Tútim Dennsuul Wafiil: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~xenwolf~~|~~xenwolf~~]] and made on <tt>2013-06-~~14 04~~:55:13 UTC</tt>.<br>

: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-06-26 05:40:46 UTC</tt>.<br>

: The original revision id was <tt>~~438084732~~</tt>.<br>

: The original revision id was <tt>439625128</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="font-size: 13px; line-height: 1.5;">Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !</span>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="font-size: 13px; line-height: 1.5;">Is a Xentonalist, bassist and guitarist, born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !</span>

[[image:Icositriphonic_Bass.JPG width="719" height="235"]]

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Special thanks to [[IgliashonJones|Igliashon Jones]] for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol turquoise gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.

A particular thing with the tuning on Bass and Gitar, the notes in each string corresponds to the notes 1ºstr '5', 2ºstr '1', 3ºstr '6' & 4ºstr '2' (in the Bass), and, 1ºstr '6', 2ºstr '2', 3ºstr '7', 4ºstr '3', 5ºstr '8' & 6ºstr '4' (in the Gitar), both in the 10th fret/3rd dot. The tuning frecuence is '6#'=409.6Hz (for reach that frecuence by a common tuner, the note '8b' in 435Hz is sufficient).

__**TDW Terminology:**__

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!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Tútim Dennsuul Wafiil</title></head><body><span style="font-size: 13px; line-height: 1.5;">Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the <a class="wiki_link" href="/Armodue">Armodue system</a>, like a angular stone for his music, extending the use of that system over <a class="wiki_link" href="/23edo">23-EDD</a> (3;1 relation), <a class="wiki_link" href="/39edo">39-EDD</a> (5;2 relation) and <a class="wiki_link" href="/62edo">62-EDD</a> (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still <a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank">here</a>). &quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&quot;. &quot;Solo haz y no hables demás&quot;. Collosal apports of each one in the name of the Music !</span><br />

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Tútim Dennsuul Wafiil</title></head><body><span style="font-size: 13px; line-height: 1.5;">Is a Xentonalist, bassist and guitarist, born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the <a class="wiki_link" href="/Armodue">Armodue system</a>, like a angular stone for his music, extending the use of that system over <a class="wiki_link" href="/23edo">23-EDD</a> (3;1 relation), <a class="wiki_link" href="/39edo">39-EDD</a> (5;2 relation) and <a class="wiki_link" href="/62edo">62-EDD</a> (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still <a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank">here</a>). &quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&quot;. &quot;Solo haz y no hables demás&quot;. Collosal apports of each one in the name of the Music !</span><br />

<br />

<img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 235px; width: 719px;" /><br />

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<br />

Special thanks to <a class="wiki_link" href="/IgliashonJones">Igliashon Jones</a> for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol turquoise gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.<br />

<br />

A particular thing with the tuning on Bass and Gitar, the notes in each string corresponds to the notes 1ºstr '5', 2ºstr '1', 3ºstr '6' &amp; 4ºstr '2' (in the Bass), and, 1ºstr '6', 2ºstr '2', 3ºstr '7', 4ºstr '3', 5ºstr '8' &amp; 6ºstr '4' (in the Gitar), both in the 10th fret/3rd dot. The tuning frecuence is '6#'=409.6Hz (for reach that frecuence by a common tuner, the note '8b' in 435Hz is sufficient).<br />

<br />

<u><strong>TDW Terminology:</strong></u><br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2013-06-14 04:55:13 UTC</tt>.<br>
+: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-06-26 05:40:46 UTC</tt>.<br>
-: The original revision id was <tt>438084732</tt>.<br>
+: The original revision id was <tt>439625128</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !&lt;/span&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist, bassist and guitarist, born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !&lt;/span&gt;
 [[image:Icositriphonic_Bass.JPG width="719" height="235"]]
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 Special thanks to [[IgliashonJones|Igliashon Jones]] for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol turquoise gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.
+A particular thing with the tuning on Bass and Gitar, the notes in each string corresponds to the notes 1ºstr '5', 2ºstr '1', 3ºstr '6' &amp; 4ºstr '2' (in the Bass), and, 1ºstr '6', 2ºstr '2', 3ºstr '7', 4ºstr '3', 5ºstr '8' &amp; 6ºstr '4' (in the Gitar), both in the 10th fret/3rd dot. The tuning frecuence is '6#'=409.6Hz (for reach that frecuence by a common tuner, the note '8b' in 435Hz is sufficient).
 __**TDW Terminology:**__
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 !!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt;, like a angular stone for his music, extending the use of that system over &lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt; (3;1 relation), &lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt; (5;2 relation) and &lt;a class="wiki_link" href="/62edo"&gt;62-EDD&lt;/a&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;). &amp;quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&amp;quot;. &amp;quot;Solo haz y no hables demás&amp;quot;. Collosal apports of each one in the name of the Music !&lt;/span&gt;&lt;br /&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist, bassist and guitarist, born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt;, like a angular stone for his music, extending the use of that system over &lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt; (3;1 relation), &lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt; (5;2 relation) and &lt;a class="wiki_link" href="/62edo"&gt;62-EDD&lt;/a&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;). &amp;quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&amp;quot;. &amp;quot;Solo haz y no hables demás&amp;quot;. Collosal apports of each one in the name of the Music !&lt;/span&gt;&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextLocalImageRule:2:&amp;lt;img src=&amp;quot;/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 235px; width: 719px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 235px; width: 719px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:2 --&gt;&lt;br /&gt;
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 &lt;br /&gt;
 Special thanks to &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol turquoise gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.&lt;br /&gt;
+&lt;br /&gt;
+A particular thing with the tuning on Bass and Gitar, the notes in each string corresponds to the notes 1ºstr '5', 2ºstr '1', 3ºstr '6' &amp;amp; 4ºstr '2' (in the Bass), and, 1ºstr '6', 2ºstr '2', 3ºstr '7', 4ºstr '3', 5ºstr '8' &amp;amp; 6ºstr '4' (in the Gitar), both in the 10th fret/3rd dot. The tuning frecuence is '6#'=409.6Hz (for reach that frecuence by a common tuner, the note '8b' in 435Hz is sufficient).&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;TDW Terminology:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;