[https://stereosociety.com/20/jpg/Johnny-Reinhard/8th-Octave-Overtone-Tuning.pdf Johnny Reinhard's original paper]. | |||
[https://www.cassgb.org/features/post/128-note-octave/ 128 NOTES PER OCTAVE ON THE SAXOPHONE: HOW I DID IT AND WHY!: Saxophonist Philipp Gerschlauer on how he went about devising a 128-note per octave fingering chart] | [https://www.cassgb.org/features/post/128-note-octave/ 128 NOTES PER OCTAVE ON THE SAXOPHONE: HOW I DID IT AND WHY!: Saxophonist Philipp Gerschlauer on how he went about devising a 128-note per octave fingering chart] | ||