MOS scale: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
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An obvious first rough classification of MOS scales is given by the number of elements of the scale - the number of large intervals (L) and the number of small intervals (s). E.g., the diatonic scale in 12-tone equal temperament could be described as [[5L 2s]] (5 large steps and 2 small steps). Since numbers tend to be dry, Graham Breed has proposed a [[MOSNamingScheme|naming scheme for MOS scales]].
An obvious first rough classification of MOS scales is given by the number of elements of the scale - the number of large intervals (L) and the number of small intervals (s). E.g., the diatonic scale in 12-tone equal temperament could be described as [[5L 2s]] (5 large steps and 2 small steps). Since numbers tend to be dry, Graham Breed has proposed a [[MOSNamingScheme|naming scheme for MOS scales]].


The analysis of MOS scales in terms of Farey pairs can be reverse engineered starting from this classification. If N = L + s is the number of notes in a period of the MOS, then we may take the two preceding [[http://Some useful theorems|convergents]] to L/N. These will comprise a Farey pair with the mediant equal to L/N. Calling the smaller of the pair a/b and the larger c/d, we have that L/N &lt; g &lt; c/d, since L is the number of large steps. The MOS will be proper if L/N &lt; g &lt;= (L+c)/(N+d), and improper otherwise.
The analysis of MOS scales in terms of Farey pairs can be reverse engineered starting from this classification. If N = L + s is the number of notes in a period of the MOS, then we may take the two preceding [[http://en.wikipedia.org/wiki/Continued_fraction#Theorem_1|convergents]] to L/N. These will comprise a Farey pair with the mediant equal to L/N. Calling the smaller of the pair a/b and the larger c/d, we have that L/N &lt; g &lt; c/d, since L is the number of large steps. The MOS will be proper if L/N &lt; g &lt;= (L+c)/(N+d), and improper otherwise.


===Blackwood R constant===
In the context of the "recognizable diatonic" scales deriving from the Farey pair (1/2, 3/5) [[http://en.wikipedia.org/wiki/Easley_Blackwood,_Jr.|Easley Blackwood Jr.]] defined a characterizing constant R which we may generalize to any MOS as follows. If a/b &lt; g &lt; c/d is a generator with the given Farey pair, take the ratio of relative errors R = (bg - a)/(c - dg). Since this is a ratio of positive numbers, it is positive. As g tends towards a/b it tends to zero, and as g goes to c/d R goes to infinity. When g equals (a + c)/(b + d) it takes the value 1, and the range of propriety is 1/2 &lt;= R &lt;= 2.
When R is less than 1, it represents the ratio in (logarithmic) size between the smaller and the larger step. When it is greater than 1, it is larger/smaller. By replacing g with 1 - g if necessary, we can reduce always to the case where R&gt;1 (or R&lt;1 if we prefer.)
==MOS in equal temperaments==  
==MOS in equal temperaments==  
In the special case of an equal temperament, more concrete things about MOS can be stated.
In the special case of an equal temperament, more concrete things about MOS can be stated.
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  An obvious first rough classification of MOS scales is given by the number of elements of the scale - the number of large intervals (L) and the number of small intervals (s). E.g., the diatonic scale in 12-tone equal temperament could be described as &lt;a class="wiki_link" href="/5L%202s"&gt;5L 2s&lt;/a&gt; (5 large steps and 2 small steps). Since numbers tend to be dry, Graham Breed has proposed a &lt;a class="wiki_link" href="/MOSNamingScheme"&gt;naming scheme for MOS scales&lt;/a&gt;.&lt;br /&gt;
  An obvious first rough classification of MOS scales is given by the number of elements of the scale - the number of large intervals (L) and the number of small intervals (s). E.g., the diatonic scale in 12-tone equal temperament could be described as &lt;a class="wiki_link" href="/5L%202s"&gt;5L 2s&lt;/a&gt; (5 large steps and 2 small steps). Since numbers tend to be dry, Graham Breed has proposed a &lt;a class="wiki_link" href="/MOSNamingScheme"&gt;naming scheme for MOS scales&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The analysis of MOS scales in terms of Farey pairs can be reverse engineered starting from this classification. If N = L + s is the number of notes in a period of the MOS, then we may take the two preceding [[&lt;!-- ws:start:WikiTextUrlRule:441:http://Some --&gt;&lt;a class="wiki_link_ext" href="http://Some" rel="nofollow"&gt;http://Some&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:441 --&gt; useful theorems|convergents]] to L/N. These will comprise a Farey pair with the mediant equal to L/N. Calling the smaller of the pair a/b and the larger c/d, we have that L/N &amp;lt; g &amp;lt; c/d, since L is the number of large steps. The MOS will be proper if L/N &amp;lt; g &amp;lt;= (L+c)/(N+d), and improper otherwise.&lt;br /&gt;
The analysis of MOS scales in terms of Farey pairs can be reverse engineered starting from this classification. If N = L + s is the number of notes in a period of the MOS, then we may take the two preceding &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Continued_fraction#Theorem_1" rel="nofollow"&gt;convergents&lt;/a&gt; to L/N. These will comprise a Farey pair with the mediant equal to L/N. Calling the smaller of the pair a/b and the larger c/d, we have that L/N &amp;lt; g &amp;lt; c/d, since L is the number of large steps. The MOS will be proper if L/N &amp;lt; g &amp;lt;= (L+c)/(N+d), and improper otherwise.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="MOS scales-Classification of MOS-Blackwood R constant"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Blackwood R constant&lt;/h3&gt;
In the context of the &amp;quot;recognizable diatonic&amp;quot; scales deriving from the Farey pair (1/2, 3/5) &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Easley_Blackwood,_Jr." rel="nofollow"&gt;Easley Blackwood Jr.&lt;/a&gt; defined a characterizing constant R which we may generalize to any MOS as follows. If a/b &amp;lt; g &amp;lt; c/d is a generator with the given Farey pair, take the ratio of relative errors R = (bg - a)/(c - dg). Since this is a ratio of positive numbers, it is positive. As g tends towards a/b it tends to zero, and as g goes to c/d R goes to infinity. When g equals (a + c)/(b + d) it takes the value 1, and the range of propriety is 1/2 &amp;lt;= R &amp;lt;= 2.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="MOS scales-MOS in equal temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;MOS in equal temperaments&lt;/h2&gt;
When R is less than 1, it represents the ratio in (logarithmic) size between the smaller and the larger step. When it is greater than 1, it is larger/smaller. By replacing g with 1 - g if necessary, we can reduce always to the case where R&amp;gt;1 (or R&amp;lt;1 if we prefer.)&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="MOS scales-MOS in equal temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;MOS in equal temperaments&lt;/h2&gt;
  In the special case of an equal temperament, more concrete things about MOS can be stated.&lt;br /&gt;
  In the special case of an equal temperament, more concrete things about MOS can be stated.&lt;br /&gt;
In an equal temparement, all intervals - and hence also the intervals L and s - are integer multiples of a smallest unit. (Example: in case of the diatonic scale in 12EDO, L would be 2 and s 1.)&lt;br /&gt;
In an equal temparement, all intervals - and hence also the intervals L and s - are integer multiples of a smallest unit. (Example: in case of the diatonic scale in 12EDO, L would be 2 and s 1.)&lt;br /&gt;
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  David Canright was the first to suggest Fibonacci Rhythms in 1/1. This lead to Kraig Grady to be the first to apply MOS patterns to rhythms. Two papers on the subject can be found here &lt;a class="wiki_link_ext" href="http://anaphoria.com/hora.PDF" rel="nofollow"&gt;http://anaphoria.com/hora.PDF&lt;/a&gt; and &lt;a class="wiki_link_ext" href="http://anaphoria.com/horo2.PDF" rel="nofollow"&gt;http://anaphoria.com/horo2.PDF&lt;/a&gt;&lt;br /&gt;
  David Canright was the first to suggest Fibonacci Rhythms in 1/1. This lead to Kraig Grady to be the first to apply MOS patterns to rhythms. Two papers on the subject can be found here &lt;a class="wiki_link_ext" href="http://anaphoria.com/hora.PDF" rel="nofollow"&gt;http://anaphoria.com/hora.PDF&lt;/a&gt; and &lt;a class="wiki_link_ext" href="http://anaphoria.com/horo2.PDF" rel="nofollow"&gt;http://anaphoria.com/horo2.PDF&lt;/a&gt;&lt;br /&gt;
MOS structures and thinking can be applied to the design of rhythms as well. See &lt;a class="wiki_link" href="/MOS%20Rhythm%20Tutorial"&gt;MOS Rhythm Tutorial&lt;/a&gt;&lt;br /&gt;
MOS structures and thinking can be applied to the design of rhythms as well. See &lt;a class="wiki_link" href="/MOS%20Rhythm%20Tutorial"&gt;MOS Rhythm Tutorial&lt;/a&gt;&lt;br /&gt;
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