User:Moremajorthanmajor/Pseudo-traditional harmonic functions of octatonic scale degrees: Difference between revisions
Jump to navigation
Jump to search
Wikispaces>diagonalia **Imported revision 602913866 - Original comment: ** |
Wikispaces>FREEZE No edit summary |
||
| Line 1: | Line 1: | ||
{| class="wikitable" | |||
|- | |||
! | Degree number | |||
! | Function | |||
! | Regular triad | |||
|- | |||
| | I | |||
| | Tonic | |||
|| I || Tonic || I-III-VI | | | | I-III-VI | ||
|| II || Supertonic || II-IV-VII | | |- | ||
|| III || Mediant || III-V-VIII | | | | II | ||
|| IV || Subdominant || IV-VI-I | | | | Supertonic | ||
|| V || Antitonic || V-VII-II | | | | II-IV-VII | ||
|| VI || Dominant || VI-VIII-III | | |- | ||
|| VII || Submediant || VII-I-IV | | | | III | ||
|| VIII || Leading tone | | | Mediant | ||
| | III-V-VIII | |||
|- | |||
| | IV | |||
| | Subdominant | |||
| | IV-VI-I | |||
|- | |||
| | V | |||
| | Antitonic | |||
| | V-VII-II | |||
|- | |||
| | VI | |||
| | Dominant | |||
| | VI-VIII-III | |||
|- | |||
| | VII | |||
| | Submediant | |||
| | VII-I-IV | |||
|- | |||
| | VIII | |||
| | Leading tone | |||
Subtonic | |||
| | VIII-II-V | |||
|} | |||
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic. | |||
[[Category:8-tone]] | |||
[[Category:octatonic]] | |||
[[Category:overview]] | |||
[[Category:todo:add_definition]] | |||
[[Category:todo:add_links]] | |||
[[Category:todo:add_source]] | |||
[[Category:todo:intro]] | |||
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic. | |||
Revision as of 00:00, 17 July 2018
| Degree number | Function | Regular triad |
|---|---|---|
| I | Tonic | I-III-VI |
| II | Supertonic | II-IV-VII |
| III | Mediant | III-V-VIII |
| IV | Subdominant | IV-VI-I |
| V | Antitonic | V-VII-II |
| VI | Dominant | VI-VIII-III |
| VII | Submediant | VII-I-IV |
| VIII | Leading tone
Subtonic |
VIII-II-V |
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.