Unusual microtonal chords: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-23 01:26:33 UTC</tt>.<br>

: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-23 01:29:46 UTC</tt>.<br>

: The original revision id was <tt>~~548354426~~</tt>.<br>

: The original revision id was <tt>548354560</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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==Suspended Seven Chord==

Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.

Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.

Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.

Listen to the Sus7 chord [[media type="file" key="Sus7 chord midi.mp3" width="240" height="20"]]</pre></div>

<h4>Original HTML content:</h4>

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<br />

<h2 id="toc0"><a name="x-Suspended Seven Chord"></a>Suspended Seven Chord</h2>

Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.<br />

Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.<br />

<br />

Technical name is a Neutral Seventh Omit 5 but sus7 tends to work. <br />

Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.<br />

Listen to the Sus7 chord <embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FSus7%252Bchord%252Bmidi.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed></body></html></pre></div>

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 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-23 01:26:33 UTC</tt>.<br>
+: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-23 01:29:46 UTC</tt>.<br>
-: The original revision id was <tt>548354426</tt>.<br>
+: The original revision id was <tt>548354560</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 9: / Line 9: @@
 ==Suspended Seven Chord==
-Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.
+Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.
 Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.
 Listen to the Sus7 chord [[media type="file" key="Sus7 chord midi.mp3" width="240" height="20"]]</pre></div>
 <h4>Original HTML content:</h4>
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 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Suspended Seven Chord"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;Suspended Seven Chord&lt;/h2&gt;
-  Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.&lt;br /&gt;
+  Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.&lt;br /&gt;
 &lt;br /&gt;
-Technical name is a Neutral Seventh Omit 5 but sus7 tends to work. &lt;br /&gt;
+Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.&lt;br /&gt;
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