Maeve Gutierrez: Difference between revisions
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* 3 17 22 3 20 5 17 25 5 14 22 5 3 16 18 4 19 5 5 12 2 6 17 5 | * 3 17 22 3 20 5 17 25 5 14 22 5 3 16 18 4 19 5 5 12 2 6 17 5 | ||
* (identical to original scale within 1{{c}}) | * (identical to original scale within 1{{c}}) | ||
[[Category:24-tone scales]] | |||
[[Category:Tempered scales]] | |||
[[Category:19-limit]] | |||
=== Gutierrez wisp scale === | === Gutierrez wisp scale === | ||
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* 1466.87 (7/3) | * 1466.87 (7/3) | ||
* 1698.05 (8/3) | * 1698.05 (8/3) | ||
[[Category:8-tone scales]] | |||
[[Category:Tempered scales]] | |||
[[Category:Nonoctave]] | |||
== Invented scales and chords (unnamed) == | == Invented scales and chords (unnamed) == | ||
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Which Gutierrez recommends using as either a JI chord or as a scale in its own right. | Which Gutierrez recommends using as either a JI chord or as a scale in its own right. | ||
[[Category:8-tone scales]] | |||
[[Category:Just intonation scales]] | |||
=== Gutierrez 11/1-period heptachord === | === Gutierrez 11/1-period heptachord === | ||
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[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez's chord and subsets thereof is the most foundational consonance. | [[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez's chord and subsets thereof is the most foundational consonance. | ||
[[Category:7-tone scales]] | |||
[[Category:Just intonation scales]] | |||
[[Category:Nonoctave]] | |||
=== Gutierrez-Lambeth quasi-subharmonic pentatonic === | === Gutierrez-Lambeth quasi-subharmonic pentatonic === | ||
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[[Edo]]s with especially good approximations of this scale for their size are: | [[Edo]]s with especially good approximations of this scale for their size are: | ||
* {{EDOs|37, 58, 67, 72, 94, 108, 109, 118, 125, 166, 176, 212, 224, 270...}} | * {{EDOs|37, 58, 67, 72, 94, 108, 109, 118, 125, 166, 176, 212, 224, 270...}} | ||
It is an [[11-limit]] scale. | |||
[[Category:5-tone scales]] | |||
[[Category:Just intonation scales]] | |||
[[Category:11-limit]] | |||
[[Category:Nonoctave]] | |||
==== ''Octave-reduced variant'' ==== | ==== ''Octave-reduced variant'' ==== | ||
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* 1200.0 | * 1200.0 | ||
It is all the intervals in 3ed7/3 up to its sharp tritave, but [[octave-reduced]]. It creates a subminor pentatonic scale near 5edo with a better 4/3 and 7/6, but with a 14/9 instead of a 3/2. (Which is quite a bit more [[xenharmonic]].) | It is all the intervals in 3ed7/3 up to its sharp tritave, but [[octave-reduced]]. It creates a subminor pentatonic scale near 5edo with a better 4/3 and 7/6, but with a 14/9 instead of a 3/2. (Which is quite a bit more [[xenharmonic]].) | ||
[[Category:5-tone scales]] | |||
[[Category:Tempered scales]] | |||
=== Sun-after-a-storm pentachord === | === Sun-after-a-storm pentachord === | ||
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According to Lambeth, sun-after-a-storm also sounds good tuned to [[34edo]] or [[95edo]] when using these kinds of timbres. | According to Lambeth, sun-after-a-storm also sounds good tuned to [[34edo]] or [[95edo]] when using these kinds of timbres. | ||
[[Category:5-tone scales]] | |||
[[Category:Just intonation scales]] | |||
[[Category:17-limit]] | |||
== See also == | == See also == | ||
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[[Category:Composers]] | [[Category:Composers]] | ||
[[Category:Theorists]] | [[Category:Theorists]] | ||