MMMday06: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~xenjacob~~|~~xenjacob~~]] and made on <tt>~~2006~~-04-~~13 00~~:51:42 UTC</tt>.<br>

: This revision was by author [[User:clumma|clumma]] and made on <tt>2013-02-08 02:34:25 UTC</tt>.<br>

: The original revision id was <tt>~~512615~~</tt>.<br>

: The original revision id was <tt>405415928</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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* [[http://podcast1024.libsyn.com/index.php?post_id=77756|Podcast1024]]

If you want to be included in the next show, send a link or the piece to Prent or Carl~~. Carl is at [[mailto:[email protected]|[email protected]]] Prent is receiving at [[mailto:[email protected]|[email protected]]].~~

If you want to be included in the next show, send a link or the piece to Prent or Carl. </pre></div>

~~==The Interval of Honor==~~

~~Nominations for Interval of Honor were:~~

~~0. 17/13~~

~~1. 7/6 4-5 cents flat~~

~~2. pi/3~~

~~3. pi/e~~

~~4. 1/1 (the unison)~~

~~5. 2 ^ (phi / (4 * phi + 2)), approx. 229.18 cents~~

The judges were at first engaged in an intense debate on whether 1/1 (the unison) did indeed count as an interval. Perhaps realizing that it would be much too controversial for such a non-controversial holiday as MMMDay, and realizing that all they had was a five-sided die, they set out to decide between the remainder of them. At first an impassioned plea for 2 ^ (phi / (4 * phi + 2)) swayed many of the judges hearts, but

~~the sensation passed, it would seem, and they eventually reached a consensus for 17/13 (approximately 464.427748 cents).~~

~~===Yes, Here's Your Interval of Honor: a frequency factor of Seventeen Thirteenths,===~~

~~===**sing its praises,**===~~

~~===**go ahead and learn to sing it, literally,**===~~

~~===**learn of its most inner secrets (if you dare),**===~~

~~===**cherish it for a full twenty-four hours,**===~~

~~===**and at the end of the day,**===~~

~~===**pretend that you know everything there is to know about 17/13.**===~~

~~And this is where I realized that perhaps I'm not qualified to write 17/13 an honorary poem.~~

At any rate, the public is outraged at the decision. The Bureau of Intervals stands accused of corruption, bribe-taking, rationalism, indeterminacy, etc. by all sorts of interest groups. Yet the J.I. Network (inexplicably) does not join in the mudslinging.</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>MMMday06</title></head><body>April 8, 2006, or thereabouts: A day of manic mischievous microtonal music making by dozens of denizens across the globe. Anything goes, in theory, but the crux of the internet side of celebration centered on creating a massive sound file for all to hear, a record of and testimony to people playing tones in the cracks everywhere.<br />

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<br />

<hr />

1 - Dave Seidel - Sunday Afternoon <div class="objectEmbed"><a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');"><img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="01_DaveSeidel_SundayAfternoon.mp3" /></a><div><a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');" class="filename" title="01_DaveSeidel_SundayAfternoon.mp3">01_DaveSeidel_SundayAfternoon.mp3</a><br /><ul><li><a href="/file/detail/01_DaveSeidel_SundayAfternoon.mp3">Details</a></li><li><a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3">Download</a></li><li style="color: #666">3 MB</li></ul></div></div><br />

1 - Dave Seidel - Sunday Afternoon <div class="objectEmbed"><a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');"><img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="01_DaveSeidel_SundayAfternoon.mp3" /></a><div><a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');" class="filename" title="01_DaveSeidel_SundayAfternoon.mp3">01_DaveSeidel_SundayAfternoon.mp3</a><br /><ul><li><a href="/file/detail/01_DaveSeidel_SundayAfternoon.mp3">Details</a></li><li><a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3">Download</a></li><li style="color: #666">3 MB</li></ul></div></div><br />

<br />

&quot;Sunday Afternoon&quot; is a piece of (gasp) tonal chamber music. I put this one out a few days ago as a MIDI retuning/rendering challenge here and on the Tuning list. This version is from JL Smith.<br />

<br />

<hr />

2 - Herman Miller - Lemba Galatsia <div class="objectEmbed"><a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');"><img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="02_HermanMiller_LembaGalatsia.mp3" /></a><div><a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');" class="filename" title="02_HermanMiller_LembaGalatsia.mp3">02_HermanMiller_LembaGalatsia.mp3</a><br /><ul><li><a href="/file/detail/02_HermanMiller_LembaGalatsia.mp3">Details</a></li><li><a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3">Download</a></li><li style="color: #666">2 MB</li></ul></div></div><br />

2 - Herman Miller - Lemba Galatsia <div class="objectEmbed"><a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');"><img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="02_HermanMiller_LembaGalatsia.mp3" /></a><div><a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');" class="filename" title="02_HermanMiller_LembaGalatsia.mp3">02_HermanMiller_LembaGalatsia.mp3</a><br /><ul><li><a href="/file/detail/02_HermanMiller_LembaGalatsia.mp3">Details</a></li><li><a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3">Download</a></li><li style="color: #666">2 MB</li></ul></div></div><br />

<br />

Lemba Galatsia is the latest result of my explorations into lemba temperament (named after a fictional island). Lemba was one of many 7-limit temperaments included in a long list that Gene Ward Smith detailed on the tuning-math list. At the time I referred to it simply as &quot;Number 82&quot;. I'd been looking around for useful temperaments that may have been overlooked, and this one immediately attracted my attention. It has a useful 10-note basic scale, and two identical periods in the octave (it repeats at the tritone). Since 50/49 is tempered out, the tritone can represent either 7/5 or 10/7.<br />

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Prent Rodgers produced two podcasts and released them on Saturday April 8, 2006 with material he received. They can be found at a few places, including:<br />

<ul><li><a class="wiki_link_ext" href="http://bumpermusic.blogspot.com/2006/04/make-microtonal-music-day-2006-part-1.html" rel="nofollow">Bumper Music Podcast</a></li><li><a class="wiki_link_ext" href="http://podcast1024.libsyn.com/index.php?post_id=77756" rel="nofollow">Podcast1024</a></li></ul><br />

If you want to be included in the next show, send a link or the piece to Prent or Carl. Carl is at <a class="wiki_link_ext" href="mailto:[email protected]" rel="nofollow">[email protected]</a> Prent is receiving at <a class="wiki_link_ext" href="mailto:[email protected]" rel="nofollow">[email protected]</a>.<br />

If you want to be included in the next show, send a link or the piece to Prent or Carl.</body></html></pre></div>

~~<br />~~

<h2 id="toc1"><a name="x-The Interval of Honor"></a>The Interval of Honor</h2>

~~<br />~~

~~Nominations for Interval of Honor were:<br />~~

~~<br />~~

~~0. 17/13<br />~~

~~1. 7/6 4-5 cents flat<br />~~

~~2. pi/3<br />~~

~~3. pi/e<br />~~

~~4. 1/1 (the unison)<br />~~

~~5. 2 ^ (phi / (4 * phi + 2)), approx. 229.18 cents<br />~~

~~<br />~~

The judges were at first engaged in an intense debate on whether 1/1 (the unison) did indeed count as an interval. Perhaps realizing that it would be much too controversial for such a non-controversial holiday as MMMDay, and realizing that all they had was a five-sided die, they set out to decide between the remainder of them. At first an impassioned plea for 2 ^ (phi / (4 * phi + 2)) swayed many of the judges hearts, but<br />

~~the sensation passed, it would seem, and they eventually reached a consensus for 17/13 (approximately 464.427748 cents).<br />~~

~~<br />~~

<h3 id="toc2"><a name="x-The Interval of Honor-Yes, Here's Your Interval of Honor: a frequency factor of Seventeen Thirteenths,"></a>Yes, Here's Your Interval of Honor: a frequency factor of Seventeen Thirteenths,</h3>

<h3 id="toc3"><a name="x-The Interval of Honor-sing its praises,"></a><strong>sing its praises,</strong></h3>

<h3 id="toc4"><a name="x-The Interval of Honor-go ahead and learn to sing it, literally,"></a><strong>go ahead and learn to sing it, literally,</strong></h3>

<h3 id="toc5"><a name="x-The Interval of Honor-learn of its most inner secrets (if you dare),"></a><strong>learn of its most inner secrets (if you dare),</strong></h3>

<h3 id="toc6"><a name="x-The Interval of Honor-cherish it for a full twenty-four hours,"></a><strong>cherish it for a full twenty-four hours,</strong></h3>

<h3 id="toc7"><a name="x-The Interval of Honor-and at the end of the day,"></a><strong>and at the end of the day,</strong></h3>

<h3 id="toc8"><a name="x-The Interval of Honor-pretend that you know everything there is to know about 17/13."></a><strong>pretend that you know everything there is to know about 17/13.</strong></h3>

~~<br />~~

~~And this is where I realized that perhaps I'm not qualified to write 17/13 an honorary poem.<br />~~

~~<br />~~

At any rate, the public is outraged at the decision. The Bureau of Intervals stands accused of corruption, bribe-taking, rationalism, indeterminacy, etc. by all sorts of interest groups. Yet the J.I. Network (inexplicably) does not join in the mudslinging.</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2006-04-13 00:51:42 UTC</tt>.<br>
+: This revision was by author [[User:clumma|clumma]] and made on <tt>2013-02-08 02:34:25 UTC</tt>.<br>
-: The original revision id was <tt>512615</tt>.<br>
+: The original revision id was <tt>405415928</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 121: / Line 121: @@
 * [[http://podcast1024.libsyn.com/index.php?post_id=77756|Podcast1024]]
-If you want to be included in the next show, send a link or the piece to Prent or Carl. Carl is at [[mailto:[email protected]|[email protected]]] Prent is receiving at [[mailto:[email protected]|[email protected]]].
+If you want to be included in the next show, send a link or the piece to Prent or Carl. </pre></div>
-==The Interval of Honor==
-Nominations for Interval of Honor were:
-. 17/13
-. 7/6 4-5 cents flat
-. pi/3
-. pi/e
-. 1/1 (the unison)
-. 2 ^ (phi / (4 * phi + 2)), approx. 229.18 cents
-The judges were at first engaged in an intense debate on whether 1/1 (the unison) did indeed count as an interval. Perhaps realizing that it would be much too controversial for such a non-controversial holiday as MMMDay, and realizing that all they had was a five-sided die, they set out to decide between the remainder of them. At first an impassioned plea for 2 ^ (phi / (4 * phi + 2)) swayed many of the judges hearts, but
-the sensation passed, it would seem, and they eventually reached a consensus for 17/13 (approximately 464.427748 cents).
-===Yes, Here's Your Interval of Honor: a frequency factor of Seventeen Thirteenths,===
-===**sing its praises,**===
-===**go ahead and learn to sing it, literally,**===
-===**learn of its most inner secrets (if you dare),**===
-===**cherish it for a full twenty-four hours,**===
-===**and at the end of the day,**===
-===**pretend that you know everything there is to know about 17/13.**===
-And this is where I realized that perhaps I'm not qualified to write 17/13 an honorary poem.
-At any rate, the public is outraged at the decision. The Bureau of Intervals stands accused of corruption, bribe-taking, rationalism, indeterminacy, etc. by all sorts of interest groups. Yet the J.I. Network (inexplicably) does not join in the mudslinging.</pre></div>
 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;MMMday06&lt;/title&gt;&lt;/head&gt;&lt;body&gt;April 8, 2006, or thereabouts: A day of manic mischievous microtonal music making by dozens of denizens across the globe. Anything goes, in theory, but the crux of the internet side of celebration centered on creating a massive sound file for all to hear, a record of and testimony to people playing tones in the cracks everywhere.&lt;br /&gt;
@@ Line 154: / Line 128: @@
 &lt;br /&gt;
 &lt;hr /&gt;
-- Dave Seidel - Sunday Afternoon &lt;!-- ws:start:WikiTextFileRule:36:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/01_DaveSeidel_SundayAfternoon.mp3?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@01_DaveSeidel_SundayAfternoon.mp3&amp;quot; title=&amp;quot;File: 01_DaveSeidel_SundayAfternoon.mp3&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="01_DaveSeidel_SundayAfternoon.mp3" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');" class="filename" title="01_DaveSeidel_SundayAfternoon.mp3"&gt;01_DaveSeidel_SundayAfternoon.mp3&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/01_DaveSeidel_SundayAfternoon.mp3"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;3 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:36 --&gt;&lt;br /&gt;
+- Dave Seidel - Sunday Afternoon &lt;!-- ws:start:WikiTextFileRule:20:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/01_DaveSeidel_SundayAfternoon.mp3?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@01_DaveSeidel_SundayAfternoon.mp3&amp;quot; title=&amp;quot;File: 01_DaveSeidel_SundayAfternoon.mp3&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="01_DaveSeidel_SundayAfternoon.mp3" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3" onclick="ws.common.trackFileLink('/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3');" class="filename" title="01_DaveSeidel_SundayAfternoon.mp3"&gt;01_DaveSeidel_SundayAfternoon.mp3&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/01_DaveSeidel_SundayAfternoon.mp3"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/01_DaveSeidel_SundayAfternoon.mp3/30088053/01_DaveSeidel_SundayAfternoon.mp3"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;3 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:20 --&gt;&lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Sunday Afternoon&amp;quot; is a piece of (gasp) tonal chamber music. I put this one out a few days ago as a MIDI retuning/rendering challenge here and on the Tuning list. This version is from JL Smith.&lt;br /&gt;
 &lt;br /&gt;
 &lt;hr /&gt;
-- Herman Miller - Lemba Galatsia &lt;!-- ws:start:WikiTextFileRule:37:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/02_HermanMiller_LembaGalatsia.mp3?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@02_HermanMiller_LembaGalatsia.mp3&amp;quot; title=&amp;quot;File: 02_HermanMiller_LembaGalatsia.mp3&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="02_HermanMiller_LembaGalatsia.mp3" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');" class="filename" title="02_HermanMiller_LembaGalatsia.mp3"&gt;02_HermanMiller_LembaGalatsia.mp3&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/02_HermanMiller_LembaGalatsia.mp3"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:37 --&gt;&lt;br /&gt;
+- Herman Miller - Lemba Galatsia &lt;!-- ws:start:WikiTextFileRule:21:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/02_HermanMiller_LembaGalatsia.mp3?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@02_HermanMiller_LembaGalatsia.mp3&amp;quot; title=&amp;quot;File: 02_HermanMiller_LembaGalatsia.mp3&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="02_HermanMiller_LembaGalatsia.mp3" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3" onclick="ws.common.trackFileLink('/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3');" class="filename" title="02_HermanMiller_LembaGalatsia.mp3"&gt;02_HermanMiller_LembaGalatsia.mp3&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/02_HermanMiller_LembaGalatsia.mp3"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/02_HermanMiller_LembaGalatsia.mp3/30088055/02_HermanMiller_LembaGalatsia.mp3"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:21 --&gt;&lt;br /&gt;
 &lt;br /&gt;
 Lemba Galatsia is the latest result of my explorations into lemba temperament (named after a fictional island). Lemba was one of many 7-limit temperaments included in a long list that Gene Ward Smith detailed on the tuning-math list. At the time I referred to it simply as &amp;quot;Number 82&amp;quot;. I'd been looking around for useful temperaments that may have been overlooked, and this one immediately attracted my attention. It has a useful 10-note basic scale, and two identical periods in the octave (it repeats at the tritone). Since 50/49 is tempered out, the tritone can represent either 7/5 or 10/7.&lt;br /&gt;
@@ Line 262: / Line 236: @@
 Prent Rodgers produced two podcasts and released them on Saturday April 8, 2006 with material he received. They can be found at a few places, including:&lt;br /&gt;
 &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://bumpermusic.blogspot.com/2006/04/make-microtonal-music-day-2006-part-1.html" rel="nofollow"&gt;Bumper Music Podcast&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://podcast1024.libsyn.com/index.php?post_id=77756" rel="nofollow"&gt;Podcast1024&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
-If you want to be included in the next show, send a link or the piece to Prent or Carl. Carl is at &lt;a class="wiki_link_ext" href="mailto:[email protected]" rel="nofollow"&gt;[email protected]&lt;/a&gt; Prent is receiving at &lt;a class="wiki_link_ext" href="mailto:[email protected]" rel="nofollow"&gt;[email protected]&lt;/a&gt;.&lt;br /&gt;
+If you want to be included in the next show, send a link or the piece to Prent or Carl.&lt;/body&gt;&lt;/html&gt;</pre></div>
-&lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-The Interval of Honor"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;The Interval of Honor&lt;/h2&gt;
-&lt;br /&gt;
-Nominations for Interval of Honor were:&lt;br /&gt;
-&lt;br /&gt;
-. 17/13&lt;br /&gt;
-. 7/6 4-5 cents flat&lt;br /&gt;
-. pi/3&lt;br /&gt;
-. pi/e&lt;br /&gt;
-. 1/1 (the unison)&lt;br /&gt;
-. 2 ^ (phi / (4 * phi + 2)), approx. 229.18 cents&lt;br /&gt;
-&lt;br /&gt;
-The judges were at first engaged in an intense debate on whether 1/1 (the unison) did indeed count as an interval. Perhaps realizing that it would be much too controversial for such a non-controversial holiday as MMMDay, and realizing that all they had was a five-sided die, they set out to decide between the remainder of them. At first an impassioned plea for 2 ^ (phi / (4 * phi + 2)) swayed many of the judges hearts, but&lt;br /&gt;
-the sensation passed, it would seem, and they eventually reached a consensus for 17/13 (approximately 464.427748 cents).&lt;br /&gt;
-&lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-The Interval of Honor-Yes, Here's Your Interval of Honor: a frequency factor of Seventeen Thirteenths,"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Yes, Here's Your Interval of Honor: a frequency factor of Seventeen Thirteenths,&lt;/h3&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="x-The Interval of Honor-sing its praises,"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;&lt;strong&gt;sing its praises,&lt;/strong&gt;&lt;/h3&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="x-The Interval of Honor-go ahead and learn to sing it, literally,"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;&lt;strong&gt;go ahead and learn to sing it, literally,&lt;/strong&gt;&lt;/h3&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="x-The Interval of Honor-learn of its most inner secrets (if you dare),"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;&lt;strong&gt;learn of its most inner secrets (if you dare),&lt;/strong&gt;&lt;/h3&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc6"&gt;&lt;a name="x-The Interval of Honor-cherish it for a full twenty-four hours,"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;&lt;strong&gt;cherish it for a full twenty-four hours,&lt;/strong&gt;&lt;/h3&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc7"&gt;&lt;a name="x-The Interval of Honor-and at the end of the day,"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;strong&gt;and at the end of the day,&lt;/strong&gt;&lt;/h3&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc8"&gt;&lt;a name="x-The Interval of Honor-pretend that you know everything there is to know about 17/13."&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;&lt;strong&gt;pretend that you know everything there is to know about 17/13.&lt;/strong&gt;&lt;/h3&gt;
-&lt;br /&gt;
-And this is where I realized that perhaps I'm not qualified to write 17/13 an honorary poem.&lt;br /&gt;
-&lt;br /&gt;
-At any rate, the public is outraged at the decision. The Bureau of Intervals stands accused of corruption, bribe-taking, rationalism, indeterminacy, etc. by all sorts of interest groups. Yet the J.I. Network (inexplicably) does not join in the mudslinging.&lt;/body&gt;&lt;/html&gt;</pre></div>