Trachytonic: Difference between revisions
Wikispaces>MasonGreen1 **Imported revision 579109247 - Original comment: ** |
Wikispaces>MasonGreen1 **Imported revision 579109899 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-04-04 18: | : This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-04-04 18:51:47 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>579109899</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th [[https://en.wikipedia.org/wiki/Mu_chord|or the 2nd]]. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own. | The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th [[https://en.wikipedia.org/wiki/Mu_chord|or the 2nd]]. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own. | ||
Other high-limit chords can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18. | Other high-limit chords and tone clusters can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18. | ||
The modes of screamapillar could be given Simpsonsesque names as follows: | The modes of screamapillar could be given Simpsonsesque names as follows: | ||
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The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th <a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Mu_chord" rel="nofollow">or the 2nd</a>. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own.<br /> | The subminor and supermajor chords can be harmonically stabilized by adding, respectively, the 4th <a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Mu_chord" rel="nofollow">or the 2nd</a>. This especially makes a difference in the latter case because supermajor triads sound somewhat unstable on their own.<br /> | ||
<br /> | <br /> | ||
Other high-limit chords can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18.<br /> | Other high-limit chords and tone clusters can also be realized in screamapillar, including the approximations of 8:9:11:12 (which is like a sus chord but with more tension) and 12:13:14:16:18.<br /> | ||
<br /> | <br /> | ||
The modes of screamapillar could be given Simpsonsesque names as follows:<br /> | The modes of screamapillar could be given Simpsonsesque names as follows:<br /> | ||