Tútim Dennsuul Wafiil: Difference between revisions

Wikispaces>Osmiorisbendi
**Imported revision 425558156 - Original comment: **
Wikispaces>Osmiorisbendi
**Imported revision 437715770 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-04-23 00:12:48 UTC</tt>.<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-06-12 03:41:31 UTC</tt>.<br>
: The original revision id was <tt>425558156</tt>.<br>
: The original revision id was <tt>437715770</tt>.<br>
: The revision comment was: <tt></tt><br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !&lt;/span&gt;
&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;[[Armodue|Armodue system]]&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;, like a angular stone for his music, extending the use of that system over &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;[[23edo|23-EDD]]&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt; (3;1 relation), &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;[[39edo|39-EDD]]&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt; (5;2 relation) and &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;[[62edo|62-EDD]]&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;[[@http://www.reverbnation.com/23tdw39|here]]&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !&lt;/span&gt;


[[image:Icositriphonic_Bass.JPG width="719" height="235"]]
[[image:Icositriphonic_Bass.JPG width="719" height="235"]]
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__**TDW Terminology:**__
__**TDW Terminology:**__
__EDD:__ Means Equal Divisions per Ditave. Ditave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.
__[[EDO|EDD]]:__ Means Equal Divisions per Ditave. Ditave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.
__[[11L 3s|Ketradektríatoh]]:__ Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.
__Pluscuamtonality:__ Means the EDDs 'frettable' for play in common strings instruments like the guitars and Basses, considering a extense range since 13 ~ 57 EDDs.
__Pluscuamtonality:__ Means the EDDs 'frettable' for play in common strings instruments like the guitars and Basses, considering a extense range since 13 ~ 57 EDDs.
__Ketradektríatoh:__ Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.
__[[Purdal]]:__ Is the mame of a interval unit measure consistent by the division of the ditave in 9900 equal parts, designed and suggested by himself.
__Superdiatonic:__ Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the ditave interval like "Decave" and not "Octave".
__[[7L 2s|Superdiatonic]]:__ Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the ditave interval like "Decave" and not "Octave".


!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt;, like a angular stone for his music, extending the use of that system over &lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt; (3;1 relation), &lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt; (5;2 relation) and &lt;a class="wiki_link" href="/62edo"&gt;62-EDD&lt;/a&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;). &amp;quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&amp;quot;. &amp;quot;Solo haz y no hables demás&amp;quot;. Collosal apports of each one in the name of the Music !&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;&lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;, like a angular stone for his music, extending the use of that system over &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;&lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt; (3;1 relation), &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;&lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt; (5;2 relation) and &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;&lt;a class="wiki_link" href="/62edo"&gt;62-EDD&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;&lt;a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;). &amp;quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&amp;quot;. &amp;quot;Solo haz y no hables demás&amp;quot;. Collosal apports of each one in the name of the Music !&lt;/span&gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;TDW Terminology:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;TDW Terminology:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;u&gt;EDD:&lt;/u&gt; Means Equal Divisions per Ditave. Ditave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/EDO"&gt;EDD&lt;/a&gt;:&lt;/u&gt; Means Equal Divisions per Ditave. Ditave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/11L%203s"&gt;Ketradektríatoh&lt;/a&gt;:&lt;/u&gt; Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.&lt;br /&gt;
&lt;u&gt;Pluscuamtonality:&lt;/u&gt; Means the EDDs 'frettable' for play in common strings instruments like the guitars and Basses, considering a extense range since 13 ~ 57 EDDs.&lt;br /&gt;
&lt;u&gt;Pluscuamtonality:&lt;/u&gt; Means the EDDs 'frettable' for play in common strings instruments like the guitars and Basses, considering a extense range since 13 ~ 57 EDDs.&lt;br /&gt;
&lt;u&gt;Ketradektríatoh:&lt;/u&gt; Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/Purdal"&gt;Purdal&lt;/a&gt;:&lt;/u&gt; Is the mame of a interval unit measure consistent by the division of the ditave in 9900 equal parts, designed and suggested by himself.&lt;br /&gt;
&lt;u&gt;Superdiatonic:&lt;/u&gt; Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the ditave interval like &amp;quot;Decave&amp;quot; and not &amp;quot;Octave&amp;quot;.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/7L%202s"&gt;Superdiatonic&lt;/a&gt;:&lt;/u&gt; Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the ditave interval like &amp;quot;Decave&amp;quot; and not &amp;quot;Octave&amp;quot;.&lt;br /&gt;
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!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!&lt;/body&gt;&lt;/html&gt;</pre></div>
!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!&lt;/body&gt;&lt;/html&gt;</pre></div>