Kite's Genchain mode numbering: Difference between revisions

Wikispaces>TallKite
**Imported revision 593219626 - Original comment: **
Wikispaces>TallKite
**Imported revision 593219786 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-09-24 20:00:55 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-09-24 20:06:52 UTC</tt>.<br>
: The original revision id was <tt>593219626</tt>.<br>
: The original revision id was <tt>593219786</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==MOS Scales==  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=MOS Scales=  


[[toc]]
[[toc]]
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==[[#How to name rank-2 scales-MODMOS scales]]**__MODMOS scales__**==  
=[[#How to name rank-2 scales-MODMOS scales]]**__MODMOS scales__**=  


[[MODMOS Scales|MODMOS]] scales are named as chromatic alterations of a MOS scale, similar to UDP notation. The ascending melodic minor scale is 5th Meantone [7] #6 #7. The "#" symbol means moved N steps forwards on the genchain, whether the generator is chroma-positive or not. This scale has the same name in 16edo, even though in 16edo, G# is actually flat of G.
[[MODMOS Scales|MODMOS]] scales are named as chromatic alterations of a MOS scale, similar to UDP notation. The ascending melodic minor scale is 5th Meantone [7] #6 #7. The "#" symbol means moved N steps forwards on the genchain, whether the generator is chroma-positive or not. This scale has the same name in 16edo, even though in 16edo, G# is actually flat of G. An alternative, especially for non-heptatonic scales, is to use + and - for forwards and backwards, as in 5th Meantone [7] +6 +7.


MODMOS names are ambiguous. This scale could also be written as 2nd Meantone [7] b3 (major scale with a minor 3rd), or as 4th Meantone [7] #7 (dorian with a major 7th).
MODMOS names are ambiguous. This scale could also be written as 2nd Meantone [7] b3 (major scale with a minor 3rd), or as 4th Meantone [7] #7 (dorian with a major 7th).
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==[[#Fractional-octave periods]]**__Fractional-octave periods__**==  
=[[#Fractional-octave periods]]**__Fractional-octave periods__**=  


Fractional-period rank-2 temperaments have multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is really a 2 dimensional "genweb", running in octaves (or whatever the period is) vertically and fifths (or whatever the generator is) horizontally.
Fractional-period rank-2 temperaments have multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is really a 2 dimensional "genweb", running in octaves (or whatever the period is) vertically and fifths (or whatever the generator is) horizontally.
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==[[#Rank-2 scales that are neither MOS nor MODMOS]]**__Other rank-2 scales__**==  
=[[#Rank-2 scales that are neither MOS nor MODMOS]]**__Other rank-2 scales__**=  


Some scales have too many or too few notes to be MOS or MODMOS. If they have an unbroken genchain, they can be named Meantone [6], Meantone [8], etc. Curly brackets can be used to distinguish them from MOS scales: Meantone {6} and Meantone {8}.
Some scales have too many or too few notes to be MOS or MODMOS. If they have an unbroken genchain, they can be named Meantone [6], Meantone [8], etc. Curly brackets can be used to distinguish them from MOS scales: Meantone {6} and Meantone {8}.
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==[[#Numbering considerations]]__Numbering considerations__==  
=[[#Numbering considerations]]__Non-heptatonic Scales__=  


As long as we stick to MOS scales, terms like Meantone [5] or Meantone {6} are fine. But when we alter, add or drop notes, we need to define what "#4" means in a pentatonic or hexatonic context.
As long as we stick to MOS scales, terms like Meantone [5] or Meantone {6} are fine. But when we alter, add or drop notes, we need to define what "#4" means in a pentatonic or hexatonic context.
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==[[#Explanation / Rationale]]__Explanation__==  
=[[#Explanation / Rationale]]__Explanation__=  


**__Why not number the modes in the order they occur in the scale?__**
**__Why not number the modes in the order they occur in the scale?__**
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Furthermore, UDP uses the more mathematical [[https://en.wikipedia.org/wiki/Zero-based_numbering|zero-based counting]] and Mode Numbers notation uses the more intuitive one-based counting. UDP is mathematician-oriented whereas Mode Numbers notation is musician-oriented.</pre></div>
Furthermore, UDP uses the more mathematical [[https://en.wikipedia.org/wiki/Zero-based_numbering|zero-based counting]] and Mode Numbers notation uses the more intuitive one-based counting. UDP is mathematician-oriented whereas Mode Numbers notation is musician-oriented.</pre></div>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Naming Rank-2 Scales using Mode Numbers&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-MOS Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;MOS Scales&lt;/h2&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Naming Rank-2 Scales using Mode Numbers&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="MOS Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;MOS Scales&lt;/h1&gt;
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&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;strong&gt;Mode numbers&lt;/strong&gt; provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Modal%20UDP%20notation"&gt;Modal UDP notation&lt;/a&gt;, it starts with the convention of using &lt;em&gt;some-temperament-name&lt;/em&gt; [&lt;em&gt;some-number&lt;/em&gt;] to create a generator-chain, and adds a way to number each mode uniquely.&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;strong&gt;Mode numbers&lt;/strong&gt; provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Modal%20UDP%20notation"&gt;Modal UDP notation&lt;/a&gt;, it starts with the convention of using &lt;em&gt;some-temperament-name&lt;/em&gt; [&lt;em&gt;some-number&lt;/em&gt;] to create a generator-chain, and adds a way to number each mode uniquely.&lt;br /&gt;
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&lt;a class="wiki_link" href="/MODMOS%20Scales"&gt;MODMOS&lt;/a&gt; scales are named as chromatic alterations of a MOS scale, similar to UDP notation. The ascending melodic minor scale is 5th Meantone [7] #6 #7. The &amp;quot;#&amp;quot; symbol means moved N steps forwards on the genchain, whether the generator is chroma-positive or not. This scale has the same name in 16edo, even though in 16edo, G# is actually flat of G.&lt;br /&gt;
&lt;a class="wiki_link" href="/MODMOS%20Scales"&gt;MODMOS&lt;/a&gt; scales are named as chromatic alterations of a MOS scale, similar to UDP notation. The ascending melodic minor scale is 5th Meantone [7] #6 #7. The &amp;quot;#&amp;quot; symbol means moved N steps forwards on the genchain, whether the generator is chroma-positive or not. This scale has the same name in 16edo, even though in 16edo, G# is actually flat of G. An alternative, especially for non-heptatonic scales, is to use + and - for forwards and backwards, as in 5th Meantone [7] +6 +7.&lt;br /&gt;
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MODMOS names are ambiguous. This scale could also be written as 2nd Meantone [7] b3 (major scale with a minor 3rd), or as 4th Meantone [7] #7 (dorian with a major 7th).&lt;br /&gt;
MODMOS names are ambiguous. This scale could also be written as 2nd Meantone [7] b3 (major scale with a minor 3rd), or as 4th Meantone [7] #7 (dorian with a major 7th).&lt;br /&gt;
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Fractional-period rank-2 temperaments have multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is really a 2 dimensional &amp;quot;genweb&amp;quot;, running in octaves (or whatever the period is) vertically and fifths (or whatever the generator is) horizontally.&lt;br /&gt;
Fractional-period rank-2 temperaments have multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is really a 2 dimensional &amp;quot;genweb&amp;quot;, running in octaves (or whatever the period is) vertically and fifths (or whatever the generator is) horizontally.&lt;br /&gt;
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Some scales have too many or too few notes to be MOS or MODMOS. If they have an unbroken genchain, they can be named Meantone [6], Meantone [8], etc. Curly brackets can be used to distinguish them from MOS scales: Meantone {6} and Meantone {8}.&lt;br /&gt;
Some scales have too many or too few notes to be MOS or MODMOS. If they have an unbroken genchain, they can be named Meantone [6], Meantone [8], etc. Curly brackets can be used to distinguish them from MOS scales: Meantone {6} and Meantone {8}.&lt;br /&gt;
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As long as we stick to MOS scales, terms like Meantone [5] or Meantone {6} are fine. But when we alter, add or drop notes, we need to define what &amp;quot;#4&amp;quot; means in a pentatonic or hexatonic context.&lt;br /&gt;
As long as we stick to MOS scales, terms like Meantone [5] or Meantone {6} are fine. But when we alter, add or drop notes, we need to define what &amp;quot;#4&amp;quot; means in a pentatonic or hexatonic context.&lt;br /&gt;
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&lt;strong&gt;&lt;u&gt;Why not number the modes in the order they occur in the scale?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;u&gt;Why not number the modes in the order they occur in the scale?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;