SeventeenTonePianoProject: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~xenjacob~~|~~xenjacob~~]] and made on <tt>2006-07-~~11 12~~:04:34 UTC</tt>.<br>

: This revision was by author [[User:guest|guest]] and made on <tt>2006-08-03 21:26:40 UTC</tt>.<br>

: The original revision id was <tt>~~860780~~</tt>.<br>

: The original revision id was <tt>972808</tt>.<br>

: The revision comment was: <tt>~~shot theory to a seperate page~~</tt><br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

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===**Piano tuning and performable scores.**===

Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The ~~pian~~ called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get 7+5+5 = 17 notes.

Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!

In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. "Eb to C on the sharp piano" rather than "D# to C."

In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. Eb-C in the sharp piano part, rather than D#-C.

The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.

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<br />

<h3 id="toc3"><a name="x--Piano tuning and performable scores."></a><strong>Piano tuning and performable scores.</strong></h3>

Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The ~~pian~~ called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get 7+5+5 = 17 notes.<br />

Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!<br />

<br />

In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. ~~&quot;~~Eb to C on the sharp piano~~&quot;~~ rather than ~~&quot;~~D# to C.~~&quot;~~<br />

In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />

<br />

The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2006-07-11 12:04:34 UTC</tt>.<br>
+: This revision was by author [[User:guest|guest]] and made on <tt>2006-08-03 21:26:40 UTC</tt>.<br>
-: The original revision id was <tt>860780</tt>.<br>
+: The original revision id was <tt>972808</tt>.<br>
-: The revision comment was: <tt>shot theory to a seperate page</tt><br>
+: The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
@@ Line 34: / Line 34: @@
 ===**Piano tuning and performable scores.**===
-Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The pian called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get 7+5+5 = 17 notes.
+Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!
-In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. "Eb to C on the sharp piano" rather than "D# to C."
+In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. Eb-C in the sharp piano part, rather than D#-C.
 The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.
@@ Line 73: / Line 73: @@
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="x--Piano tuning and performable scores."&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;&lt;strong&gt;Piano tuning and performable scores.&lt;/strong&gt;&lt;/h3&gt;
-Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The pian called &amp;quot;flat&amp;quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &amp;quot;sharp&amp;quot; has C# D# F# G# A#. This way we get 7+5+5 = 17 notes.&lt;br /&gt;
+Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &amp;quot;flat&amp;quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &amp;quot;sharp&amp;quot; has C# D# F# G# A#. This way we get 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!&lt;br /&gt;
 &lt;br /&gt;
-In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. &amp;quot;Eb to C on the sharp piano&amp;quot; rather than &amp;quot;D# to C.&amp;quot;&lt;br /&gt;
+In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended, e.g. Eb-C in the sharp piano part, rather than D#-C.&lt;br /&gt;
 &lt;br /&gt;
 The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.&lt;br /&gt;