|
|
| Line 1: |
Line 1: |
| '''John Lank Moriarty''' (Born the 25th of March, 1992) is a vocalist, keyboardist, composer, and inventor currently living in Northern Virginia. | | '''John Lank Moriarty''' (Born the 25th of March, 1992) is a vocalist, keyboardist, composer, and inventor currently living in Northern Virginia. |
|
| |
|
| Most of his tuning-related work is available on his [https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ Youtube page] and his [https://soundcloud.com/john-lank1 Soundcloud page]. | | Most of his tuning-related work is available on his [https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ Youtube page] and his [https://soundcloud.com/john-lank1 Soundcloud page]. |
|
| |
|
| Some of my crazy ramblings:
| | [[John Moriarty's Thoughts On Solfege]] |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">With a Tonic C, then, the “diatonic” notes are:</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">C Db D Eb E F F# Gb G Ab A Bb B</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Let’s name those notes diatonic to C as follows:</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Where one sized generic intervals (unisons and octaves) and their chroma shifts are named</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, perfect, or augmented</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -o, and -u, respectively</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">And then two sized generic intervals and their chroma shifts are named</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, minor, major, or augmented </span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -a, -i, and -u, respectively</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Ionian- Do Ri Mi Fa Si Li Ti Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Mixolydian- Do Ri Mi Fa Si Li Ta Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Dorian- Do Ri Ma Fa Si Li Ta Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean- Do Ri Ma Fa Si La Ta Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Phrygian- Do Ra Ma Fa Si La Ta Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Minor- Do Ri Ma Fa Si La Ti Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Melodic major- Do Ri Mi Fa Si La Ta Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Major- Do Ri Mi Fa Si La Ti Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Double Harmonic- Do Ra Mi Fa Si La Ti Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian aug2- Do Ru Mi Fi Si Li Ti Do</span>
| |
| | |
| <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean dim6- Do Ra Ma Fa Sa La Te</span>
| |