Porcupine temperament modal harmony: Difference between revisions

Wikispaces>k9assassin
**Imported revision 546321670 - Original comment: **
Wikispaces>xenwolf
**Imported revision 547394240 - Original comment: Typo fixed: Gazette -> Gazelle; another Change: Dog became Dingo (but was only fixed in the table at that time)**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-05 00:35:36 UTC</tt>.<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2015-04-15 06:49:37 UTC</tt>.<br>
: The original revision id was <tt>546321670</tt>.<br>
: The original revision id was <tt>547394240</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>Typo fixed: Gazette -> Gazelle; another Change: Dog became Dingo (but was only fixed in the table at that time)</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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=Brief Intro to Modal Harmony and MODMOS's=  
=Brief Intro to Modal Harmony and MODMOS's=  
Porcupine is a temperament completely capable of diverse harmony. Using it's MOS in conjunction with it's modmos will allow for some very diverse chordal movement that will still be tonally solid. Porcupine mode and modmos names are based on animal names because none of the scales remotely are similar to any existing mode name from anywhere. The initial four modes: Porcupine, Chinchilla, Zebra, and Dog all contain 3/2 from the root while the latter three: Gazette, Lemur, and Panda lack 3/2 and instead have a triad similar to a diminished triad on the root. In order to remedy this problem, it may be fruitful to use other methods than triadic tertian harmony to build tonal frameworks in porcupine.
Porcupine is a temperament completely capable of diverse harmony. Using it's MOS in conjunction with it's modmos will allow for some very diverse chordal movement that will still be tonally solid. Porcupine mode and modmos names are based on animal names because none of the scales remotely are similar to any existing mode name from anywhere. The initial four modes: Porcupine, Chinchilla, Zebra, and Dingo all contain 3/2 from the root while the latter three: Gazelle, Lemur, and Panda lack 3/2 and instead have a triad similar to a diminished triad on the root. In order to remedy this problem, it may be fruitful to use other methods than triadic tertian harmony to build tonal frameworks in porcupine.


Because the generator of porcupine is 9/8, secondual harmony tends to work quite well. William lynch considers varying subsets of 8:9:10:11:12 to work really well for building harmonic movement in porcupine. In addition, the second inversion which produces chords of stacked sevenths of varying sizes, also works well as an additional sonority to create better voice leading and variety. If the mode position of porcupine contains no 3/2 from the root, then a chord without 3/2 is played on the root.  
Because the generator of porcupine is 9/8, secondual harmony tends to work quite well. William lynch considers varying subsets of 8:9:10:11:12 to work really well for building harmonic movement in porcupine. In addition, the second inversion which produces chords of stacked sevenths of varying sizes, also works well as an additional sonority to create better voice leading and variety. If the mode position of porcupine contains no 3/2 from the root, then a chord without 3/2 is played on the root.  
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|| Zebrian ||= 3343333 ||= 2232222 ||= 4|2 || G Av Bv C D E F || i II III ivº vº viº vii ||= Bright minor (II is major) ||  ||
|| Zebrian ||= 3343333 ||= 2232222 ||= 4|2 || G Av Bv C D E F || i II III ivº vº viº vii ||= Bright minor (II is major) ||  ||
|| Dingoian ||= 3334333 ||= 2223222 ||= 3|3 || G Av Bv Cv D E F || i ii III IV vº viº viiº ||= Symmetric minor (ii is minor) || [[media type="file" key="porcupinesymmetricminor22edo.mp3" width="240" height="20"]] ||
|| Dingoian ||= 3334333 ||= 2223222 ||= 3|3 || G Av Bv Cv D E F || i ii III IV vº viº viiº ||= Symmetric minor (ii is minor) || [[media type="file" key="porcupinesymmetricminor22edo.mp3" width="240" height="20"]] ||
|| Gazettian ||= 3333433 ||= 2222322 ||= 2|4 || G Av Bv Cv Dv E F || iº ii iii IV V viº viiº ||= Diminished ||  ||
|| Gazellian ||= 3333433 ||= 2222322 ||= 2|4 || G Av Bv Cv Dv E F || iº ii iii IV V viº viiº ||= Diminished ||  ||
|| Lemurian ||= 3333343 ||= 2222232 ||= 1|5 || G Av Bv Cv Dv Ev F || iº iiº iii iv V VI viiº ||= Diminished ||  ||
|| Lemurian ||= 3333343 ||= 2222232 ||= 1|5 || G Av Bv Cv Dv Ev F || iº iiº iii iv V VI viiº ||= Diminished ||  ||
|| Pandian ||= 3333334 ||= 2222223 ||= 0|6 || G Av Bv Cv Dv Ev Fv || iº iiº iiiº iv v VI VII ||= [[magical seventh chord|Magical seventh]] mode ||  ||
|| Pandian ||= 3333334 ||= 2222223 ||= 0|6 || G Av Bv Cv Dv Ev Fv || iº iiº iiiº iv v VI VII ||= [[magical seventh chord|Magical seventh]] mode ||  ||
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Brief Intro to Modal Harmony and MODMOS's"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Brief Intro to Modal Harmony and MODMOS's&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Brief Intro to Modal Harmony and MODMOS's"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Brief Intro to Modal Harmony and MODMOS's&lt;/h1&gt;
  Porcupine is a temperament completely capable of diverse harmony. Using it's MOS in conjunction with it's modmos will allow for some very diverse chordal movement that will still be tonally solid. Porcupine mode and modmos names are based on animal names because none of the scales remotely are similar to any existing mode name from anywhere. The initial four modes: Porcupine, Chinchilla, Zebra, and Dog all contain 3/2 from the root while the latter three: Gazette, Lemur, and Panda lack 3/2 and instead have a triad similar to a diminished triad on the root. In order to remedy this problem, it may be fruitful to use other methods than triadic tertian harmony to build tonal frameworks in porcupine.&lt;br /&gt;
  Porcupine is a temperament completely capable of diverse harmony. Using it's MOS in conjunction with it's modmos will allow for some very diverse chordal movement that will still be tonally solid. Porcupine mode and modmos names are based on animal names because none of the scales remotely are similar to any existing mode name from anywhere. The initial four modes: Porcupine, Chinchilla, Zebra, and Dingo all contain 3/2 from the root while the latter three: Gazelle, Lemur, and Panda lack 3/2 and instead have a triad similar to a diminished triad on the root. In order to remedy this problem, it may be fruitful to use other methods than triadic tertian harmony to build tonal frameworks in porcupine.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because the generator of porcupine is 9/8, secondual harmony tends to work quite well. William lynch considers varying subsets of 8:9:10:11:12 to work really well for building harmonic movement in porcupine. In addition, the second inversion which produces chords of stacked sevenths of varying sizes, also works well as an additional sonority to create better voice leading and variety. If the mode position of porcupine contains no 3/2 from the root, then a chord without 3/2 is played on the root. &lt;br /&gt;
Because the generator of porcupine is 9/8, secondual harmony tends to work quite well. William lynch considers varying subsets of 8:9:10:11:12 to work really well for building harmonic movement in porcupine. In addition, the second inversion which produces chords of stacked sevenths of varying sizes, also works well as an additional sonority to create better voice leading and variety. If the mode position of porcupine contains no 3/2 from the root, then a chord without 3/2 is played on the root. &lt;br /&gt;
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     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td&gt;Gazettian&lt;br /&gt;
         &lt;td&gt;Gazellian&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;3333433&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;3333433&lt;br /&gt;