Semaphore and godzilla: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~genewardsmith~~|~~genewardsmith~~]] and made on <tt>~~2014~~-01-~~08 11~~:57:09 UTC</tt>.<br>

: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-04-16 22:39:25 UTC</tt>.<br>

: The original revision id was <tt>~~481352564~~</tt>.<br>

: The original revision id was <tt>580283611</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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|| JI intervals represented || 10/9~9/8 || 5/4 || 9/7 || 10/7 || 3/2 || 5/3 || 12/7~7/4 || ||

=Music=

In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:

* Meantone pentatonic (5 3 5 3 3).

* Altered diatonic I (3 4 3 1 3 4 1)

* Altered diatonic II (3 4 3 1 4 3 1)

* Altered diatonic III (4 3 3 1 4 3 1)

* Altered diatonic IV (3 3 4 1 3 4 1)

It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.

The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of [[17edo]], as both are improper and made up of whole-tones and third-tones.

Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a [[biome]] temperament. Godzilla[9] has only //one// each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).

=Music=

[[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3|Só no Contratempo]] by [[https://soundcloud.com/lois-lancaster/s-no-contratempo|Roncevaux (Löis Lancaster)]]

[[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3|O que a gente quer]] by[[https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet|Roncevaux]]</pre></div>

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</table>

<br />

In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:<br />

<br />

<ul><li>Meantone pentatonic (5 3 5 3 3).</li><li>Altered diatonic I (3 4 3 1 3 4 1)</li><li>Altered diatonic II (3 4 3 1 4 3 1)</li><li>Altered diatonic III (4 3 3 1 4 3 1)</li><li>Altered diatonic IV (3 3 4 1 3 4 1)</li></ul><br />

It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.<br />

<br />

The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of <a class="wiki_link" href="/17edo">17edo</a>, as both are improper and made up of whole-tones and third-tones.<br />

<br />

Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a <a class="wiki_link" href="/biome">biome</a> temperament. Godzilla[9] has only <em>one</em> each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).<br />

<br />

<h1 id="toc6"><a name="Music"></a>Music</h1>

<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow">Só no Contratempo</a> by <a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/s-no-contratempo" rel="nofollow">Roncevaux (Löis Lancaster)</a><br />

<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3" rel="nofollow">O que a gente quer</a> by<a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet" rel="nofollow">Roncevaux</a></body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2014-01-08 11:57:09 UTC</tt>.<br>
+: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-04-16 22:39:25 UTC</tt>.<br>
-: The original revision id was <tt>481352564</tt>.<br>
+: The original revision id was <tt>580283611</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 29: / Line 29: @@
 || JI intervals represented || 10/9~9/8 || 5/4 || 9/7 || 10/7 || 3/2 || 5/3 || 12/7~7/4 ||   ||
-=Music=
+In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:
+* Meantone pentatonic (5 3 5 3 3).
+* Altered diatonic I (3 4 3 1 3 4 1)
+* Altered diatonic II (3 4 3 1 4 3 1)
+* Altered diatonic III (4 3 3 1 4 3 1)
+* Altered diatonic IV (3 3 4 1 3 4 1)
+It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.
+The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of [[17edo]], as both are improper and made up of whole-tones and third-tones.
+Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a [[biome]] temperament. Godzilla[9] has only //one// each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).
+=Music=
 [[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3|Só no Contratempo]] by [[https://soundcloud.com/lois-lancaster/s-no-contratempo|Roncevaux (Löis Lancaster)]]
 [[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3|O que a gente quer]] by[[https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet|Roncevaux]]</pre></div>
@@ Line 303: / Line 317: @@
 &lt;/table&gt;
+&lt;br /&gt;
+In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:&lt;br /&gt;
+&lt;br /&gt;
+&lt;ul&gt;&lt;li&gt;Meantone pentatonic (5 3 5 3 3).&lt;/li&gt;&lt;li&gt;Altered diatonic I (3 4 3 1 3 4 1)&lt;/li&gt;&lt;li&gt;Altered diatonic II (3 4 3 1 4 3 1)&lt;/li&gt;&lt;li&gt;Altered diatonic III (4 3 3 1 4 3 1)&lt;/li&gt;&lt;li&gt;Altered diatonic IV (3 3 4 1 3 4 1)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
+It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.&lt;br /&gt;
+&lt;br /&gt;
+The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of &lt;a class="wiki_link" href="/17edo"&gt;17edo&lt;/a&gt;, as both are improper and made up of whole-tones and third-tones.&lt;br /&gt;
+&lt;br /&gt;
+Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a &lt;a class="wiki_link" href="/biome"&gt;biome&lt;/a&gt; temperament. Godzilla[9] has only &lt;em&gt;one&lt;/em&gt; each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Music&lt;/h1&gt;
-&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow"&gt;Só no Contratempo&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/s-no-contratempo" rel="nofollow"&gt;Roncevaux (Löis Lancaster)&lt;/a&gt;&lt;br /&gt;
+ &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow"&gt;Só no Contratempo&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/s-no-contratempo" rel="nofollow"&gt;Roncevaux (Löis Lancaster)&lt;/a&gt;&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3" rel="nofollow"&gt;O que a gente quer&lt;/a&gt; by&lt;a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet" rel="nofollow"&gt;Roncevaux&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>