Scores: Difference between revisions
Wikispaces>xenjacob **Imported revision 24705751 - Original comment: ** |
Wikispaces>danterosati **Imported revision 77292735 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:danterosati|danterosati]] and made on <tt>2009-06-08 16:08:01 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>77292735</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==A word about scores== | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==A word about scores== | ||
When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. | When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. | ||
== == | == == | ||
==Historically significant microtonal scores== | ==Historically significant microtonal scores== | ||
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. | Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. | ||
* Charles Ives's Three Quarter Tone Pieces (1913-1924) | * Charles Ives's Three Quarter Tone Pieces (1913-1924) | ||
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* this list is so obviously incomplete that you should help finish it. | * this list is so obviously incomplete that you should help finish it. | ||
==Composers' sites with microtonal scores== | ==Composers' sites with microtonal scores== | ||
* David Canright: [[http://www.redshift.com/%7Edcanright/suite/index.htm|Fibonacci Suite]] (piano retuned to 7-limit JI, seven hands) | * David Canright: [[http://www.redshift.com/%7Edcanright/suite/index.htm|Fibonacci Suite]] (piano retuned to 7-limit JI, seven hands) | ||
* Kyle Gann: [[http://www.kylegann.com/LoveScene.pdf|Love Scene]] for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of [[http://www.kylegann.com/tuning.html|this page]] | * Kyle Gann: [[http://www.kylegann.com/LoveScene.pdf|Love Scene]] for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of [[http://www.kylegann.com/tuning.html|this page]] | ||
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* [[http://www.roberthasegawa.com|Robert Hasegawa]]: scores with quartertones and beyond | * [[http://www.roberthasegawa.com|Robert Hasegawa]]: scores with quartertones and beyond | ||
* [[http://www.tuistgeorgetucker.com/scores1.html#quartertone_keyboard|Tui St. George Tucker]]: handwritten quartertone scores for pianos, recorders, flute, clarinet | * [[http://www.tuistgeorgetucker.com/scores1.html#quartertone_keyboard|Tui St. George Tucker]]: handwritten quartertone scores for pianos, recorders, flute, clarinet | ||
* [[http://www.duocontour.org/|Duo Contour]] offers samples of scores from their repertoire, which includes 19-edo and 24-edo trumpets</pre></div> | * [[http://www.duocontour.org/|Duo Contour]] offers samples of scores from their repertoire, which includes 19-edo and 24-edo trumpets | ||
* [[http://users.rcn.com/dante.interport//justguitar.html|Dante Rosati]] pdf of a tabulature/ratio score for "Arbor Low" for 21-tone Just Intonation guitar</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Scores</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-A word about scores"></a><!-- ws:end:WikiTextHeadingRule:0 -->A word about scores</h2> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Scores</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-A word about scores"></a><!-- ws:end:WikiTextHeadingRule:0 -->A word about scores</h2> | ||
When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.<br /> | When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><!-- ws:end:WikiTextHeadingRule:2 --> </h2> | <!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><!-- ws:end:WikiTextHeadingRule:2 --> </h2> | ||
<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-Historically significant microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:4 -->Historically significant microtonal scores</h2> | <!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-Historically significant microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:4 -->Historically significant microtonal scores</h2> | ||
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.<br /> | Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.<br /> | ||
<ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of <a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow">Diapason Press</a></li><li>this list is so obviously incomplete that you should help finish it.</li></ul><br /> | <ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of <a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow">Diapason Press</a></li><li>this list is so obviously incomplete that you should help finish it.</li></ul><br /> | ||
<!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x-Composers' sites with microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:6 -->Composers' sites with microtonal scores</h2> | <!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x-Composers' sites with microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:6 -->Composers' sites with microtonal scores</h2> | ||
<ul><li>David Canright: <a class="wiki_link_ext" href="http://www.redshift.com/%7Edcanright/suite/index.htm" rel="nofollow">Fibonacci Suite</a> (piano retuned to 7-limit JI, seven hands)</li><li>Kyle Gann: <a class="wiki_link_ext" href="http://www.kylegann.com/LoveScene.pdf" rel="nofollow">Love Scene</a> for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of <a class="wiki_link_ext" href="http://www.kylegann.com/tuning.html" rel="nofollow">this page</a></li><li><a class="wiki_link_ext" href="http://home.snafu.de/djwolf/listhome.htm" rel="nofollow">Daniel Wolf</a>: Etudes for solo microtonal instruments: scores in 8-, 9-, 13-, 14-, 17-tet</li><li><a class="wiki_link_ext" href="http://www.roberthasegawa.com" rel="nofollow">Robert Hasegawa</a>: scores with quartertones and beyond</li><li><a class="wiki_link_ext" href="http://www.tuistgeorgetucker.com/scores1.html#quartertone_keyboard" rel="nofollow">Tui St. George Tucker</a>: handwritten quartertone scores for pianos, recorders, flute, clarinet</li><li><a class="wiki_link_ext" href="http://www.duocontour.org/" rel="nofollow">Duo Contour</a> offers samples of scores from their repertoire, which includes 19-edo and 24-edo trumpets</li></ul></body></html></pre></div> | <ul><li>David Canright: <a class="wiki_link_ext" href="http://www.redshift.com/%7Edcanright/suite/index.htm" rel="nofollow">Fibonacci Suite</a> (piano retuned to 7-limit JI, seven hands)</li><li>Kyle Gann: <a class="wiki_link_ext" href="http://www.kylegann.com/LoveScene.pdf" rel="nofollow">Love Scene</a> for string quartet. Gann creates tuning guides for many of his pieces, list at the bottom of <a class="wiki_link_ext" href="http://www.kylegann.com/tuning.html" rel="nofollow">this page</a></li><li><a class="wiki_link_ext" href="http://home.snafu.de/djwolf/listhome.htm" rel="nofollow">Daniel Wolf</a>: Etudes for solo microtonal instruments: scores in 8-, 9-, 13-, 14-, 17-tet</li><li><a class="wiki_link_ext" href="http://www.roberthasegawa.com" rel="nofollow">Robert Hasegawa</a>: scores with quartertones and beyond</li><li><a class="wiki_link_ext" href="http://www.tuistgeorgetucker.com/scores1.html#quartertone_keyboard" rel="nofollow">Tui St. George Tucker</a>: handwritten quartertone scores for pianos, recorders, flute, clarinet</li><li><a class="wiki_link_ext" href="http://www.duocontour.org/" rel="nofollow">Duo Contour</a> offers samples of scores from their repertoire, which includes 19-edo and 24-edo trumpets</li><li><a class="wiki_link_ext" href="http://users.rcn.com/dante.interport//justguitar.html" rel="nofollow">Dante Rosati</a> pdf of a tabulature/ratio score for &quot;Arbor Low&quot; for 21-tone Just Intonation guitar</li></ul></body></html></pre></div> | ||