Pergen names: Difference between revisions

Wikispaces>TallKite
**Imported revision 624090619 - Original comment: **
Wikispaces>TallKite
**Imported revision 624093217 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-12-20 02:32:38 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-12-20 04:17:43 UTC</tt>.<br>
: The original revision id was <tt>624090619</tt>.<br>
: The original revision id was <tt>624093217</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
Line 275: Line 275:
==Extremely large multi-gens==  
==Extremely large multi-gens==  


So far, the largest multi-gen has been a 12th. As the multi-gen fractions get larger, the multi-gen gets quite wide. To avoid cumbersome degree names like 16th or 22nd, for degrees above 12, the widening is indicated with one "W" per octave. Thus 32/9 = Wm7, 9/2 = WWM2 or WM9, etc. For a pergen with an unsplit octave and a multi-gen split into n parts, valid multi-gens include any voicing of the fifth that is less than n/2 octaves. For (P8, multi-gen/6), the multi-gen can be P4, P5, P11, P12, WWP4 or WWP5.
So far, the largest multi-gen has been a 12th. As the multi-gen fractions get larger, the multi-gen gets quite wide. To avoid cumbersome degree names like 16th or 22nd, for degrees above 12, the widening is indicated with one "W" per octave. Thus 32/9 = Wm7, 9/2 = WWM2 or WM9, etc. For (P8, M/n), valid multi-gens are any voicing of the fifth that is less than n/2 octaves. For (P8, M/6), the multi-gen can be P4, P5, P11, P12, WWP4 or WWP5.


==Singles and doubles==  
==Singles and doubles==  
Line 286: Line 286:


==Finding an example temperament==  
==Finding an example temperament==  
//[Change R to P and G]//


To find an example of a temperament with a specific pergen, we must find the comma(s) the temperament tempers out. To construct a comma that creates a single-split pergen, simply find a ratio for P or G that contains only one higher prime, of appropriate cents to add up to approximately the octave or the multigen. The comma is the difference between the stacked ratios and the larger interval. For example, (P8/4, P5) requires a P of about 300¢. The comma is the difference between 4*P and P8. If P is 6/5, the comma is 4*P - P8 = (6/5)^4 / (2/1) = 648/625. If P is 7/6, the comma is P8 - 4*P = (2/1) * (7/6)^-4. Neither 13/11 nor 32/27 would work for P, too many and too few primes respectively. (P8, P4/3) requires a G of about (498¢)/3 = 166¢, perhaps 10/9. The comma is 3*G - P4 = (10/9)^3 / (4/3) = 250/243.
To find an example of a temperament with a specific pergen, we must find the comma(s) the temperament tempers out. To construct a comma that creates a single-split pergen, simply find a ratio for P or G that contains only one higher prime, of appropriate cents to add up to approximately the octave or the multigen. The comma is the difference between the stacked ratios and the larger interval. For example, (P8/4, P5) requires a P of about 300¢. The comma is the difference between 4*P and P8. If P is 6/5, the comma is 4*P - P8 = (6/5)^4 / (2/1) = 648/625. If P is 7/6, the comma is P8 - 4*P = (2/1) * (7/6)^-4. Neither 13/11 nor 32/27 would work for P, too many and too few primes respectively. (P8, P4/3) requires a G of about (498¢)/3 = 166¢, perhaps 10/9. The comma is 3*G - P4 = (10/9)^3 / (4/3) = 250/243.
Line 305: Line 303:
For example, half-octave (P8/2, P5) has generator P5, alternate generators P4 and vA1, period vA4, and equivalent period ^d5. (P8, P5/2) has generator ^m3 and equivalent generator vM3. Of the two equivalent generators, "the" generator is always the smaller one (smaller degree, or if the degrees are the same, more diminished). This is because the equivalent generator can be more easily found by adding the enharmonic, rather than subtracting it. For example, ^m3 + vvA1 = vM3 is an easier calculation than vM3 - vvA1 = ^m3. This is particularly true with complex enharmonics like ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;dd2.
For example, half-octave (P8/2, P5) has generator P5, alternate generators P4 and vA1, period vA4, and equivalent period ^d5. (P8, P5/2) has generator ^m3 and equivalent generator vM3. Of the two equivalent generators, "the" generator is always the smaller one (smaller degree, or if the degrees are the same, more diminished). This is because the equivalent generator can be more easily found by adding the enharmonic, rather than subtracting it. For example, ^m3 + vvA1 = vM3 is an easier calculation than vM3 - vvA1 = ^m3. This is particularly true with complex enharmonics like ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;dd2.


There are also equivalent enharmonics, see below.
There are also alternate enharmonics, see below.


==Finding a notation for a pergen==  
==Finding a notation for a pergen==  
Line 321: Line 319:
b = 7a - 12b
b = 7a - 12b


Gedras can be manipulated exactly like monzos. Just as (a,b) + (a',b') = (a+a',b+b'), likewise [k,s] + [k',s'] = [k+k',s+s']. If (a,b) is a stack of n intervals, with (a,b) = n(a',b') = (na', nb'), and if (a,b) = [k,s], then [k,s] = n[k',s'] = [nk',ns'].
Gedras can be manipulated exactly like monzos. Just as (a,b) + (a',b') = (a+a',b+b'), likewise [k,s] + [k',s'] = [k+k',s+s']. If (a,b) is a stack of n intervals, with (a,b) = (na', nb') = n(a',b'), and if (a,b) = [k,s], then [k,s] = [nk',ns'] = n[k',s'].


Gedras greatly facilitate finding a pergen's period, generator and enharmonic(s). A given fraction of a given 3-limit interval can be approximated by simply dividing the keyspan and stepspan directly, and rounding off. For example, consider (P8/5, P5). One fifth of an octave [12,7] is approximately [round(12/5), round(7/5)] = [2,1] = (-3,2) = M2. This approximation will __always__ produce an enharmonic interval with the smallest possible keyspan and stepspan, which is usually the preferred enharmonic. In this example, the bare enharmonic is the difference between P8 and 5*M2, which is [12,7] - 5*[2,1] = [12,7] - [10,5] = [2,2] = 2*[1,1] = 2*m2. Because the enharmonic E is multiplied by 2, it will occur twice in the perchain, even thought the comma only occurs once. The bare enharmonic is m2, which must be downed to vanish. The number of downs equals the splitting fraction, thus E = v&lt;span style="vertical-align: super;"&gt;5&lt;/span&gt;m2. Since P8 = 5*P + 2*E, the period must be ^^M2, to make the ups and downs come out even. Equipped with the period and the enharmonic, the perchain is easily found:
Gedras greatly facilitate finding a pergen's period, generator and enharmonic(s). A given fraction of a given 3-limit interval can be approximated by simply dividing the keyspan and stepspan directly, and rounding off. For example, consider (P8/5, P5). One fifth of an octave [12,7] is approximately [round(12/5), round(7/5)] = [2,1] = (-3,2) = M2. This approximation will __always__ produce an enharmonic interval with the smallest possible keyspan and stepspan, which is usually the preferred enharmonic. In this example, the bare enharmonic is the difference between P8 and 5*M2, which is [12,7] - 5*[2,1] = [12,7] - [10,5] = [2,2] = 2*[1,1] = 2*m2. Because the enharmonic E is multiplied by 2, it will occur twice in the perchain, even thought the comma only occurs once. The bare enharmonic is m2, which must be downed to vanish. The number of downs equals the splitting fraction, thus E = v&lt;span style="vertical-align: super;"&gt;5&lt;/span&gt;m2. Since P8 = 5*P + 2*E, the period must be ^^M2, to make the ups and downs come out even. Equipped with the period and the enharmonic, the perchain is easily found:
Line 337: Line 335:


==Alternate enharmonics==  
==Alternate enharmonics==  
For (P8/m, M/n), P8 = mP + xE and M = nG + yE', with 0 &lt; |x| &lt;= m/2 and 0 &lt; y &lt;= n/2
x and y are the counts of the two enharmonics. Negative values are allowed, and are preferred if smaller.
For false doubles using single-pair notation, E = E'.
The unreduced pergen is (P8/m, M'/n'), with M' = n'G' + y'E"
The comma equals xE and/or yE'.
An alternate enharmonic will arise if the notational comma changes. For example, 11's notational comma can be either 33/32, with 11/8 notated as a P4, or 729/704, with 11/8 notated as an A4. The keyspan of all 11-limit intervals will reflect this choice of notational comma. For (P8, P5/2), G ~ 350¢. If G = 11/9, the (vanishing, not notational) comma is P5 - 2*G = 243/242. For the first notational comma, 11/9 is a m3, and the comma is an A1. For the 2nd, 11/9= M3, and the comma is a d1.
Alternate enharmonics also arise from rounding off [12,7]/m or [k,s]/n less exactly. This adds or subtracts one semitone or step from P or G.


For single-comma pergens, the enharmonic should equal the comma's mapping. For example, (P8, P5/2) might arise from 243/242, which splits the 5th into two 11/9 halves.
For single-comma pergens, the enharmonic should equal the comma's mapping. For example, (P8, P5/2) might arise from 243/242, which splits the 5th into two 11/9 halves.


(P8, P11/4) has a bare generator [17,10]/4 = [4,2] = M3. The bare enharmonic is P11 - 4*G = [1,2] = dd3. It must be downed, thus E = v&lt;span style="vertical-align: super;"&gt;4&lt;/span&gt;dd3, and G = ^M3. The enharmonic is unfortunately not a unison or 2nd. Note that the generator's stepspan could have been rounded up instead of down, making G = [4,3] = d4. This would make E = [-1,2] = d43. Rounding down is clearly preferable! In general, rounding down is better, because the smaller of two equivalent generators or periods is preferred. However, there are exceptions.
(P8, P11/4) has a bare generator [17,10]/4 = [4,2] = M3. The bare enharmonic is P11 - 4*G = [1,2] = dd3. It must be downed, thus E = v&lt;span style="vertical-align: super;"&gt;4&lt;/span&gt;dd3, and G = ^M3. The enharmonic is unfortunately not a unison or 2nd. Note that the generator's stepspan could have been rounded up instead of down, making G = [4,3] = d4. This would make E = [-1,2] = d43. Rounding down is clearly preferable! In general, rounding down is better, because the smaller of two equivalent generators or periods is preferred. However, there are exceptions.


==Alternate keyspans==  
==Alternate keyspans and stepspans==  


One might wonder, why 12-edo keyspans? Why heptatonic stepspans? Heptatonic is best because conventional notation is heptatonic, and we want to minimize the heptatonic stepspan of the enharmonic. In order for the matrix to be invertible, the edo must be connected to 7-edo on the scale tree. The only choices are 5-edo, 12-edo, 19-edo, 26-edo, 33-edo, 40-edo and 47-edo, and on the other side, 2-edo, 9-edo, 16-edo and 23-edo.
One might wonder, why 12-edo keyspans? Why heptatonic stepspans? Heptatonic is best because conventional notation is heptatonic, and we want to minimize the heptatonic stepspan of the enharmonic. In order for the matrix to be invertible, the edo must be connected to 7-edo on the scale tree. The only choices are 5-edo, 12-edo, 19-edo, 26-edo, 33-edo, 40-edo and 47-edo, and on the other side, 2-edo, 9-edo, 16-edo and 23-edo.
Line 350: Line 358:


__**Extra paragraphs:**__
__**Extra paragraphs:**__


Not all enharmonics work with all pergens. There are two logical restrictions on the enharmonic, one based on its degree and the other on its 3-exponent (implied edo).
Not all enharmonics work with all pergens. There are two logical restrictions on the enharmonic, one based on its degree and the other on its 3-exponent (implied edo).
Line 378: Line 385:
For {P8/M, multi-gen/N}, there are two conditions on the enharmonic. If T is the 3-exponent of the multi-gen, the conditions are edo = Mx and edo = Ny ± T. For {P8/2, P4/2}, the two conditions are mutually exclusive: the edo must be both even and odd. Therefore there must be two accidental pairs, each with its own enharmonic interval. In the main table, this pergen is notated with both ups/downs and highs/lows. Since the 8ve and 4th are split, the 5th is too. Each interval has its own genchain. One of these is notated with ups/downs, another with highs/lows, and the third with both. The 3 possible ways of allocating the two accidental pairs are all listed. Furthermore, ups/downs can be exchanged for highs/lows.
For {P8/M, multi-gen/N}, there are two conditions on the enharmonic. If T is the 3-exponent of the multi-gen, the conditions are edo = Mx and edo = Ny ± T. For {P8/2, P4/2}, the two conditions are mutually exclusive: the edo must be both even and odd. Therefore there must be two accidental pairs, each with its own enharmonic interval. In the main table, this pergen is notated with both ups/downs and highs/lows. Since the 8ve and 4th are split, the 5th is too. Each interval has its own genchain. One of these is notated with ups/downs, another with highs/lows, and the third with both. The 3 possible ways of allocating the two accidental pairs are all listed. Furthermore, ups/downs can be exchanged for highs/lows.


For {P8/2, P5/3}, the edo = 2x = 3y ± 1. The edo must be even, thus y must be odd. Possible edos are 2, 4, 8, 10, 14, 16, 20, 22, 26, 28... The main table has ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;2, which implies 26-edo. Most of the other edos aren't practical. 10 and 20 imply the m3. 22-edo suggests a d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;4. The octave genchain would be C - E#^&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;=Abbv&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt; - C.
For {P8/2, P5/3}, the edo = 2x = 3y ± 1. The edo must be even, thus y must be odd. Possible edos are 2, 4, 8, 10, 14, 16, 20, 22, 26, 28... The main table has ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;2, which implies 26-edo. Most of the other edos aren't practical. 10 and 20 imply the m3. 22-edo suggests a d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;4. The perchain would be C - E#^&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;=Abbv&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt; - C.
 
Even if a pergen with two fractions __can__ be notated with a single accidental pair, a second pair may be preferred. Again, analogous to 22-edo, a notation that causes familiar chords to be misspelled is not very welcoming.


[//Example?//]


For **{P8/M, P5}**, the implied edo = Mx
For **{P8/M, P5}**, the implied edo = Mx
Line 411: Line 415:
&lt;!-- ws:end:WikiTextTocRule:51 --&gt;&lt;!-- ws:start:WikiTextTocRule:52: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Further Discussion-Finding a notation for a pergen"&gt;Finding a notation for a pergen&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:51 --&gt;&lt;!-- ws:start:WikiTextTocRule:52: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Further Discussion-Finding a notation for a pergen"&gt;Finding a notation for a pergen&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:52 --&gt;&lt;!-- ws:start:WikiTextTocRule:53: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Further Discussion-Alternate enharmonics"&gt;Alternate enharmonics&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:52 --&gt;&lt;!-- ws:start:WikiTextTocRule:53: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Further Discussion-Alternate enharmonics"&gt;Alternate enharmonics&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Further Discussion-Alternate keyspans"&gt;Alternate keyspans&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Further Discussion-Alternate keyspans and stepspans"&gt;Alternate keyspans and stepspans&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;!-- ws:start:WikiTextHeadingRule:23:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Definition"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:23 --&gt;&lt;u&gt;&lt;strong&gt;Definition&lt;/strong&gt;&lt;/u&gt;&lt;/h1&gt;
&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;!-- ws:start:WikiTextHeadingRule:23:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Definition"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:23 --&gt;&lt;u&gt;&lt;strong&gt;Definition&lt;/strong&gt;&lt;/u&gt;&lt;/h1&gt;
Line 2,029: Line 2,033:
&lt;!-- ws:start:WikiTextHeadingRule:31:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Further Discussion-Extremely large multi-gens"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:31 --&gt;Extremely large multi-gens&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:31:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Further Discussion-Extremely large multi-gens"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:31 --&gt;Extremely large multi-gens&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
So far, the largest multi-gen has been a 12th. As the multi-gen fractions get larger, the multi-gen gets quite wide. To avoid cumbersome degree names like 16th or 22nd, for degrees above 12, the widening is indicated with one &amp;quot;W&amp;quot; per octave. Thus 32/9 = Wm7, 9/2 = WWM2 or WM9, etc. For a pergen with an unsplit octave and a multi-gen split into n parts, valid multi-gens include any voicing of the fifth that is less than n/2 octaves. For (P8, multi-gen/6), the multi-gen can be P4, P5, P11, P12, WWP4 or WWP5.&lt;br /&gt;
So far, the largest multi-gen has been a 12th. As the multi-gen fractions get larger, the multi-gen gets quite wide. To avoid cumbersome degree names like 16th or 22nd, for degrees above 12, the widening is indicated with one &amp;quot;W&amp;quot; per octave. Thus 32/9 = Wm7, 9/2 = WWM2 or WM9, etc. For (P8, M/n), valid multi-gens are any voicing of the fifth that is less than n/2 octaves. For (P8, M/6), the multi-gen can be P4, P5, P11, P12, WWP4 or WWP5.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:33:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Further Discussion-Singles and doubles"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:33 --&gt;Singles and doubles&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:33:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Further Discussion-Singles and doubles"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:33 --&gt;Singles and doubles&lt;/h2&gt;
Line 2,041: Line 2,045:
&lt;!-- ws:start:WikiTextHeadingRule:35:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Further Discussion-Finding an example temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:35 --&gt;Finding an example temperament&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:35:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Further Discussion-Finding an example temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:35 --&gt;Finding an example temperament&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;em&gt;[Change R to P and G]&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
To find an example of a temperament with a specific pergen, we must find the comma(s) the temperament tempers out. To construct a comma that creates a single-split pergen, simply find a ratio for P or G that contains only one higher prime, of appropriate cents to add up to approximately the octave or the multigen. The comma is the difference between the stacked ratios and the larger interval. For example, (P8/4, P5) requires a P of about 300¢. The comma is the difference between 4*P and P8. If P is 6/5, the comma is 4*P - P8 = (6/5)^4 / (2/1) = 648/625. If P is 7/6, the comma is P8 - 4*P = (2/1) * (7/6)^-4. Neither 13/11 nor 32/27 would work for P, too many and too few primes respectively. (P8, P4/3) requires a G of about (498¢)/3 = 166¢, perhaps 10/9. The comma is 3*G - P4 = (10/9)^3 / (4/3) = 250/243.&lt;br /&gt;
To find an example of a temperament with a specific pergen, we must find the comma(s) the temperament tempers out. To construct a comma that creates a single-split pergen, simply find a ratio for P or G that contains only one higher prime, of appropriate cents to add up to approximately the octave or the multigen. The comma is the difference between the stacked ratios and the larger interval. For example, (P8/4, P5) requires a P of about 300¢. The comma is the difference between 4*P and P8. If P is 6/5, the comma is 4*P - P8 = (6/5)^4 / (2/1) = 648/625. If P is 7/6, the comma is P8 - 4*P = (2/1) * (7/6)^-4. Neither 13/11 nor 32/27 would work for P, too many and too few primes respectively. (P8, P4/3) requires a G of about (498¢)/3 = 166¢, perhaps 10/9. The comma is 3*G - P4 = (10/9)^3 / (4/3) = 250/243.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Line 2,059: Line 2,061:
For example, half-octave (P8/2, P5) has generator P5, alternate generators P4 and vA1, period vA4, and equivalent period ^d5. (P8, P5/2) has generator ^m3 and equivalent generator vM3. Of the two equivalent generators, &amp;quot;the&amp;quot; generator is always the smaller one (smaller degree, or if the degrees are the same, more diminished). This is because the equivalent generator can be more easily found by adding the enharmonic, rather than subtracting it. For example, ^m3 + vvA1 = vM3 is an easier calculation than vM3 - vvA1 = ^m3. This is particularly true with complex enharmonics like ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;dd2.&lt;br /&gt;
For example, half-octave (P8/2, P5) has generator P5, alternate generators P4 and vA1, period vA4, and equivalent period ^d5. (P8, P5/2) has generator ^m3 and equivalent generator vM3. Of the two equivalent generators, &amp;quot;the&amp;quot; generator is always the smaller one (smaller degree, or if the degrees are the same, more diminished). This is because the equivalent generator can be more easily found by adding the enharmonic, rather than subtracting it. For example, ^m3 + vvA1 = vM3 is an easier calculation than vM3 - vvA1 = ^m3. This is particularly true with complex enharmonics like ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;dd2.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are also equivalent enharmonics, see below.&lt;br /&gt;
There are also alternate enharmonics, see below.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:37:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Further Discussion-Finding a notation for a pergen"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:37 --&gt;Finding a notation for a pergen&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:37:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Further Discussion-Finding a notation for a pergen"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:37 --&gt;Finding a notation for a pergen&lt;/h2&gt;
Line 2,075: Line 2,077:
b = 7a - 12b&lt;br /&gt;
b = 7a - 12b&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gedras can be manipulated exactly like monzos. Just as (a,b) + (a',b') = (a+a',b+b'), likewise [k,s] + [k',s'] = [k+k',s+s']. If (a,b) is a stack of n intervals, with (a,b) = n(a',b') = (na', nb'), and if (a,b) = [k,s], then [k,s] = n[k',s'] = [nk',ns'].&lt;br /&gt;
Gedras can be manipulated exactly like monzos. Just as (a,b) + (a',b') = (a+a',b+b'), likewise [k,s] + [k',s'] = [k+k',s+s']. If (a,b) is a stack of n intervals, with (a,b) = (na', nb') = n(a',b'), and if (a,b) = [k,s], then [k,s] = [nk',ns'] = n[k',s'].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gedras greatly facilitate finding a pergen's period, generator and enharmonic(s). A given fraction of a given 3-limit interval can be approximated by simply dividing the keyspan and stepspan directly, and rounding off. For example, consider (P8/5, P5). One fifth of an octave [12,7] is approximately [round(12/5), round(7/5)] = [2,1] = (-3,2) = M2. This approximation will &lt;u&gt;always&lt;/u&gt; produce an enharmonic interval with the smallest possible keyspan and stepspan, which is usually the preferred enharmonic. In this example, the bare enharmonic is the difference between P8 and 5*M2, which is [12,7] - 5*[2,1] = [12,7] - [10,5] = [2,2] = 2*[1,1] = 2*m2. Because the enharmonic E is multiplied by 2, it will occur twice in the perchain, even thought the comma only occurs once. The bare enharmonic is m2, which must be downed to vanish. The number of downs equals the splitting fraction, thus E = v&lt;span style="vertical-align: super;"&gt;5&lt;/span&gt;m2. Since P8 = 5*P + 2*E, the period must be ^^M2, to make the ups and downs come out even. Equipped with the period and the enharmonic, the perchain is easily found:&lt;br /&gt;
Gedras greatly facilitate finding a pergen's period, generator and enharmonic(s). A given fraction of a given 3-limit interval can be approximated by simply dividing the keyspan and stepspan directly, and rounding off. For example, consider (P8/5, P5). One fifth of an octave [12,7] is approximately [round(12/5), round(7/5)] = [2,1] = (-3,2) = M2. This approximation will &lt;u&gt;always&lt;/u&gt; produce an enharmonic interval with the smallest possible keyspan and stepspan, which is usually the preferred enharmonic. In this example, the bare enharmonic is the difference between P8 and 5*M2, which is [12,7] - 5*[2,1] = [12,7] - [10,5] = [2,2] = 2*[1,1] = 2*m2. Because the enharmonic E is multiplied by 2, it will occur twice in the perchain, even thought the comma only occurs once. The bare enharmonic is m2, which must be downed to vanish. The number of downs equals the splitting fraction, thus E = v&lt;span style="vertical-align: super;"&gt;5&lt;/span&gt;m2. Since P8 = 5*P + 2*E, the period must be ^^M2, to make the ups and downs come out even. Equipped with the period and the enharmonic, the perchain is easily found:&lt;br /&gt;
Line 2,092: Line 2,094:
&lt;!-- ws:start:WikiTextHeadingRule:39:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="Further Discussion-Alternate enharmonics"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:39 --&gt;Alternate enharmonics&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:39:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="Further Discussion-Alternate enharmonics"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:39 --&gt;Alternate enharmonics&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
For (P8/m, M/n), P8 = mP + xE and M = nG + yE', with 0 &amp;lt; |x| &amp;lt;= m/2 and 0 &amp;lt; y &amp;lt;= n/2 &lt;br /&gt;
x and y are the counts of the two enharmonics. Negative values are allowed, and are preferred if smaller.&lt;br /&gt;
For false doubles using single-pair notation, E = E'.&lt;br /&gt;
The unreduced pergen is (P8/m, M'/n'), with M' = n'G' + y'E&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The comma equals xE and/or yE'.&lt;br /&gt;
&lt;br /&gt;
An alternate enharmonic will arise if the notational comma changes. For example, 11's notational comma can be either 33/32, with 11/8 notated as a P4, or 729/704, with 11/8 notated as an A4. The keyspan of all 11-limit intervals will reflect this choice of notational comma. For (P8, P5/2), G ~ 350¢. If G = 11/9, the (vanishing, not notational) comma is P5 - 2*G = 243/242. For the first notational comma, 11/9 is a m3, and the comma is an A1. For the 2nd, 11/9= M3, and the comma is a d1.&lt;br /&gt;
&lt;br /&gt;
Alternate enharmonics also arise from rounding off [12,7]/m or [k,s]/n less exactly. This adds or subtracts one semitone or step from P or G.&lt;br /&gt;
&lt;br /&gt;
For single-comma pergens, the enharmonic should equal the comma's mapping. For example, (P8, P5/2) might arise from 243/242, which splits the 5th into two 11/9 halves.&lt;br /&gt;
For single-comma pergens, the enharmonic should equal the comma's mapping. For example, (P8, P5/2) might arise from 243/242, which splits the 5th into two 11/9 halves.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(P8, P11/4) has a bare generator [17,10]/4 = [4,2] = M3. The bare enharmonic is P11 - 4*G = [1,2] = dd3. It must be downed, thus E = v&lt;span style="vertical-align: super;"&gt;4&lt;/span&gt;dd3, and G = ^M3. The enharmonic is unfortunately not a unison or 2nd. Note that the generator's stepspan could have been rounded up instead of down, making G = [4,3] = d4. This would make E = [-1,2] = d43. Rounding down is clearly preferable! In general, rounding down is better, because the smaller of two equivalent generators or periods is preferred. However, there are exceptions.&lt;br /&gt;
(P8, P11/4) has a bare generator [17,10]/4 = [4,2] = M3. The bare enharmonic is P11 - 4*G = [1,2] = dd3. It must be downed, thus E = v&lt;span style="vertical-align: super;"&gt;4&lt;/span&gt;dd3, and G = ^M3. The enharmonic is unfortunately not a unison or 2nd. Note that the generator's stepspan could have been rounded up instead of down, making G = [4,3] = d4. This would make E = [-1,2] = d43. Rounding down is clearly preferable! In general, rounding down is better, because the smaller of two equivalent generators or periods is preferred. However, there are exceptions.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:41:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="Further Discussion-Alternate keyspans"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:41 --&gt;Alternate keyspans&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:41:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="Further Discussion-Alternate keyspans and stepspans"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:41 --&gt;Alternate keyspans and stepspans&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
One might wonder, why 12-edo keyspans? Why heptatonic stepspans? Heptatonic is best because conventional notation is heptatonic, and we want to minimize the heptatonic stepspan of the enharmonic. In order for the matrix to be invertible, the edo must be connected to 7-edo on the scale tree. The only choices are 5-edo, 12-edo, 19-edo, 26-edo, 33-edo, 40-edo and 47-edo, and on the other side, 2-edo, 9-edo, 16-edo and 23-edo.&lt;br /&gt;
One might wonder, why 12-edo keyspans? Why heptatonic stepspans? Heptatonic is best because conventional notation is heptatonic, and we want to minimize the heptatonic stepspan of the enharmonic. In order for the matrix to be invertible, the edo must be connected to 7-edo on the scale tree. The only choices are 5-edo, 12-edo, 19-edo, 26-edo, 33-edo, 40-edo and 47-edo, and on the other side, 2-edo, 9-edo, 16-edo and 23-edo.&lt;br /&gt;
Line 2,104: Line 2,116:
&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;Extra paragraphs:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;Extra paragraphs:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Not all enharmonics work with all pergens. There are two logical restrictions on the enharmonic, one based on its degree and the other on its 3-exponent (implied edo).&lt;br /&gt;
Not all enharmonics work with all pergens. There are two logical restrictions on the enharmonic, one based on its degree and the other on its 3-exponent (implied edo).&lt;br /&gt;
Line 2,132: Line 2,143:
For {P8/M, multi-gen/N}, there are two conditions on the enharmonic. If T is the 3-exponent of the multi-gen, the conditions are edo = Mx and edo = Ny ± T. For {P8/2, P4/2}, the two conditions are mutually exclusive: the edo must be both even and odd. Therefore there must be two accidental pairs, each with its own enharmonic interval. In the main table, this pergen is notated with both ups/downs and highs/lows. Since the 8ve and 4th are split, the 5th is too. Each interval has its own genchain. One of these is notated with ups/downs, another with highs/lows, and the third with both. The 3 possible ways of allocating the two accidental pairs are all listed. Furthermore, ups/downs can be exchanged for highs/lows.&lt;br /&gt;
For {P8/M, multi-gen/N}, there are two conditions on the enharmonic. If T is the 3-exponent of the multi-gen, the conditions are edo = Mx and edo = Ny ± T. For {P8/2, P4/2}, the two conditions are mutually exclusive: the edo must be both even and odd. Therefore there must be two accidental pairs, each with its own enharmonic interval. In the main table, this pergen is notated with both ups/downs and highs/lows. Since the 8ve and 4th are split, the 5th is too. Each interval has its own genchain. One of these is notated with ups/downs, another with highs/lows, and the third with both. The 3 possible ways of allocating the two accidental pairs are all listed. Furthermore, ups/downs can be exchanged for highs/lows.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For {P8/2, P5/3}, the edo = 2x = 3y ± 1. The edo must be even, thus y must be odd. Possible edos are 2, 4, 8, 10, 14, 16, 20, 22, 26, 28... The main table has ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;2, which implies 26-edo. Most of the other edos aren't practical. 10 and 20 imply the m3. 22-edo suggests a d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;4. The octave genchain would be C - E#^&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;=Abbv&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt; - C.&lt;br /&gt;
For {P8/2, P5/3}, the edo = 2x = 3y ± 1. The edo must be even, thus y must be odd. Possible edos are 2, 4, 8, 10, 14, 16, 20, 22, 26, 28... The main table has ^&lt;span style="vertical-align: super;"&gt;6&lt;/span&gt;d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;2, which implies 26-edo. Most of the other edos aren't practical. 10 and 20 imply the m3. 22-edo suggests a d&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;4. The perchain would be C - E#^&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;=Abbv&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt; - C.&lt;br /&gt;
&lt;br /&gt;
Even if a pergen with two fractions &lt;u&gt;can&lt;/u&gt; be notated with a single accidental pair, a second pair may be preferred. Again, analogous to 22-edo, a notation that causes familiar chords to be misspelled is not very welcoming.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[&lt;em&gt;Example?&lt;/em&gt;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For &lt;strong&gt;{P8/M, P5}&lt;/strong&gt;, the implied edo = Mx&lt;br /&gt;
For &lt;strong&gt;{P8/M, P5}&lt;/strong&gt;, the implied edo = Mx&lt;br /&gt;