SeventeenTonePianoProject: Difference between revisions

Wikispaces>xenjacob
**Imported revision 35942017 - Original comment: **
Wikispaces>guest
**Imported revision 259707732 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-08-25 01:04:27 UTC</tt>.<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2011-09-29 14:22:52 UTC</tt>.<br>
: The original revision id was <tt>35942017</tt>.<br>
: The original revision id was <tt>259707732</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.
In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.


The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>
The pianos (baby grands, did I mention playing inside the [[http://PianoRiveSud.com|piano]] is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;SeventeenTonePianoProject&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;SeventeenTonePianoProject&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.&lt;br /&gt;
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In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.&lt;br /&gt;
In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.&lt;/body&gt;&lt;/html&gt;</pre></div>
The pianos (baby grands, did I mention playing inside the &lt;a class="wiki_link_ext" href="http://PianoRiveSud.com" rel="nofollow"&gt;piano&lt;/a&gt; is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.&lt;/body&gt;&lt;/html&gt;</pre></div>