Pajara: Difference between revisions
Wikispaces>genewardsmith **Imported revision 342625672 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 342627210 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-06-04 20: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-06-04 20:26:54 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>342627210</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=Music= | =Music= | ||
[[http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3|12-22hexachordal Dirge]] by [[Joel Grant Taylor]]</pre></div> | [[http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3|12-22hexachordal Dirge]] by [[Joel Grant Taylor]], in the hexachordal dodecatonic MODMOS.</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>pajara</title></head><body>Pajara (pronounced with the J as in &quot;jar&quot;) is a temperament with a half-octave period that represents both 7/5 and 10/7, so 50/49 is tempered out and it is in the <a class="wiki_link" href="/jubilismic%20clan">jubilismic clan</a>. The generator is in the neighborhood of 105-110 cents, so that period + generator represents 3/2. Period minus 2 generators is 5/4, which, if you work it out, implies that 2048/2025 is tempered out, so pajara is also in the <a class="wiki_link" href="/diaschismic%20family">diaschismic family</a>. Finally, two 4/3s (or a 2/1 minus two generators) represents 7/4 as well as 16/9, so 64/63 is tempered out and pajara is in the <a class="wiki_link" href="/Archytas%20clan">Archytas clan</a>. Tempering out any two of these commas (among others) produces the unique temperament, pajara.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>pajara</title></head><body>Pajara (pronounced with the J as in &quot;jar&quot;) is a temperament with a half-octave period that represents both 7/5 and 10/7, so 50/49 is tempered out and it is in the <a class="wiki_link" href="/jubilismic%20clan">jubilismic clan</a>. The generator is in the neighborhood of 105-110 cents, so that period + generator represents 3/2. Period minus 2 generators is 5/4, which, if you work it out, implies that 2048/2025 is tempered out, so pajara is also in the <a class="wiki_link" href="/diaschismic%20family">diaschismic family</a>. Finally, two 4/3s (or a 2/1 minus two generators) represents 7/4 as well as 16/9, so 64/63 is tempered out and pajara is in the <a class="wiki_link" href="/Archytas%20clan">Archytas clan</a>. Tempering out any two of these commas (among others) produces the unique temperament, pajara.<br /> | ||
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<ul><li>Erlich, Paul. &quot;Tuning, Tonality and 22-Tone Temperament.&quot; Xenharmonicon 17, 1998. <a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf" rel="nofollow">http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf</a></li></ul><br /> | <ul><li>Erlich, Paul. &quot;Tuning, Tonality and 22-Tone Temperament.&quot; Xenharmonicon 17, 1998. <a class="wiki_link_ext" href="http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf" rel="nofollow">http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf</a></li></ul><br /> | ||
<!-- ws:start:WikiTextHeadingRule:16:&lt;h1&gt; --><h1 id="toc8"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:16 -->Music</h1> | <!-- ws:start:WikiTextHeadingRule:16:&lt;h1&gt; --><h1 id="toc8"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:16 -->Music</h1> | ||
<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3" rel="nofollow">12-22hexachordal Dirge</a> by <a class="wiki_link" href="/Joel%20Grant%20Taylor">Joel Grant Taylor</a></body></html></pre></div> | <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3" rel="nofollow">12-22hexachordal Dirge</a> by <a class="wiki_link" href="/Joel%20Grant%20Taylor">Joel Grant Taylor</a>, in the hexachordal dodecatonic MODMOS.</body></html></pre></div> | ||