Maeve Gutierrez: Difference between revisions

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== Gutierrez's scale recommendations ==

If a composer likes Gutierrez's original scales, they may also like scales by other theorists which Gutierrez has recommended using. These are some examples of those:

; [[Cloudtone]][10] in [[45edo]]

If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage.

* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]])

; [[Decimetra]][20] in [[90edo]]

If you take two copies of [[10edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the decimetra[20] [[MOS scale]] in 90edo.

* Step pattern: 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 ([[10L 10s]])

; [[Superpyth]][5] in [[27edo]]

If you take all the intervals of [[3ed7/3]] up to its sharp [[tritave]] and octave-reduce them, you get a scale almost exactly the same (within 0.25{{c}}) as the superpyth[5] [[MOS scale]] in 27edo. This scale sounds somewhere in between [[12edo]] pentatonic and [[5edo]] equipentatonic.

* Step pattern: 6 5 6 5 5 ([[2L 3s]])

~~; [[Cloudtone]][10] in [[45edo]]~~

If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage.

* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]])

[[Category:People]]

[[Category:Composers]]

[[Category:Theorists]]

@@ Line 273: / Line 273: @@
 == Gutierrez's scale recommendations ==
 If a composer likes Gutierrez's original scales, they may also like scales by other theorists which Gutierrez has recommended using. These are some examples of those:
+; [[Cloudtone]][10] in [[45edo]]
+If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage.
+* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]])
+; [[Decimetra]][20] in [[90edo]]
+If you take two copies of [[10edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the decimetra[20] [[MOS scale]] in 90edo.
+* Step pattern: 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 ([[10L 10s]])
 ; [[Superpyth]][5] in [[27edo]]
 If you take all the intervals of [[3ed7/3]] up to its sharp [[tritave]] and octave-reduce them, you get a scale almost exactly the same (within 0.25{{c}}) as the superpyth[5] [[MOS scale]] in 27edo. This scale sounds somewhere in between [[12edo]] pentatonic and [[5edo]] equipentatonic.
 * Step pattern: 6 5 6 5 5 ([[2L 3s]])
-; [[Cloudtone]][10] in [[45edo]]
-If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage.
-* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]])
 [[Category:People]]
 [[Category:Composers]]
 [[Category:Theorists]]