Pergen names: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-12-22 17:09:05 UTC</tt>.

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-12-22 17:22:41 UTC</tt>.

: The original revision id was <tt>~~624192833~~</tt>.

: The original revision id was <tt>624193043</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Line 370:

y =

Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. Whenever the enharmonic isn't an A1, ~~there are multiple spellings for many chords~~. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, ~~as they are~~ in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.

Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. There are multiple spellings for many chords. Whenever the enharmonic isn't an A1, even the degree of a chord note can change. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, and either spelling might be used. This exact same ambiguity occurs in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.

Half-octave with a vvM2 enharmonic: 4:5:6 = C Eb^ G. So better to have E = ^^d2.

Line 2,159:

Line 2,161:

y =

Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. Whenever the enharmonic isn't an A1, ~~there are multiple spellings for many chords~~. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, ~~as they are~~ in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.

Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. There are multiple spellings for many chords. Whenever the enharmonic isn't an A1, even the degree of a chord note can change. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, and either spelling might be used. This exact same ambiguity occurs in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.

Half-octave with a vvM2 enharmonic: 4:5:6 = C Eb^ G. So better to have E = ^^d2.

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-12-22 17:09:05 UTC</tt>.<br>
+: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-12-22 17:22:41 UTC</tt>.<br>
-: The original revision id was <tt>624192833</tt>.<br>
+: The original revision id was <tt>624193043</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 370: / Line 370: @@
 y =
-Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. Whenever the enharmonic isn't an A1, there are multiple spellings for many chords. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, as they are in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.
+Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. There are multiple spellings for many chords. Whenever the enharmonic isn't an A1, even the degree of a chord note can change. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, and either spelling might be used. This exact same ambiguity occurs in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.
+Half-octave with a vvM2 enharmonic: 4:5:6 = C Eb^ G. So better to have E = ^^d2.
@@ Line 2,159: / Line 2,161: @@
 y =&lt;br /&gt;
 &lt;br /&gt;
-Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. Whenever the enharmonic isn't an A1, there are multiple spellings for many chords. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, as they are in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.&lt;br /&gt;
+Chord names: All rank-2 chords can be named using ups and downs, as if they were edos. For example, in half-octave, a 4:5:6 chord is C Ev G = C.v. There are multiple spellings for many chords. Whenever the enharmonic isn't an A1, even the degree of a chord note can change. It would be possible to spell the chord C Fb^ G, but there's no reason to. But in certain pergens, one spelling isn't always clearly better. For example, in half-fourth, C E G A^ and C E G Bbv are the same chord, and either spelling might be used. This exact same ambiguity occurs in 24-edo. Even in 12-edo, there are chords with ambiguous spellings. C Eb Gb Bbb = Cdim7, and C Eb G A = Cmin6. But without the 5th, the chord could be C Eb Bbb or C Eb A.&lt;br /&gt;
+&lt;br /&gt;
+Half-octave with a vvM2 enharmonic: 4:5:6 = C Eb^ G. So better to have E = ^^d2.&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;