Kite's Genchain mode numbering: Difference between revisions

Wikispaces>TallKite
**Imported revision 593233858 - Original comment: **
Wikispaces>TallKite
**Imported revision 593234084 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-09-25 07:57:27 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-09-25 08:11:26 UTC</tt>.<br>
: The original revision id was <tt>593233858</tt>.<br>
: The original revision id was <tt>593234084</tt>.<br>
: The revision comment was: <tt></tt><br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[xenharmonic/MOSScales|MOS scales]] are formed from a segment of the [[xenharmonic/periods and generators|generator-chain]], or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions.
[[xenharmonic/MOSScales|MOS scales]] are formed from a segment of the [[xenharmonic/periods and generators|generator-chain]], or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions.


For example, here are all the modes of Meantone [7], using ~3/2 as the generator:
For example, here are all the modes of [[Meantone]] [7], using ~3/2 as the generator:
|| old scale name || new scale name || sL pattern || example on white keys || genchain ||
|| old scale name || new scale name || sL pattern || example on white keys || genchain ||
|| Lydian || 1st Meantone [7] || LLLs LLs || F G A B C D E F || __**F**__ C G D A E B ||
|| Lydian || 1st Meantone [7] || LLLs LLs || F G A B C D E F || __**F**__ C G D A E B ||
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|| Locrian || 7th Meantone [7] || sLLs LLL || C Db Eb F Gb Ab Bb C || Gb Db Ab Eb Bb F __**C**__ ||
|| Locrian || 7th Meantone [7] || sLLs LLL || C Db Eb F Gb Ab Bb C || Gb Db Ab Eb Bb F __**C**__ ||


The octave inverse of a generator is also a generator. To avoid ambiguity in mode numbers, the smaller of the two generators is chosen. An exception is made for 3/2, which is preferred over 4/3 for historical reasons (see below in "Explanation"). **__Unlike modal UDP notation, the generator isn't always chroma-positive__.** There are several disadvantages of only using chroma-positive generators, see the critique of UDP at the bottom of this page.
The octave inverse of a generator is also a generator. To avoid ambiguity in mode numbers, the smaller of the two generators is chosen. An exception is made for 3/2, which is preferred over 4/3 for historical reasons (see below in "Rationale"). **__Unlike modal UDP notation, the generator isn't always chroma-positive__.** There are several disadvantages of only using chroma-positive generators, see the critique of UDP at the bottom of this page.


Pentatonic meantone scales:
Pentatonic meantone scales:
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Porcupine [7] modes in 22edo (generator = 2nd = ~10/9 = 3\22, L = 4\22, s = 3\22), using [[xenharmonic/ups and downs notation|ups and downs notation]]. Because the generator is a 2nd, the genchain resembles the scale.
[[Porcupine]] [7] modes in 22edo (generator = 2nd = ~10/9 = 3\22, L = 4\22, s = 3\22), using [[xenharmonic/ups and downs notation|ups and downs notation]]. Because the generator is a 2nd, the genchain resembles the scale.
|| scale name || sL pattern || example in C || genchain ||
|| scale name || sL pattern || example in C || genchain ||
|| 1st Porcupine [7] || ssss ssL || C Dv Eb^ F Gv Ab^ Bb C || __**C**__ Dv Eb^ F Gv Ab^ Bb ||
|| 1st Porcupine [7] || ssss ssL || C Dv Eb^ F Gv Ab^ Bb C || __**C**__ Dv Eb^ F Gv Ab^ Bb ||
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F --- C --- G --- D --- A --- E --- B
F --- C --- G --- D --- A --- E --- B


But if the period is a half-octave, the genweb has vertical half-octaves, which octave-reduces to two parallel genchains. Temperaments with third-octave periods reduce to a triple-genchain, and so forth. For example, Srutal [10] might look like this:
But if the period is a half-octave, the genweb has vertical half-octaves, which octave-reduces to two parallel genchains. Temperaments with third-octave periods reduce to a triple-genchain, and so forth. For example, [[Diaschismic family|Srutal]] [10] might look like this:
F^3 --- C^4 --- G^4 --- D^5 --- A^5
F^3 --- C^4 --- G^4 --- D^5 --- A^5
C3 ---- G3 ----- D4 ---- A4 ---- E5
C3 ---- G3 ----- D4 ---- A4 ---- E5
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The Diminished [8] scale has only two modes. The period is a quarter-octave = 300¢. The generator is ~3/2. There are four very short genchains.
The [[Octatonic scale|Diminished]] [8] scale has only two modes. The period is a quarter-octave = 300¢. The generator is ~3/2. There are four very short genchains.
Gb^^ ----- Db^^
Gb^^ ----- Db^^
Eb^ ------- Bb^
Eb^ ------- Bb^
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There are only two Blackwood [10] modes. The period is a fifth-octave = 240¢. The generator is a just 5/4 = 386¢. L = 146¢ and s = 94¢. The lattice can be expressed using a 3\5 period Using ups and downs as before with each genchain at a different "height":
There are only two [[Blackwood]] [10] modes. The period is a fifth-octave = 240¢. The generator is a just 5/4 = 386¢. L = 146¢ and s = 94¢. The lattice can be expressed using a 3\5 period Using ups and downs as before with each genchain at a different "height":
E^^ ------- G#^^
E^^ ------- G#^^
D^ -------- F#^
D^ -------- F#^
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=[[#Explanation / Rationale]]__Explanation__=  
=[[#Rationale]]__Rationale__=  


**__Why not number the modes in the order they occur in the scale?__**
**__Why not number the modes in the order they occur in the scale?__**
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__**Why make an exception for 3/2 vs 4/3 as the generator?**__
__**Why make an exception for 3/2 vs 4/3 as the generator?**__


There are centuries of established thought that the fifth, not the fourth, generates the pythagorean, meantone and well tempered scales, as these quotes show (emphasis mine):
There are centuries of established thought that the fifth, not the fourth, generates the pythagorean, meantone and well tempered scales, as these quotes show (emphasis added):


"Pythagorean tuning is a tuning of the syntonic temperament in which the &lt;span class="mw-redirect"&gt;generator&lt;/span&gt; is the ratio __**&lt;span class="mw-redirect"&gt;3:2&lt;/span&gt;**__ (i.e., the untempered perfect __**fifth**__)." -- [[https://en.wikipedia.org/wiki/Pythagorean_tuning|en.wikipedia.org/wiki/Pythagorean_tuning]]
"Pythagorean tuning is a tuning of the syntonic temperament in which the &lt;span class="mw-redirect"&gt;generator&lt;/span&gt; is the ratio __**&lt;span class="mw-redirect"&gt;3:2&lt;/span&gt;**__ (i.e., the untempered perfect __**fifth**__)." -- [[https://en.wikipedia.org/wiki/Pythagorean_tuning|en.wikipedia.org/wiki/Pythagorean_tuning]]
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"The term "well temperament" or "good temperament" usually means some sort of &lt;span class="new"&gt;irregular temperament&lt;/span&gt; in which the tempered __**fifths**__ are of different sizes." -- [[https://en.wikipedia.org/wiki/Well_temperament|en.wikipedia.org/wiki/Well_temperament]]
"The term "well temperament" or "good temperament" usually means some sort of &lt;span class="new"&gt;irregular temperament&lt;/span&gt; in which the tempered __**fifths**__ are of different sizes." -- [[https://en.wikipedia.org/wiki/Well_temperament|en.wikipedia.org/wiki/Well_temperament]]


"A foolish consistency is the hobgoblin of little minds". To choose 4/3 over 3/2 merely for the sake of consistency would be pointless. Unlike a __wise__ consistency, it wouldn't reduce memorization, because everyone already knows that the generator is historically 3/2.
"A foolish consistency is the hobgoblin of little minds". To choose 4/3 over 3/2 merely for the sake of consistency would be pointless. Unlike a __wise__ consistency, it wouldn't reduce memorization, because it's well known that the generator is historically 3/2.


__**Then why not always choose the larger of the two generators?**__
__**Then why not always choose the larger of the two generators?**__


Because the interval arithmetic is easier with smaller intervals. It's easier to add up stacked 2nds than stacked 7ths. Also, when the generator is a 2nd, the genchain is often identical to the scale, simplifying mode numbering. (See Porcupine [7] above.)
Interval arithmetic is easier with smaller intervals. It's easier to add up stacked 2nds than stacked 7ths. Also, when the generator is a 2nd, the genchain is often identical to the scale, simplifying mode numbering. (See Porcupine [7] above.)


**__Why not always choose the chroma-positive generator?__**
**__Why not always choose the chroma-positive generator?__**
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&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Other rank-2 scales"&gt;Other rank-2 scales&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Other rank-2 scales"&gt;Other rank-2 scales&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Non-heptatonic Scales"&gt;Non-heptatonic Scales&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Non-heptatonic Scales"&gt;Non-heptatonic Scales&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Explanation"&gt;Explanation&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Rationale"&gt;Rationale&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;strong&gt;Mode numbers&lt;/strong&gt; provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Modal%20UDP%20notation"&gt;Modal UDP notation&lt;/a&gt;, it starts with the convention of using &lt;em&gt;some-temperament-name&lt;/em&gt; [&lt;em&gt;some-number&lt;/em&gt;] to create a generator-chain, and adds a way to number each mode uniquely.&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;strong&gt;Mode numbers&lt;/strong&gt; provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Modal%20UDP%20notation"&gt;Modal UDP notation&lt;/a&gt;, it starts with the convention of using &lt;em&gt;some-temperament-name&lt;/em&gt; [&lt;em&gt;some-number&lt;/em&gt;] to create a generator-chain, and adds a way to number each mode uniquely.&lt;br /&gt;
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&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/MOSScales"&gt;MOS scales&lt;/a&gt; are formed from a segment of the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/periods%20and%20generators"&gt;generator-chain&lt;/a&gt;, or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions.&lt;br /&gt;
&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/MOSScales"&gt;MOS scales&lt;/a&gt; are formed from a segment of the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/periods%20and%20generators"&gt;generator-chain&lt;/a&gt;, or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For example, here are all the modes of Meantone [7], using ~3/2 as the generator:&lt;br /&gt;
For example, here are all the modes of &lt;a class="wiki_link" href="/Meantone"&gt;Meantone&lt;/a&gt; [7], using ~3/2 as the generator:&lt;br /&gt;




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&lt;br /&gt;
&lt;br /&gt;
The octave inverse of a generator is also a generator. To avoid ambiguity in mode numbers, the smaller of the two generators is chosen. An exception is made for 3/2, which is preferred over 4/3 for historical reasons (see below in &amp;quot;Explanation&amp;quot;). &lt;strong&gt;&lt;u&gt;Unlike modal UDP notation, the generator isn't always chroma-positive&lt;/u&gt;.&lt;/strong&gt; There are several disadvantages of only using chroma-positive generators, see the critique of UDP at the bottom of this page.&lt;br /&gt;
The octave inverse of a generator is also a generator. To avoid ambiguity in mode numbers, the smaller of the two generators is chosen. An exception is made for 3/2, which is preferred over 4/3 for historical reasons (see below in &amp;quot;Rationale&amp;quot;). &lt;strong&gt;&lt;u&gt;Unlike modal UDP notation, the generator isn't always chroma-positive&lt;/u&gt;.&lt;/strong&gt; There are several disadvantages of only using chroma-positive generators, see the critique of UDP at the bottom of this page.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pentatonic meantone scales:&lt;br /&gt;
Pentatonic meantone scales:&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Porcupine [7] modes in 22edo (generator = 2nd = ~10/9 = 3\22, L = 4\22, s = 3\22), using &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/ups%20and%20downs%20notation"&gt;ups and downs notation&lt;/a&gt;. Because the generator is a 2nd, the genchain resembles the scale.&lt;br /&gt;
&lt;a class="wiki_link" href="/Porcupine"&gt;Porcupine&lt;/a&gt; [7] modes in 22edo (generator = 2nd = ~10/9 = 3\22, L = 4\22, s = 3\22), using &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/ups%20and%20downs%20notation"&gt;ups and downs notation&lt;/a&gt;. Because the generator is a 2nd, the genchain resembles the scale.&lt;br /&gt;




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F --- C --- G --- D --- A --- E --- B&lt;br /&gt;
F --- C --- G --- D --- A --- E --- B&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
But if the period is a half-octave, the genweb has vertical half-octaves, which octave-reduces to two parallel genchains. Temperaments with third-octave periods reduce to a triple-genchain, and so forth. For example, Srutal [10] might look like this:&lt;br /&gt;
But if the period is a half-octave, the genweb has vertical half-octaves, which octave-reduces to two parallel genchains. Temperaments with third-octave periods reduce to a triple-genchain, and so forth. For example, &lt;a class="wiki_link" href="/Diaschismic%20family"&gt;Srutal&lt;/a&gt; [10] might look like this:&lt;br /&gt;
F^3 --- C^4 --- G^4 --- D^5 --- A^5&lt;br /&gt;
F^3 --- C^4 --- G^4 --- D^5 --- A^5&lt;br /&gt;
C3 ---- G3 ----- D4 ---- A4 ---- E5&lt;br /&gt;
C3 ---- G3 ----- D4 ---- A4 ---- E5&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The Diminished [8] scale has only two modes. The period is a quarter-octave = 300¢. The generator is ~3/2. There are four very short genchains.&lt;br /&gt;
The &lt;a class="wiki_link" href="/Octatonic%20scale"&gt;Diminished&lt;/a&gt; [8] scale has only two modes. The period is a quarter-octave = 300¢. The generator is ~3/2. There are four very short genchains.&lt;br /&gt;
Gb^^ ----- Db^^&lt;br /&gt;
Gb^^ ----- Db^^&lt;br /&gt;
Eb^ ------- Bb^&lt;br /&gt;
Eb^ ------- Bb^&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are only two Blackwood [10] modes. The period is a fifth-octave = 240¢. The generator is a just 5/4 = 386¢. L = 146¢ and s = 94¢. The lattice can be expressed using a 3\5 period Using ups and downs as before with each genchain at a different &amp;quot;height&amp;quot;:&lt;br /&gt;
There are only two &lt;a class="wiki_link" href="/Blackwood"&gt;Blackwood&lt;/a&gt; [10] modes. The period is a fifth-octave = 240¢. The generator is a just 5/4 = 386¢. L = 146¢ and s = 94¢. The lattice can be expressed using a 3\5 period Using ups and downs as before with each genchain at a different &amp;quot;height&amp;quot;:&lt;br /&gt;
E^^ ------- G#^^&lt;br /&gt;
E^^ ------- G#^^&lt;br /&gt;
D^ -------- F#^&lt;br /&gt;
D^ -------- F#^&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Explanation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;&lt;!-- ws:start:WikiTextAnchorRule:24:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@Explanation / Rationale&amp;quot; title=&amp;quot;Anchor: Explanation / Rationale&amp;quot;/&amp;gt; --&gt;&lt;a name="Explanation / Rationale"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:24 --&gt;&lt;u&gt;Explanation&lt;/u&gt;&lt;/h1&gt;
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  &lt;br /&gt;
  &lt;br /&gt;
&lt;strong&gt;&lt;u&gt;Why not number the modes in the order they occur in the scale?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;u&gt;Why not number the modes in the order they occur in the scale?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;
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&lt;u&gt;&lt;strong&gt;Why make an exception for 3/2 vs 4/3 as the generator?&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;Why make an exception for 3/2 vs 4/3 as the generator?&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
There are centuries of established thought that the fifth, not the fourth, generates the pythagorean, meantone and well tempered scales, as these quotes show (emphasis mine):&lt;br /&gt;
There are centuries of established thought that the fifth, not the fourth, generates the pythagorean, meantone and well tempered scales, as these quotes show (emphasis added):&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Pythagorean tuning is a tuning of the syntonic temperament in which the &lt;span class="mw-redirect"&gt;generator&lt;/span&gt; is the ratio &lt;u&gt;&lt;strong&gt;&lt;span class="mw-redirect"&gt;3:2&lt;/span&gt;&lt;/strong&gt;&lt;/u&gt; (i.e., the untempered perfect &lt;u&gt;&lt;strong&gt;fifth&lt;/strong&gt;&lt;/u&gt;).&amp;quot; -- &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Pythagorean_tuning" rel="nofollow"&gt;en.wikipedia.org/wiki/Pythagorean_tuning&lt;/a&gt;&lt;br /&gt;
&amp;quot;Pythagorean tuning is a tuning of the syntonic temperament in which the &lt;span class="mw-redirect"&gt;generator&lt;/span&gt; is the ratio &lt;u&gt;&lt;strong&gt;&lt;span class="mw-redirect"&gt;3:2&lt;/span&gt;&lt;/strong&gt;&lt;/u&gt; (i.e., the untempered perfect &lt;u&gt;&lt;strong&gt;fifth&lt;/strong&gt;&lt;/u&gt;).&amp;quot; -- &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Pythagorean_tuning" rel="nofollow"&gt;en.wikipedia.org/wiki/Pythagorean_tuning&lt;/a&gt;&lt;br /&gt;
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&amp;quot;The term &amp;quot;well temperament&amp;quot; or &amp;quot;good temperament&amp;quot; usually means some sort of &lt;span class="new"&gt;irregular temperament&lt;/span&gt; in which the tempered &lt;u&gt;&lt;strong&gt;fifths&lt;/strong&gt;&lt;/u&gt; are of different sizes.&amp;quot; -- &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Well_temperament" rel="nofollow"&gt;en.wikipedia.org/wiki/Well_temperament&lt;/a&gt;&lt;br /&gt;
&amp;quot;The term &amp;quot;well temperament&amp;quot; or &amp;quot;good temperament&amp;quot; usually means some sort of &lt;span class="new"&gt;irregular temperament&lt;/span&gt; in which the tempered &lt;u&gt;&lt;strong&gt;fifths&lt;/strong&gt;&lt;/u&gt; are of different sizes.&amp;quot; -- &lt;a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Well_temperament" rel="nofollow"&gt;en.wikipedia.org/wiki/Well_temperament&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;quot;A foolish consistency is the hobgoblin of little minds&amp;quot;. To choose 4/3 over 3/2 merely for the sake of consistency would be pointless. Unlike a &lt;u&gt;wise&lt;/u&gt; consistency, it wouldn't reduce memorization, because everyone already knows that the generator is historically 3/2.&lt;br /&gt;
&amp;quot;A foolish consistency is the hobgoblin of little minds&amp;quot;. To choose 4/3 over 3/2 merely for the sake of consistency would be pointless. Unlike a &lt;u&gt;wise&lt;/u&gt; consistency, it wouldn't reduce memorization, because it's well known that the generator is historically 3/2.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;Then why not always choose the larger of the two generators?&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;Then why not always choose the larger of the two generators?&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Because the interval arithmetic is easier with smaller intervals. It's easier to add up stacked 2nds than stacked 7ths. Also, when the generator is a 2nd, the genchain is often identical to the scale, simplifying mode numbering. (See Porcupine [7] above.)&lt;br /&gt;
Interval arithmetic is easier with smaller intervals. It's easier to add up stacked 2nds than stacked 7ths. Also, when the generator is a 2nd, the genchain is often identical to the scale, simplifying mode numbering. (See Porcupine [7] above.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;&lt;u&gt;Why not always choose the chroma-positive generator?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;u&gt;Why not always choose the chroma-positive generator?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;