User:Oak Blood Three: Difference between revisions

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I first started to see the cracks in equal temperament when tuning a guitar to pure fourths and a third. At the time, I didn't know the source of the error in the pitch of the high E, or that it was called the [[Syntonic comma]]. I thought maybe the intonation was off on my guitar.

I first learned in earnest about tuning theory as a university student. The pianos in the rehearsal rooms at my [[Wikipedia:University of Illinois|university]] were badly out of tune. I got tuning tools and learned how to tune by ear. (I also learned a bit about "well" temperaments.)

I first learned in earnest about tuning theory as a university student. The pianos in the rehearsal rooms at my [[Wikipedia:University of Illinois at Urbana–Champaign|university]] were badly out of tune. I got tuning tools and learned how to tune by ear. (I also learned a bit about "well" temperaments.)

I'm mostly interested in just intonations, but not exclusively.

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 I first started to see the cracks in equal temperament when tuning a guitar to pure fourths and a third.  At the time, I didn't know the source of the error in the pitch of the high E, or that it was called the [[Syntonic comma]].  I thought maybe the intonation was off on my guitar.
-I first learned in earnest about tuning theory as a university student.  The pianos in the rehearsal rooms at my [[Wikipedia:University of Illinois|university]] were badly out of tune.  I got tuning tools and learned how to tune by ear.  (I also learned a bit about "well" temperaments.)
+I first learned in earnest about tuning theory as a university student.  The pianos in the rehearsal rooms at my [[Wikipedia:University of Illinois at Urbana–Champaign|university]] were badly out of tune.  I got tuning tools and learned how to tune by ear.  (I also learned a bit about "well" temperaments.)
 I'm mostly interested in just intonations, but not exclusively.