Tuning ranges of regular temperaments: Difference between revisions

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">There are various methods which have been suggested for defining tuning ranges appropriate to a given [[regular temperament]].
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">There are various methods which have been suggested for defining tuning ranges appropriate to a given [[regular temperament]].


Given a rank r p-limit regular temperament, we may define a tuning range by finding the [[http://en.wikipedia.org/wiki/Convex_hull|convex hull]] in [[Vals and Tuning Space|tuning space]] of the tunings with one [[Eigenmonzo subgroup|eigenmonzo]] 2 (pure octaves tunings) and the rest a set of r-1 members of the p-limit [[tonality diamond]], when this tuning is defined. This is the //nice// tuning range. We may define another tuning range by requiring that the tonality diamond, when sorted by increasing size, is mapped to a tempered version which is also [[http://en.wikipedia.org/wiki/Monotonic_function|monotone]] weakly increasing. This we may call the //normal// tuning range. A tuning which is both nice and normal is a //strict// tuning and this defines the strict tuning range.  
Given a rank r p-limit regular temperament, we may define a tuning range by finding the [[http://en.wikipedia.org/wiki/Convex_hull|convex hull]] in [[Vals and Tuning Space|tuning space]] of the tunings with one [[Eigenmonzo subgroup|eigenmonzo]] 2 (pure octaves tunings) and the rest a set of r-1 members of the p-limit [[tonality diamond]], when this tuning is defined. This is the //nice// tuning range. We may define another tuning range by requiring that the tonality diamond, when sorted by increasing size, is mapped to a tempered version which is also [[http://en.wikipedia.org/wiki/Monotonic_function|monotone]] weakly increasing. This we may call the //valid// tuning range. A tuning which is both nice and valid is a //strict// tuning and this defines the strict tuning range.  


While nice tunings are always guaranteed to occur, normal tunings are not. For instance, from the tuning map [&lt;1 0 5|, &lt;0 1 -2|] for the temperament tempering out 45/32 we find that all tunings are of the form &lt;1 0 5| + a&lt;0 1 -2| = &lt;1 a 5-2a|. Applying this to the list of steps between the notes of the 5-limit tonality diamond, [6/5, 25/24, 16/15, 9/8], we obtain [3a-4, 7-5a, a-1, 2a-3] from which it follows that a≥4/3, a≤7/5, a≥1, a≥3/2, the solution set of which is empty. Hence there are no normal tunings of this temperament.
While nice tunings are always guaranteed to occur, valid tunings are not. For instance, from the tuning map [&lt;1 0 5|, &lt;0 1 -2|] for the temperament tempering out 45/32 we find that all tunings are of the form &lt;1 0 5| + a&lt;0 1 -2| = &lt;1 a 5-2a|. Applying this to the list of steps between the notes of the 5-limit tonality diamond, [6/5, 25/24, 16/15, 9/8], we obtain [3a-4, 7-5a, a-1, 2a-3] from which it follows that a≥4/3, a≤7/5, a≥1, a≥3/2, the solution set of which is empty. Hence there are no valid tunings of this temperament.


For a more typical example, consider marvel temperament. Using the Hermite normal form tuning map again, we find that all marvel tunings are of the form &lt;1 a b 2a+ab-5 12-a-3b|. Applying this to the steps of the 11-limit tonality diamond, we obtain eight inequalities, the solution set of which is the union of {30/19 ≤ a ≤ 49/31, 2+a/5 ≤ b ≤ 4a-4} with {49/31 ≤ a ≤ 35/22, 2+a/5 ≤ b ≤ 3-3a/7}, which is the triangular region bounded by the tunings for 19, 22, and 31. This is the normal range. The nice tuning range is a quadralateral, with vertices, given in terms of frequency ratios rather than log base 2 or cents, [[2, 4096/1375, 5, 524288/75625, 11], [2, 3, 224/45, 1568/225, 30375/2744], [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)], [2, 3, 5, 225/32, 4096/375]]. The three verticies with all rational number values for the approximate 3 and 5 are not in the normal range, so that only the  [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)] tuning is normal and hence strict. Other examples of strict tunings are 41p/41, 53p/53, 72p/72 etc.; however 19p/19, 22p/22 and 31p/31 are not in the nice range.</pre></div>
For a more typical example, consider marvel temperament. Using the Hermite normal form tuning map again, we find that all marvel tunings are of the form &lt;1 a b 2a+ab-5 12-a-3b|. Applying this to the steps of the 11-limit tonality diamond, we obtain eight inequalities, the solution set of which is the union of {30/19 ≤ a ≤ 49/31, 2+a/5 ≤ b ≤ 4a-4} with {49/31 ≤ a ≤ 35/22, 2+a/5 ≤ b ≤ 3-3a/7}, which is the triangular region bounded by the tunings for 19, 22, and 31. This is the valid range. The nice tuning range is a quadralateral, with vertices, given in terms of frequency ratios rather than log base 2 or cents, [[2, 4096/1375, 5, 524288/75625, 11], [2, 3, 224/45, 1568/225, 30375/2744], [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)], [2, 3, 5, 225/32, 4096/375]]. The three verticies with all rational number values for the approximate 3 and 5 are not in the valid range, so that only the  [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)] tuning is valid and hence strict. Other examples of strict tunings are 41p/41, 53p/53, 72p/72 etc.; however 19p/19, 22p/22 and 31p/31 are not in the nice range.
 
In **Tuning Continua and Keyboard Layouts** in the premiere issue of //Journal of Mathematics and Music//, Milne, Sethares and Plamodon define valid tunings; they discuss nice tunings in **X_System** in the Open University’s repository.</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tuning Ranges of Regular Temperaments&lt;/title&gt;&lt;/head&gt;&lt;body&gt;There are various methods which have been suggested for defining tuning ranges appropriate to a given &lt;a class="wiki_link" href="/regular%20temperament"&gt;regular temperament&lt;/a&gt;.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tuning Ranges of Regular Temperaments&lt;/title&gt;&lt;/head&gt;&lt;body&gt;There are various methods which have been suggested for defining tuning ranges appropriate to a given &lt;a class="wiki_link" href="/regular%20temperament"&gt;regular temperament&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Given a rank r p-limit regular temperament, we may define a tuning range by finding the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Convex_hull" rel="nofollow"&gt;convex hull&lt;/a&gt; in &lt;a class="wiki_link" href="/Vals%20and%20Tuning%20Space"&gt;tuning space&lt;/a&gt; of the tunings with one &lt;a class="wiki_link" href="/Eigenmonzo%20subgroup"&gt;eigenmonzo&lt;/a&gt; 2 (pure octaves tunings) and the rest a set of r-1 members of the p-limit &lt;a class="wiki_link" href="/tonality%20diamond"&gt;tonality diamond&lt;/a&gt;, when this tuning is defined. This is the &lt;em&gt;nice&lt;/em&gt; tuning range. We may define another tuning range by requiring that the tonality diamond, when sorted by increasing size, is mapped to a tempered version which is also &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Monotonic_function" rel="nofollow"&gt;monotone&lt;/a&gt; weakly increasing. This we may call the &lt;em&gt;normal&lt;/em&gt; tuning range. A tuning which is both nice and normal is a &lt;em&gt;strict&lt;/em&gt; tuning and this defines the strict tuning range. &lt;br /&gt;
Given a rank r p-limit regular temperament, we may define a tuning range by finding the &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Convex_hull" rel="nofollow"&gt;convex hull&lt;/a&gt; in &lt;a class="wiki_link" href="/Vals%20and%20Tuning%20Space"&gt;tuning space&lt;/a&gt; of the tunings with one &lt;a class="wiki_link" href="/Eigenmonzo%20subgroup"&gt;eigenmonzo&lt;/a&gt; 2 (pure octaves tunings) and the rest a set of r-1 members of the p-limit &lt;a class="wiki_link" href="/tonality%20diamond"&gt;tonality diamond&lt;/a&gt;, when this tuning is defined. This is the &lt;em&gt;nice&lt;/em&gt; tuning range. We may define another tuning range by requiring that the tonality diamond, when sorted by increasing size, is mapped to a tempered version which is also &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Monotonic_function" rel="nofollow"&gt;monotone&lt;/a&gt; weakly increasing. This we may call the &lt;em&gt;valid&lt;/em&gt; tuning range. A tuning which is both nice and valid is a &lt;em&gt;strict&lt;/em&gt; tuning and this defines the strict tuning range. &lt;br /&gt;
&lt;br /&gt;
While nice tunings are always guaranteed to occur, valid tunings are not. For instance, from the tuning map [&amp;lt;1 0 5|, &amp;lt;0 1 -2|] for the temperament tempering out 45/32 we find that all tunings are of the form &amp;lt;1 0 5| + a&amp;lt;0 1 -2| = &amp;lt;1 a 5-2a|. Applying this to the list of steps between the notes of the 5-limit tonality diamond, [6/5, 25/24, 16/15, 9/8], we obtain [3a-4, 7-5a, a-1, 2a-3] from which it follows that a≥4/3, a≤7/5, a≥1, a≥3/2, the solution set of which is empty. Hence there are no valid tunings of this temperament.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
While nice tunings are always guaranteed to occur, normal tunings are not. For instance, from the tuning map [&amp;lt;1 0 5|, &amp;lt;0 1 -2|] for the temperament tempering out 45/32 we find that all tunings are of the form &amp;lt;1 0 5| + a&amp;lt;0 1 -2| = &amp;lt;1 a 5-2a|. Applying this to the list of steps between the notes of the 5-limit tonality diamond, [6/5, 25/24, 16/15, 9/8], we obtain [3a-4, 7-5a, a-1, 2a-3] from which it follows that a≥4/3, a≤7/5, a≥1, a≥3/2, the solution set of which is empty. Hence there are no normal tunings of this temperament.&lt;br /&gt;
For a more typical example, consider marvel temperament. Using the Hermite normal form tuning map again, we find that all marvel tunings are of the form &amp;lt;1 a b 2a+ab-5 12-a-3b|. Applying this to the steps of the 11-limit tonality diamond, we obtain eight inequalities, the solution set of which is the union of {30/19 ≤ a ≤ 49/31, 2+a/5 ≤ b ≤ 4a-4} with {49/31 ≤ a ≤ 35/22, 2+a/5 ≤ b ≤ 3-3a/7}, which is the triangular region bounded by the tunings for 19, 22, and 31. This is the valid range. The nice tuning range is a quadralateral, with vertices, given in terms of frequency ratios rather than log base 2 or cents, [[2, 4096/1375, 5, 524288/75625, 11], [2, 3, 224/45, 1568/225, 30375/2744], [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)], [2, 3, 5, 225/32, 4096/375]]. The three verticies with all rational number values for the approximate 3 and 5 are not in the valid range, so that only the  [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)] tuning is valid and hence strict. Other examples of strict tunings are 41p/41, 53p/53, 72p/72 etc.; however 19p/19, 22p/22 and 31p/31 are not in the nice range.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For a more typical example, consider marvel temperament. Using the Hermite normal form tuning map again, we find that all marvel tunings are of the form &amp;lt;1 a b 2a+ab-5 12-a-3b|. Applying this to the steps of the 11-limit tonality diamond, we obtain eight inequalities, the solution set of which is the union of {30/19 ≤ a ≤ 49/31, 2+a/5 ≤ b ≤ 4a-4} with {49/31 ≤ a ≤ 35/22, 2+a/5 ≤ b ≤ 3-3a/7}, which is the triangular region bounded by the tunings for 19, 22, and 31. This is the normal range. The nice tuning range is a quadralateral, with vertices, given in terms of frequency ratios rather than log base 2 or cents, [[2, 4096/1375, 5, 524288/75625, 11], [2, 3, 224/45, 1568/225, 30375/2744], [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)], [2, 3, 5, 225/32, 4096/375]]. The three verticies with all rational number values for the approximate 3 and 5 are not in the normal range, so that only the  [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)] tuning is normal and hence strict. Other examples of strict tunings are 41p/41, 53p/53, 72p/72 etc.; however 19p/19, 22p/22 and 31p/31 are not in the nice range.&lt;/body&gt;&lt;/html&gt;</pre></div>
In &lt;strong&gt;Tuning Continua and Keyboard Layouts&lt;/strong&gt; in the premiere issue of &lt;em&gt;Journal of Mathematics and Music&lt;/em&gt;, Milne, Sethares and Plamodon define valid tunings; they discuss nice tunings in &lt;strong&gt;X_System&lt;/strong&gt; in the Open University’s repository.&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 22:58, 20 August 2014

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author genewardsmith and made on 2014-08-20 22:58:38 UTC.
The original revision id was 519138058.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

There are various methods which have been suggested for defining tuning ranges appropriate to a given [[regular temperament]].

Given a rank r p-limit regular temperament, we may define a tuning range by finding the [[http://en.wikipedia.org/wiki/Convex_hull|convex hull]] in [[Vals and Tuning Space|tuning space]] of the tunings with one [[Eigenmonzo subgroup|eigenmonzo]] 2 (pure octaves tunings) and the rest a set of r-1 members of the p-limit [[tonality diamond]], when this tuning is defined. This is the //nice// tuning range. We may define another tuning range by requiring that the tonality diamond, when sorted by increasing size, is mapped to a tempered version which is also [[http://en.wikipedia.org/wiki/Monotonic_function|monotone]] weakly increasing. This we may call the //valid// tuning range. A tuning which is both nice and valid is a //strict// tuning and this defines the strict tuning range. 

While nice tunings are always guaranteed to occur, valid tunings are not. For instance, from the tuning map [<1 0 5|, <0 1 -2|] for the temperament tempering out 45/32 we find that all tunings are of the form <1 0 5| + a<0 1 -2| = <1 a 5-2a|. Applying this to the list of steps between the notes of the 5-limit tonality diamond, [6/5, 25/24, 16/15, 9/8], we obtain [3a-4, 7-5a, a-1, 2a-3] from which it follows that a≥4/3, a≤7/5, a≥1, a≥3/2, the solution set of which is empty. Hence there are no valid tunings of this temperament.

For a more typical example, consider marvel temperament. Using the Hermite normal form tuning map again, we find that all marvel tunings are of the form <1 a b 2a+ab-5 12-a-3b|. Applying this to the steps of the 11-limit tonality diamond, we obtain eight inequalities, the solution set of which is the union of {30/19 ≤ a ≤ 49/31, 2+a/5 ≤ b ≤ 4a-4} with {49/31 ≤ a ≤ 35/22, 2+a/5 ≤ b ≤ 3-3a/7}, which is the triangular region bounded by the tunings for 19, 22, and 31. This is the valid range. The nice tuning range is a quadralateral, with vertices, given in terms of frequency ratios rather than log base 2 or cents, [[2, 4096/1375, 5, 524288/75625, 11], [2, 3, 224/45, 1568/225, 30375/2744], [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)], [2, 3, 5, 225/32, 4096/375]]. The three verticies with all rational number values for the approximate 3 and 5 are not in the valid range, so that only the  [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)] tuning is valid and hence strict. Other examples of strict tunings are 41p/41, 53p/53, 72p/72 etc.; however 19p/19, 22p/22 and 31p/31 are not in the nice range.

In **Tuning Continua and Keyboard Layouts** in the premiere issue of //Journal of Mathematics and Music//, Milne, Sethares and Plamodon define valid tunings; they discuss nice tunings in **X_System** in the Open University’s repository.

Original HTML content:

<html><head><title>Tuning Ranges of Regular Temperaments</title></head><body>There are various methods which have been suggested for defining tuning ranges appropriate to a given <a class="wiki_link" href="/regular%20temperament">regular temperament</a>.<br />
<br />
Given a rank r p-limit regular temperament, we may define a tuning range by finding the <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Convex_hull" rel="nofollow">convex hull</a> in <a class="wiki_link" href="/Vals%20and%20Tuning%20Space">tuning space</a> of the tunings with one <a class="wiki_link" href="/Eigenmonzo%20subgroup">eigenmonzo</a> 2 (pure octaves tunings) and the rest a set of r-1 members of the p-limit <a class="wiki_link" href="/tonality%20diamond">tonality diamond</a>, when this tuning is defined. This is the <em>nice</em> tuning range. We may define another tuning range by requiring that the tonality diamond, when sorted by increasing size, is mapped to a tempered version which is also <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Monotonic_function" rel="nofollow">monotone</a> weakly increasing. This we may call the <em>valid</em> tuning range. A tuning which is both nice and valid is a <em>strict</em> tuning and this defines the strict tuning range. <br />
<br />
While nice tunings are always guaranteed to occur, valid tunings are not. For instance, from the tuning map [&lt;1 0 5|, &lt;0 1 -2|] for the temperament tempering out 45/32 we find that all tunings are of the form &lt;1 0 5| + a&lt;0 1 -2| = &lt;1 a 5-2a|. Applying this to the list of steps between the notes of the 5-limit tonality diamond, [6/5, 25/24, 16/15, 9/8], we obtain [3a-4, 7-5a, a-1, 2a-3] from which it follows that a≥4/3, a≤7/5, a≥1, a≥3/2, the solution set of which is empty. Hence there are no valid tunings of this temperament.<br />
<br />
For a more typical example, consider marvel temperament. Using the Hermite normal form tuning map again, we find that all marvel tunings are of the form &lt;1 a b 2a+ab-5 12-a-3b|. Applying this to the steps of the 11-limit tonality diamond, we obtain eight inequalities, the solution set of which is the union of {30/19 ≤ a ≤ 49/31, 2+a/5 ≤ b ≤ 4a-4} with {49/31 ≤ a ≤ 35/22, 2+a/5 ≤ b ≤ 3-3a/7}, which is the triangular region bounded by the tunings for 19, 22, and 31. This is the valid range. The nice tuning range is a quadralateral, with vertices, given in terms of frequency ratios rather than log base 2 or cents, [[2, 4096/1375, 5, 524288/75625, 11], [2, 3, 224/45, 1568/225, 30375/2744], [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)], [2, 3, 5, 225/32, 4096/375]]. The three verticies with all rational number values for the approximate 3 and 5 are not in the valid range, so that only the  [2, 1620/539, 4/3*sqrt(14), 291600/41503, 44/15*sqrt(14)] tuning is valid and hence strict. Other examples of strict tunings are 41p/41, 53p/53, 72p/72 etc.; however 19p/19, 22p/22 and 31p/31 are not in the nice range.<br />
<br />
In <strong>Tuning Continua and Keyboard Layouts</strong> in the premiere issue of <em>Journal of Mathematics and Music</em>, Milne, Sethares and Plamodon define valid tunings; they discuss nice tunings in <strong>X_System</strong> in the Open University’s repository.</body></html>