UDP: Difference between revisions

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**Imported revision 270590048 - Original comment: **
 
Wikispaces>mbattaglia1
**Imported revision 275514280 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
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=Definition=  
=Definition=  
The UDP notation for any mode is U|D|(P), where "u" specifies the number of chroma-aligned generators "up," d specifies the number of chroma-aligned generators "down," and p specifies the number of periods per equivalence interval. The chroma-aligned generator is the one such that more generators "up" also means more "major" scale degrees, or more generally, more "large" intervals that contain the root of the scale.
The UDP notation for any mode is U|D(P), where "u" specifies the number of chroma-aligned generators "up," d specifies the number of chroma-aligned generators "down," and p specifies the number of periods per equivalence interval. The chroma-aligned generator is the one such that more generators "up" also means more "major" scale degrees, or more generally, more "large" intervals that contain the root of the scale.


When the period is one, the (p) can be left off by convention for the short form of UDP notation, such that meantone's Ionian mode can simply be stated 5|1 instead of 5|1(1).
When the period is one, the (p) can be left off by convention for the short form of UDP notation, such that meantone's Ionian mode can simply be stated 5|1 instead of 5|1(1).
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&lt;ul&gt;&lt;li&gt;Meantone[7]'s ionian mode is 5|1(1), abbreviated 5|1 for short.&lt;/li&gt;&lt;li&gt;Melodic minor is 5|1(1) b3, abbreviated 5|1 b3 for short, but could also be 3|3(1) #7, abbreviated 3|3 #7 for short.&lt;/li&gt;&lt;li&gt;Paul Erlich's standard pentachordal major is 4|4(2) #8, or alternatively 6|2(2) b3.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;Meantone[7]'s ionian mode is 5|1(1), abbreviated 5|1 for short.&lt;/li&gt;&lt;li&gt;Melodic minor is 5|1(1) b3, abbreviated 5|1 b3 for short, but could also be 3|3(1) #7, abbreviated 3|3 #7 for short.&lt;/li&gt;&lt;li&gt;Paul Erlich's standard pentachordal major is 4|4(2) #8, or alternatively 6|2(2) b3.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Definition"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Definition&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Definition"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Definition&lt;/h1&gt;
  The UDP notation for any mode is U|D|(P), where &amp;quot;u&amp;quot; specifies the number of chroma-aligned generators &amp;quot;up,&amp;quot; d specifies the number of chroma-aligned generators &amp;quot;down,&amp;quot; and p specifies the number of periods per equivalence interval. The chroma-aligned generator is the one such that more generators &amp;quot;up&amp;quot; also means more &amp;quot;major&amp;quot; scale degrees, or more generally, more &amp;quot;large&amp;quot; intervals that contain the root of the scale.&lt;br /&gt;
  The UDP notation for any mode is U|D(P), where &amp;quot;u&amp;quot; specifies the number of chroma-aligned generators &amp;quot;up,&amp;quot; d specifies the number of chroma-aligned generators &amp;quot;down,&amp;quot; and p specifies the number of periods per equivalence interval. The chroma-aligned generator is the one such that more generators &amp;quot;up&amp;quot; also means more &amp;quot;major&amp;quot; scale degrees, or more generally, more &amp;quot;large&amp;quot; intervals that contain the root of the scale.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
When the period is one, the (p) can be left off by convention for the short form of UDP notation, such that meantone's Ionian mode can simply be stated 5|1 instead of 5|1(1).&lt;br /&gt;
When the period is one, the (p) can be left off by convention for the short form of UDP notation, such that meantone's Ionian mode can simply be stated 5|1 instead of 5|1(1).&lt;br /&gt;
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